{"title":"Warm Audio","description":"","products":[{"product_id":"warm-audio-wa412","title":"Warm Audio WA-412 Four Channel Mic Preamp","description":"\u003ch3\u003eClassic American Console Preamp Design\u003c\/h3\u003e\n\u003cp\u003eThe WA-412 provides 4 channels of classic American console preamps in a sleek 1RU design. This style of preamp is often referred to as \"the sound of Rock n' Roll\" for its BIG punchy low end and smooth open top end. The price\/performance ratio of the WA-412 is almost unfathomable to the experienced studio engineer who has possibly paid much more for preamps of this style during their career. Featuring fully discrete socketed 6-pin opamps and custom wound Altran USA input and output transformers, the WA-412 leaves nothing to be desired. If you are looking for multiple channels of world class tone in an affordable package, the WA-412 is the right choice for you.\u003c\/p\u003e\n\u003cp\u003eInspiration Behind The WA-412.\u003c\/p\u003e\n\u003cp\u003eWhen I first started holding regular studio sessions years ago I always desired to have more channels of high-end mic pre's. I could only afford to have one or two in my studio at a time, which was never enough to record a full band or drummer. I knew very well that if signals were not recorded well \"on the way in\" they wouldn't be salvageable later, but my budget constrained me. Because of this so many of the sources were recorded through poor-quality mic preamps. If the WA-412 was available back then I likely wouldn't have had to settle for poor, low-quality tone. The WA-412 was designed \"for the people\" (if you will) and we believe it will become a serious work-horse in many professional and home studios. - Bryce Young (founder)\u003c\/p\u003e\n\u003cp\u003ePacked With Features\u003c\/p\u003e\n\u003cp\u003eThe WA-412 has all of the features one would expect from this style of preamp... and more. Output Trim is available on every channel for precise control and creative gain staging. A Tone switch (transformer input impedance) is also available on each channel, which allows you to choose between a warm and punchy classic console tone, or go for a more open \u0026amp; neutral sound.\u003c\/p\u003e\n\u003cp\u003eQuality Components\u003c\/p\u003e\n\u003cp\u003eEach channel utilizes a fully discrete socketed 6-pin opamp that can be swapped with other opamps. Discrete opamp circuitry is known for its high headroom and low distortion characteristics and has much to do with the coveted sound of these classic console preamps.\u003c\/p\u003e\n\u003cp\u003eWe are proud to be using input and output transformers that are made in the USA by high-end transformer manufacturer, Altran. We worked closely with Altran to create unique transformers that extend the low frequency response of these classic preamps. The transformers also use a vintage winding technique that produces a very distinct smooth BIG character.\u003c\/p\u003e\n\u003cp\u003eCarefully choosing the WA-412 components has resulted in an amazing four channel ‘workhorse’ preamp\/DI that performs at the highest levels, while still adding vintage console magic to your signal.