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This item is a recurring or deferred purchase. By continuing, I agree to the cancellation policy and authorize you to charge my payment method at the prices, frequency and dates listed on this page until my order is fulfilled or I cancel, if permitted.
Embossed diaphragm for extended low-frequency response
Class A preamp eliminates cross-over distortion
Ultra-thin Mylar diaphragm for excellent transients
15 dB attenuation switch for high SPL handling
Switchable low-frequency filter for noise reduction
Three-stage grille reduces 'pop' and breath noise
Internal shock mount reduces handling noise
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6 months min.
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Description
An embossed single-diaphragm, side-address, cardioid condenser microphone for highly critical studio recording and live sound productions. The Shure KSM32 offers an extended frequency response for an open, natural sounding reproduction of the original sound source.
Features
Class A, transformerless preamplifier circuitry eliminates cross-over distortion for improved linearity across the full frequency range.
Ultra-thin, gold-layered, low-mass, Mylar® diaphragm for excellent transient response
15 dB attenuation switch for handling extremely high sound pressure levels (SPL)
Switchable low-frequency filter provides greater flexibility to reduce background noise or to counteract proximity effect.
Integrated three-stage pop protection grille reduces "pop" and other breath noise
Internal shock mount reduces transmission of handling noise
Replacement cartridge: RK374
Performance Characteristics
Extended frequency response
Very low self-noise
Exceptional low-frequency reproduction
High output level
High input SPL capability
No cross-over distortion
Extremely uniform polar response
Superior common mode rejection and suppression of radio frequency interference
Applications
Some typical applications for the KSM32 are listed below. Microphone use, however, is a matter of personal taste. The KSM32 may be used for a variety of applications other than those listed.
Acoustic instruments -- such as piano, guitar, drums, percussion, strings
Wind instruments -- brass and woodwind
Low frequency instruments -- such as double bass, electric bass, kick drum
Overhead miking -- drums or percussion
Ensembles -- choral or orchestral
Room ambiance pick-up -- guitar amplifier or drums
Both the acoustic environment and microphone placement have significant effects on the sound obtained when miking a source. You may need to experiment with these variables to achieve the best overall sound for each application.
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Shipping
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