Paul Reed Smith (PRS) Mary Cries Optical Compressor Pedal

The PRS Mary Cries optical compressor pedal is intuitive and sounds incredible. Based on the storied LA-2A, Mary Cries will thicken your tone, help control signal peaks, lengthen sustain, and push your tone without losing definition or clarity. Depending on your settings, it can be used as a boost as well as a straightforward compressor.

ACCOLADES

“I can be snobby when it comes to compressor pedals. Compressor pedals with only a few controls scare me as they can often squeeze too much too quickly. Mary Cries doesn’t do that and reacts to my playing in a musical way. I actually liked using it as a clean boost with a touch of compression!”

- Corey Congilio

“A good compression pedal is one of the most crucial components to my pedal board but often overlooked because it’s not nearly as sexy as a crazy delay or wild octave shifter. The new PRS Mary Cries does a phenomenal job of keeping all the notes and tones from all over my fretboard tight and balanced. For anyone who utilizes compression for fingerpicking or all-overthe-neck-two-hand-tapping, this thing is my new favorite. I really appreciate the blue compression light coming on to show me when and how hard it’s working. That feedback is fantastic for knowing when the pedal is digging in. Entirely lovely and a wonderful new addition to my board.”

- David Knudson

SPECIFICATIONS

Pedal Type Optical Compressor

Analog/Digital Analog

Inputs (1) ¼” instrument

Outputs (1) ¼” instrument

Bypass Switching True Bypass

Power Consumption 8mA

Power Sources 9V DC Power Supply, regulated and/or isolated (not included)

Batteries (1) 9V DC (not included)

Length 4.7”

Width 3.7”

Height 4.5”

Weight 1.1 lbs