\u003c\/p\u003e\n\u003ch3\u003eTechnical Specification\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e4 CHANNEL MICROPHONE PREAMPLIFIER + INSTRUMENT DI\u003c\/li\u003e\n\u003cli\u003eFULLY DISCRETE, TRANSFORMER COUPLED, THROUGH-HOLE COMPONENT TOPOLOGY\u003c\/li\u003e\n\u003cli\u003eALTRAN USA CUSTOM WOUND, PREMIUM INPUT AND OUTPUT TRANSFORMERS\u003c\/li\u003e\n\u003cli\u003eX520 DISCRETE OP-AMP IN EVERY CHANNEL, SOCKETED FOR CONVENIENCE. CAN BE USER-REPLACED WITH MOST 6 PIN, DISCRETE OP-AMPS FOR VARYING FLAVOR \u0026amp; TONE\u003c\/li\u003e\n\u003cli\u003e65DB OF GAIN\u003c\/li\u003e\n\u003cli\u003eINPUTS - MICROPHONE XLR \u0026amp; ACTIVE INSTRUMENT 2MEG OHM HI-Z\u003c\/li\u003e\n\u003cli\u003eOUTPUTS - TRANSFORMER BALANCED XLR \u0026amp; TRS\u003c\/li\u003e\n\u003cli\u003e-20DB PAD - PADS BOTH MIC AND INSTRUMENT DI INPUTS\u003c\/li\u003e\n\u003cli\u003eTONE BUTTON INPUT IMPEDANCE - SWITCHES FROM 600 OHMS TO 150 OHMS (AFFECTS THE TONE OF BOTH THE MIC AND HI-Z INPUTS)\u003c\/li\u003e\n\u003cli\u003eSELF NOISE: \u0026lt;-90DB (NOMINAL)\u003c\/li\u003e\n\u003cli\u003eFREQUENCY RESPONSE: 20HZ TO 20KHZ \u0026lt;+\/-0.25DB (TONE BUTTON OUT), 20HZ TO 20KHZ +\/-2DB (TONE BUTTON IN)\u003c\/li\u003e\n\u003cli\u003e+48 VOLT PHANTOM POWER\u003c\/li\u003e\n\u003cli\u003eLED METERING\u003c\/li\u003e\n\u003cli\u003eOUTPUT TRIM KNOB FOR PRECISE LEVEL CONTROL AND TONE SCULPTING\u003c\/li\u003e\n\u003cli\u003eINTERNAL POWER SUPPLY (GROUNDED, 3 PIN IEC CORD)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":47842117878002,"sku":"939043000057","price":2199.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0768\/6363\/5698\/files\/wa-412-front-light.jpg?v=1764014716"},{"product_id":"warm-audio-tb12","title":"Warm Audio TB-12 \"Tone Beast\" Tone Shaping Mic Preamp","description":"\u003ch3\u003eUnleash The Beast!\u003c\/h3\u003e\n\u003cp\u003eThe TB12 Tone Beast is a fully professional preamp design with loads of gain that can effortlessly capture an array of sources very well. It is a swiss army knife full of options and tones. With top notch CineMag transformers and multiple discrete signal paths, it's hard to beat the Tone Beast's big, bold, fully-professional sound at this price.\u003c\/p\u003e\n\u003cp\u003eThe Tone Beast is a mic pre that likes to be pushed and when pushed will colorize your signal ever so sweetly. The 2 opamps and 2 output transformers at the flip of their switches won't appear to be much different, but as one drives the pre into harmonic distortion, the unique character of each of these components becomes apparent. The Tone Beast is customizable and allows users to source and swap in their own opamps. I've pulled my best tones from this pre right at the saturation point (as loud as I can push the gain before clipping). The output control on the TB12 allows you to limit the signal exiting the preamp even when pushing the gain to really hot levels, giving you maximum control.\u003c\/p\u003e\n\u003cp\u003eWhen designing the TB12 Tone Beast our goal was to make a microphone preamplifier affordable and jam packed full of options, without compromising the quality and design parameters that make this type of microphone preamplifier so desirable.\u003c\/p\u003e\n\u003cp\u003ePremium Components\u003c\/p\u003e\n\u003cp\u003eThe TB12 \"Tone Beast\" is a fully discrete, high-voltage microphone preamplifier, utilzing CineMag USA Transformers. Have no fear of hurting the Beast, you can push it very hard into full-on distortion if you wish, and these can sound quite nice on electric guitar, bass or anything else that likes some grit. When hand building mic pres I learned a bit about the \"subtle\" differences component choices can make. A little change here, and another there often times became a huge deal in a finished mix, but isn't always very noticeable at first take.\u003c\/p\u003e\n\u003cp\u003eThe different component options in the TB12 are subtle, but when driven into saturation are noticeable and can make a big difference to the way your final mix will sound. Home-based musicians and professional studios alike will find the Tone Beast to be an extremely powerful and fully professional piece of gear that is capable of warming and shaping signals\/mixes in a way that is very pleasing to the ear.