Yamaha SB6J SilentBrass for Flugelhorn

SB6J
Pickup Mute™ and Personal Studio™ for Flugelhorn(with Brass Resonance Modeling™)

Experience the Evolution of SILENT Brass™
You want to play when and as you like, without being confined to time or place… Yamaha’s next generation SILENT Brass™ makes it happen. The SILENT Brass™ consists of a smaller, lighter, freer blowing Pickup Mute™, and the Personal Studio™, which features Yamaha’s exclusive Brass Resonance Modeling™. Used together, the two deliver the natural acoustic tone you hear when playing without a mute, making it feel as though you are playing mute free.

Pickup Mute™

Easy to attach and remove
The mutes are designed to attach and remove smoothly and easily.

Fits neatly inside the bell
A new compact design now lets you put your instrument in its case with the mute in the bell.

*Pickup Mute for flugelhorn protrudes 3-4 cm from the bell.

*In some cases, the Pickup Mute may not fit instruments that have significantly different bell diameters and/or shapes. Please refer to the “Compatibility Table” on each product page and check before purchasing

So light you’ll forget it’s in your horn.
These mutes offer better instrument balance when in the bell and greatly reduce stress when playing.

Specially designed mini microphone
Microphone performance, it’s mounting position, and the surrounding mute design were all optimized to bring out the full potential of Brass Resonance Modeling
Brass Resonance Modeling™ Ver.2.0
Brass Resonance Modeling™ is original Yamaha technology that effectively cancels the characteristic closed sound of a mute, reproducing the open, natural sound of the unmuted instrument. This reduces stress on players by allowing them to practice and play freely without feeling restricted by the mute.
Brass Resonance Modeling utilizes three simultaneous processes to produce the realistic tone of the brass instrument

Player Mode

1. Cancel the distinctive mute sound
Sound picked up by the microphone at the end of the pickup mute is processed digitally to cancel out the characteristic “closed” sound of the mute.

2. Add the instrument’s natural sound
The natural sound that emanates from the bell and returns to the player’s ears when the instrument is played without a mute is reproduced and added.

3. Adjust left-right balance to match the player’s position
The timing, volume, and tone of the sound reaching the player’s left and right ears are individually adjusted, and reverb is added as needed to accurately simulate the feel of playing in a room or hall.

Sound Mode
Personal Studio™ STJ offers two sound modes. The “Player” (PLY) mode allows the player to hear the natural sound of the instrument, while the “Audience” (AUD) mode delivers natural sound to the listener. In the AUD mode the audience hears the sound of the instrument being played in front of them, making it ideal for recording or online lessons.

Brass Resonance Modeling utilizes three simultaneous processes to produce the realistic tone of the brass instrument

Audience Mode

1. Cancel the distinctive mute sound
Sound picked up by the microphone at the end of the pickup mute is processed digitally to cancel out the characteristic “closed” sound of the mute.

2. Add the instrument’s natural sound
The natural sound that emanates from the bell and reaches the audience’s ears when the instrument is played without a mute is reproduced and added, recreating the sound an audience hears when an instrument is played on stage.

3. Adjust left-right balance to match the player’s position
The timing, volume, and tone of the sound reaching the audience’s left and right ears are individually adjusted, and reverb is added as needed to accurately simulate the feel of hearing the sound being played on stage from audience seating.

Reverb
Greater control over reverb lets users recreate the feeling of playing in environments ranging from small practice rooms that have relatively little reverberation to large halls with rich, dense reverberation.