\u003c\/p\u003e\n\u003ch3\u003eTechnical Specification\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e71DB OF GAIN\u003c\/li\u003e\n\u003cli\u003eTRANSFORMER SELECTION PROVIDES BOTH STEEL AND 50% NICKEL CINEMAG OUTPUT TRANSFORMERS FOR VARYING CHARACTER\u003c\/li\u003e\n\u003cli\u003eTRANSFORMER BYPASS SWITCH ALLOWS FOR REMOVAL OF THE OUTPUT TRANSFORMER FROM THE CIRCUIT\u003c\/li\u003e\n\u003cli\u003eDISCRETE OPAMP SELECTION ALLOWS FOR CHOOSING BETWEEN A 1731(VINTAGE) AND 918(CLEANER) STYLE OPAMP. THESE ARE SOCKETED\/SWAPPABLE WITH YOUR CHOICE OF 2520 6 PIN FOOTPRINT OPAMPS\u003c\/li\u003e\n\u003cli\u003eIMPEDANCE SWITCH LABELED TONE TO SWITCH BETWEEN 150 AND 600 OHMS INPUT IMPEDANCE\u003c\/li\u003e\n\u003cli\u003e2 MEG OHM TRUE HI-Z INPUT ON FRONT PANEL SENDS INSTRUMENT SIGNAL THROUGH ENTIRE CIRCUIT INCLUDING BOTH CINEMAG TRANSFORMERS AND THE DISCRETE OPAMPS. GREAT FOR GUITARS, BASS, KEYBOARDS AND OTHER INSTRUMENTS THAT HAVE A 1\/4″ OUTPUT JACK\u003c\/li\u003e\n\u003cli\u003e80HZ HIPASS FILTER\u003c\/li\u003e\n\u003cli\u003ePOLARITY REVERSE\u003c\/li\u003e\n\u003cli\u003eUTILIZES PREMIUM GRADE CINEMAG USA TRANSFORMERS\u003c\/li\u003e\n\u003cli\u003e+48V PHANTOM POWER\u003c\/li\u003e\n\u003cli\u003eOUTPUT ATTENUATION ALLOWS FOR SATURATION FLEXIBILITY OF BOTH OPAMPS AND TRANSFORMERS\u003c\/li\u003e\n\u003cli\u003e¼\" INSERT FOR THE USE OF INLINE COMPRESSORS, EQ'S ETC\u003c\/li\u003e\n\u003cli\u003eBALANCED XLR MIC (FRONT AND BACK), BALANCED TRS LINE, AND ¼\" UNBALANCED INSTRUMENT INPUTS\u003c\/li\u003e\n\u003cli\u003eBALANCED XLR AND TRS OUTPUTS\u003c\/li\u003e\n\u003cli\u003e-20DB PAD\u003c\/li\u003e\n\u003cli\u003eLED VU METER\u003c\/li\u003e\n\u003cli\u003e19\" RACKMOUNTABLE\u003c\/li\u003e\n\u003cli\u003eSWITCHABLE 115\/230 VOLT IEC POWER INLET.\u003c\/li\u003e\n\u003cli\u003eCAPACITOR SELECTION BETWEEN TANTALUM AND ELECTROLYTIC FOR DIFFERENT CHARACTERS\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":47842117910770,"sku":"939043000058","price":1099.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0768\/6363\/5698\/files\/05f497b878db7bfd889322431969c728ee8bb7d9c956644f5f901f711f1c7fd2.jpg?v=1764014716"},{"product_id":"warm-audio-wa12mkii","title":"Warm Audio WA12 MKII Discrete Mic Preamp","description":"\u003ch3\u003eRaising The Volume\u003c\/h3\u003e\n\u003cp\u003eA lot of preamps on the market do a good job of raising the volume of mics and instruments. Unfortunately, many pres are doing only that, raising volume. The “Super clean” designs of today often leave the signal exiting the preamp sounding much the same as it did entering it.\u003c\/p\u003e\n\u003cp\u003eIf you are looking for a preamp to improve and shape your signal you will most definitely love the WA12 MKII. The WA12 MKII is designed to transform plain instruments and vocals into exciting tone. If your mixes lack depth, struggle to sound alive, or are just missing that professional touch you’ve always wanted, there is a good chance you will love the WA12 MKII.\u003c\/p\u003e\n\u003cp\u003ePacked With Performance\u003c\/p\u003e\n\u003cp\u003eThe WA12 MKII is a completely discrete, high voltage, dual-transformer microphone preamplifier design with high gain (+71dB), high headroom, low noise, and an exciting sonic performance – great for all types of recording applications. A high quality mic preamp is one of the most critical pieces needed to achieve the elusive ‘larger than life’ sound, and the WA12 MKII is more than capable of delivering.\u003c\/p\u003e\n\u003cp\u003ePremium Components\u003c\/p\u003e\n\u003cp\u003eThe WA12 MKII is based around a discrete op-amp, the X731, which is our own reproduction of the vintage classic Melcor 1731, considered by some to be the warmer predecessor to the modern 2520-style op-amp. The X731 can achieve vibrant, clean and lifelike tones; but can also be driven into mild saturation at much higher gain levels. The effects can be subtle, but very pleasing to the ear. The WA12 MKII can also accept any discrete op-amp on the market which conforms to the +\/-16v, 2520 pinout standard.\u003c\/p\u003e\n\u003cp\u003eWhen developing the WA12 MKII our ears played a big part in the design process. Using CineMag USA transformers and an all discrete signal path ensured that the WA12 MKII would have the building blocks to compete with the best sounding preamps on the market. We are very proud to offer such a robust\/professional design in a small and affordable package.\u003c\/p\u003e\n\u003ch3\u003e\n\u003cbr\u003eTechnical Specification\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eUTILIZES PREMIUM GRADE INPUT AND OUTPUT USA CINEMAG TRANSFORMERS.\u003c\/li\u003e\n\u003cli\u003eFULLY DISCRETE DESIGN WITH A ROBUST 71DB OF GAIN.\u003c\/li\u003e\n\u003cli\u003eUTILIZES A DISCRETE 6-PIN SOCKETED 1731 STYLE OPAMP. CAN BE REPLACED WITH OTHER 6-PIN \"2520 FOOT-PRINT\" OPAMPS FOR VARYING TONE\/FLAVOR.\u003c\/li\u003e\n\u003cli\u003e20DB PAD.\u003c\/li\u003e\n\u003cli\u003eTONE BUTTON – SWITCHES THE INPUT IMPEDANCE FROM 600 OHMS TO 150 OHMS. CHANGES THE TONE OF BOTH THE MIC AND HI-Z INPUTS.\u003c\/li\u003e\n\u003cli\u003eMIC LEVEL BALANCED INPUT: XLR.\u003c\/li\u003e\n\u003cli\u003e2 MEG OHM TRUE HI-Z INPUT ON FRONT PANEL. SENDS INSTRUMENT SIGNAL THROUGH ENTIRE CIRCUIT INCLUDING BOTH CINEMAG TRANSFORMERS AND DISCRETE OPAMP. GREAT FOR GUITARS, BASS, KEYBOARDS AND OTHER INSTRUMENTS THAT HAVE A 1\/4″ OUTPUT JACK.\u003c\/li\u003e\n\u003cli\u003eBALANCED OUTPUTS: XLR AND 1\/4″\/TRS.\u003c\/li\u003e\n\u003cli\u003e48 VOLT PHANTOM POWER.\u003c\/li\u003e\n\u003cli\u003eLED METER GAIN INDICATION.\u003c\/li\u003e\n\u003cli\u003eOUTPUT ATTENUATION CONTROL (AFTER THE CINEMAG OUTPUT TRANSFORMER) ALLOWS FOR DRIVING THE PREAMP AND TRANSFORMERS INTO SATURATION.\u003c\/li\u003e\n\u003cli\u003eSWITCHABLE 115\/230 VOLT IEC POWER INLET.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":47842117943538,"sku":"939043000059","price":849.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0768\/6363\/5698\/files\/wa12mkii-trim.jpg?v=1764014718"},{"product_id":"warm-audio-wa73","title":"Warm Audio WA73 Single Channel British Style Mic Preamp","description":"\u003ch3\u003eA Single Channel '73 For The Rest Of Us\u003c\/h3\u003e\n\u003cp\u003eIf there’s one style of preamp that professional engineers would unanimously agree has defined the tone of pop\/rock records for decades, it would most definitely be the venerable '73-style of mic pre. '73-style preamps have been massively used in recording and live applications for many years and are still considered to be the “Holy Grail” of preamp choices today. The Warm Audio “WA73 Family” consists of single and dual channel '73-style preamps (with \u0026amp; w\/out EQ), that each pay careful homage to British audio history.\u003c\/p\u003e\n\u003cp\u003eWhen we at Warm Audio decided to release the WA73 it was imperative that it met vintage expectation in both design and performance. The tone and sweet character that vintage '73-style mic preamps impart is so unique and familiar, that we had only the pure desire to release sonically accurate reproductions. After years of R\u0026amp;D, careful reverse-engineering, and countless hours of auditioning, the WA73 was born!\u003c\/p\u003e\n\u003cp\u003eThe WA73 is a “Desert Island” boutique preamp, but it can also be classified as a studio and live work-horse. Classic '73-style preamps are known for being versatile tools that work with all kinds of microphones from Condenser, to Dynamic, to Ribbon. The WA73 equally shines on all types of microphones and sources including; vocals, acoustic\/electric guitars, bass, drums, percussion, orchestras, keyboards, and even as a tone shaping tool to run partial or complete mixes through. With 80dB of gain and a fully discrete Carnhill Transformer balanced signal path, there’s no recording, mixing or engineering task that the WA73 can’t handle.\u003c\/p\u003e\n\u003ch3\u003eUK Custom Carnhill Transformers\u003c\/h3\u003e\n\u003cp\u003eEnthusiasts unequivocally get excited about the components used in classic '73-style British preamps. The signal transformers are a common topic of conversation. Vintage units used various versions of transformers throughout the years, but the most coveted were the earliest versions. These are regarded as the most desirable choice due to their fluid and forgiving nature. They saturate sweetly when pushed, and have been known to make engineers cry when they hear how beautiful their mixes sound through them!\u003c\/p\u003e\n\u003cp\u003eWarm Audio worked closely with Carnhill Transformers of Cambridgeshire, UK, to design faithful reproductions of these most coveted, early version transformers. We at Warm Audio have not yet heard a modern day '73-style preamp sound as sweet and musical as does our WA73 with these beautiful custom Transformers.\u003c\/p\u003e\n\u003ch3\u003eCapacitors \u0026amp; Signal Path\u003c\/h3\u003e\n\u003cp\u003eAn important part of classic British tone not often discussed are the different styles of capacitors and output transistor used in '73-style circuits. We found it important to maintain integrity to early British designs by using tantalum and polystyrene capacitors in the signal path and an output transistor choice that is much smoother in the high gain settings than what is typically found in modern '73-style preamps.\u003c\/p\u003e\n\u003ch3\u003eHand Wired \u0026amp; Hand Assembled\u003c\/h3\u003e\n\u003cp\u003eClassic '73-style preamps were often hand-wired and so is the WA73! Guru’s claim that a portion of the sought after classic British tone can be attributed to the hand-wired nature of the build. The WA73 is hand-wired and hand assembled, including the pcb components that are all populated by hand.\u003c\/p\u003e\n\u003ch3\u003eTechnical Specification\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eSINGLE CHANNEL, CLASS A, '73-STYLE BRITISH MICROPHONE PREAMP\u003c\/li\u003e\n\u003cli\u003eUK MADE CARNHILL TRANSFORMERS\u003c\/li\u003e\n\u003cli\u003eHAND WIRED, HAND ASSEMBLED\u003c\/li\u003e\n\u003cli\u003e80DB OF GAIN - RESISTOR STEPPED GAIN SWITCH\u003c\/li\u003e\n\u003cli\u003eFULLY DISCRETE\u003c\/li\u003e\n\u003cli\u003eTONE BUTTON - CHANGES INPUT TRANSFORMER IMPEDANCE FOR VARYING TONE\u003c\/li\u003e\n\u003cli\u003ePOLARITY SWITCH\u003c\/li\u003e\n\u003cli\u003e48V PHANTOM POWER\u003c\/li\u003e\n\u003cli\u003e4 POSITION INDUCTOR BASED HIPASS FILTER - 50, 80, 160, 300 HZ\u003c\/li\u003e\n\u003cli\u003eXLR MIC INPUT\u003c\/li\u003e\n\u003cli\u003eLINE LEVEL TRS INPUT\u003c\/li\u003e\n\u003cli\u003eTS SEND\/RECEIVE INSERT JACKS\u003c\/li\u003e\n\u003cli\u003eXLR \u0026amp; TRS LINE LEVEL OUTPUTS\u003c\/li\u003e\n\u003cli\u003eDIRECT IN, INSTRUMENT INPUT\u003c\/li\u003e\n\u003cli\u003eOUTPUT CONTROL\u003c\/li\u003e\n\u003cli\u003eLED LEVEL INDICATION\u003c\/li\u003e\n\u003cli\u003e19\" RACKMOUNTABLE\u003c\/li\u003e\n\u003cli\u003eGROUND LIFT SWITCH\u003c\/li\u003e\n\u003cli\u003eINTERNAL IEC 115V\/230V POWER INLET\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":47842118074610,"sku":"939043000052","price":1099.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0768\/6363\/5698\/files\/banner-wa73.jpg?v=1764014719"},{"product_id":"warm-audio-wa73-eq","title":"Warm Audio WA73-EQ Single Channel British Style Mic Preamp","description":"\u003ch3\u003eA Single Channel '73 For The Rest Of Us\u003c\/h3\u003e\n\u003cp\u003eIf there’s one style of preamp that professional engineers would unanimously agree has defined the tone of pop\/rock records for decades, it would most definitely be the venerable '73-style of mic pre. '73-style preamps have been massively used in recording and live applications for many years and are still considered to be the “Holy Grail” of preamp choices today. The Warm Audio “WA73 Family” consists of single and dual channel '73-style preamps (with \u0026amp; w\/out EQ), that each pay careful homage to British audio history.\u003c\/p\u003e\n\u003cp\u003eWhen we at Warm Audio decided to release the WA73-EQ it was imperative that it met vintage expectation in both design and performance. The tone and sweet character that vintage '73-style mic preamps impart is so unique and familiar, that we had only the pure desire to release sonically accurate reproductions. After years of R\u0026amp;D, careful reverse-engineering, and countless hours of auditioning, the WA73-EQ was born!\u003c\/p\u003e\n\u003cp\u003eThe WA73-EQ is a “Desert Island” boutique preamp, but it can also be classified as a studio and live work-horse. Classic '73-style preamps are known for being versatile tools that work with all kinds of microphones from Condenser, to Dynamic, to Ribbon. The WA73-EQ equally shines on all types of microphones and sources including; vocals, acoustic\/electric guitars, bass, drums, percussion, orchestras, keyboards, and even as a tone shaping tool to run partial or complete mixes through. With 80dB of gain and a fully discrete Carnhill Transformer balanced signal path, there’s no recording, mixing or engineering task that the WA73-EQ can’t handle.\u003c\/p\u003e\n\u003ch3\u003eUK Custom Carnhill Transformers\u003c\/h3\u003e\n\u003cp\u003eEnthusiasts unequivocally get excited about the components used in classic '73-style British preamps. The signal transformers are a common topic of conversation. Vintage units used various versions of transformers throughout the years, but the most coveted were the earliest versions. These are regarded as the most desirable choice due to their fluid and forgiving nature. They saturate sweetly when pushed, and have been known to make engineers cry when they hear how beautiful their mixes sound through them!\u003c\/p\u003e\n\u003cp\u003eWarm Audio worked closely with Carnhill Transformers of Cambridgeshire, UK, to design faithful reproductions of these most coveted, early version transformers. We at Warm Audio have not yet heard a modern day '73-style preamp sound as sweet and musical as does our WA73-EQ with these beautiful custom Transformers.\u003c\/p\u003e\n\u003ch3\u003eCapacitors \u0026amp; Signal Path\u003c\/h3\u003e\n\u003cp\u003eAn important part of the classic British circuits not often discussed are the different styles of capacitors and output transistor used. We found it important to maintain integrity to the original design by using tantalum and polystyrene capacitors in the signal path and an output transistor choice that is much smoother in the high gain settings than what is typically found in modern '73-style reproductions.\u003c\/p\u003e\n\u003ch3\u003eUK Blore Edwards Switch-Pots\u003c\/h3\u003e\n\u003cp\u003eA great sounding '73-style circuit should be just as reliable as it is great sounding. The complex dual concentric switch potentiometers in the EQ sections of the WA73-EQ are made in the UK by Blore Edwards who manufacture military spec switches and potentiometers. The use of Blore-Edwards components is no small inclusion for a '73-style preamp-eq in this price range.\u003c\/p\u003e\n\u003ch3\u003eHand Wired \u0026amp; Hand Assembled\u003c\/h3\u003e\n\u003cp\u003eClassic '73-style preamps were often hand-wired and so is the WA73-EQ! Guru’s claim that a portion of the sought after classic British tone can be attributed to the hand-wired nature of the build. The WA73-EQ is hand-wired and hand assembled, including the pcb components that are all populated by hand.\u003c\/p\u003e\n\u003ch3\u003eTechnical Specification\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eSINGLE CHANNEL, CLASS A, '73-STYLE BRITISH MICROPHONE PREAMP WITH EQ\u003c\/li\u003e\n\u003cli\u003eUK MADE CARNHILL TRANSFORMERS\u003c\/li\u003e\n\u003cli\u003eUK MADE - BLORE EDWARDS EQ DUAL-CONCENTRIC SWITCH POTENTIOMETERS\u003c\/li\u003e\n\u003cli\u003eHAND WIRED, HAND ASSEMBLED\u003c\/li\u003e\n\u003cli\u003e80DB OF GAIN - RESISTOR STEPPED GAIN SWITCH\u003c\/li\u003e\n\u003cli\u003eFULLY DISCRETE\u003c\/li\u003e\n\u003cli\u003eTONE BUTTON - CHANGES INPUT TRANSFORMER IMPEDANCE FOR VARYING TONE\u003c\/li\u003e\n\u003cli\u003ePOLARITY SWITCH\u003c\/li\u003e\n\u003cli\u003e48V PHANTOM POWER\u003c\/li\u003e\n\u003cli\u003eINDUCTOR BASED 3 BAND EQ\u003c\/li\u003e\n\u003cli\u003eLOW BAND BOOST\/CUT - 35, 60, 110, 220 HZ\u003c\/li\u003e\n\u003cli\u003eMID BAND BOOST\/CUT - 360, 700, 1600, 3200, 4800, 7200 HZ\u003c\/li\u003e\n\u003cli\u003eHIGH BAND BOOST\/CUT - 10, 12, 16 KHZ\u003c\/li\u003e\n\u003cli\u003eADDITIONAL HIGH BAND FREQUENCY EQ POINTS ADDED (COMPARED TO VINTAGE 1073)\u003c\/li\u003e\n\u003cli\u003e4 POSITION INDUCTOR BASED HIPASS FILTER - 50, 80, 160, 300 HZ\u003c\/li\u003e\n\u003cli\u003eXLR MIC INPUTS (FRONT \u0026amp; BACK)\u003c\/li\u003e\n\u003cli\u003eLINE LEVEL TRS INPUT\u003c\/li\u003e\n\u003cli\u003eTS SEND\/RECEIVE INSERT JACKS\u003c\/li\u003e\n\u003cli\u003eXLR \u0026amp; TRS LINE LEVEL OUTPUTS\u003c\/li\u003e\n\u003cli\u003eDIRECT IN, INSTRUMENT INPUT\u003c\/li\u003e\n\u003cli\u003eOUTPUT CONTROL\u003c\/li\u003e\n\u003cli\u003eLED LEVEL INDICATION\u003c\/li\u003e\n\u003cli\u003eFREQ RESPONSE 20HZ - 20KHZ +\/-.5 DB\u003c\/li\u003e\n\u003cli\u003e19\" RACK MOUNTABLE\u003c\/li\u003e\n\u003cli\u003eINTERNAL IEC 115V\/230V POWER INLET\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":47842118140146,"sku":"939043000075","price":1379.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0768\/6363\/5698\/files\/banner-wa73-eq.png?v=1764014719"},{"product_id":"warm-audio-wa273","title":"Warm Audio WA273 Dual Channel British Style Mic Preamp","description":"\u003ch3\u003eA Dual Channel '73 For The Rest Of Us\u003c\/h3\u003e\n\u003cp\u003eIf there’s one style of preamp that professional engineers would unanimously agree has defined the tone of pop\/rock records for decades, it would most definitely be the venerable '73-style of mic pre. '73-style preamps have been massively used in recording and live applications for many years and are still considered to be the “Holy Grail” of preamp choices today. The Warm Audio “WA73 Family” consists of single and dual channel '73-style preamps (with \u0026amp; w\/out EQ), that each pay careful homage to British audio history.\u003c\/p\u003e\n\u003cp\u003eWhen we at Warm Audio decided to release the WA273 it was imperative that it met vintage expectation in both design and performance. The tone and sweet character that vintage '73-style mic preamps impart is so unique and familiar, that we had only the pure desire to release sonically accurate reproductions. After years of R\u0026amp;D, careful reverse-engineering, and countless hours of auditioning, the WA273 was born!\u003c\/p\u003e\n\u003cp\u003eThe WA273 is a “Desert Island” boutique preamp, but it can also be classified as a studio and live work-horse. Classic '73-style preamps are known for being versatile tools that work with all kinds of microphones from Condenser, to Dynamic, to Ribbon. The WA273 equally shines on all types of microphones and sources including; vocals, acoustic\/electric guitars, bass, drums, percussion, orchestras, keyboards, and even as a tone shaping tool to run partial or complete mixes through. With 80dB of gain and a fully discrete Carnhill Transformer balanced signal path, there’s no recording, mixing or engineering task that the WA273 can’t handle.\u003c\/p\u003e\n\u003cp\u003eUK Custom Carnhill Transformers\u003c\/p\u003e\n\u003cp\u003eEnthusiasts unequivocally get excited about the components used in classic '73-style British preamps. The signal transformers are a common topic of conversation. Vintage units used various versions of transformers throughout the years, but the most coveted were the earliest versions. These are regarded as the most desirable choice due to their fluid and forgiving nature. They saturate sweetly when pushed, and have been known to make engineers cry when they hear how beautiful their mixes sound through them!\u003c\/p\u003e\n\u003cp\u003eWarm Audio worked closely with Carnhill Transformers of Cambridgeshire, UK, to design faithful reproductions of these most coveted, early version transformers. We at Warm Audio have not yet heard a modern day '73-style preamp sound as sweet and musical as does our WA273 with these beautiful custom Transformers.\u003c\/p\u003e\n\u003cp\u003eCapacitors \u0026amp; Signal Path\u003c\/p\u003e\n\u003cp\u003eAn important part of classic British tone not often discussed are the different styles of capacitors and output transistor used in '73-style circuits. We found it important to maintain integrity to early British designs by using tantalum and polystyrene capacitors in the signal path and an output transistor choice that is much smoother in the high gain settings than what is typically found in modern '73-style preamps.\u003c\/p\u003e\n\u003cp\u003eHand Wired \u0026amp; Hand Assembled\u003c\/p\u003e\n\u003cp\u003eClassic '73-style preamps were often hand-wired and so is the WA273! Guru’s claim that a portion of the sought after classic British tone can be attributed to the hand-wired nature of the build. The WA273 is hand-wired and hand assembled, including the pcb components that are all populated by hand.\u003c\/p\u003e\n\u003ch3\u003eTechnical Specification\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eDUAL CHANNEL, CLASS A, '73-STYLE BRITISH MICROPHONE PREAMP\u003c\/li\u003e\n\u003cli\u003eUK MADE CARNHILL TRANSFORMERS\u003c\/li\u003e\n\u003cli\u003eHAND WIRED, HAND ASSEMBLED\u003c\/li\u003e\n\u003cli\u003e80DB OF GAIN - RESISTOR STEPPED GAIN SWITCH\u003c\/li\u003e\n\u003cli\u003eFULLY DISCRETE\u003c\/li\u003e\n\u003cli\u003eTONE BUTTON - CHANGES INPUT TRANSFORMER IMPEDANCE FOR VARYING TONE\u003c\/li\u003e\n\u003cli\u003ePOLARITY SWITCH\u003c\/li\u003e\n\u003cli\u003e48V PHANTOM POWER\u003c\/li\u003e\n\u003cli\u003e4 POSITION INDUCTOR BASED HIPASS FILTER - 50, 80, 160, 300 HZ\u003c\/li\u003e\n\u003cli\u003eXLR MIC INPUT\u003c\/li\u003e\n\u003cli\u003eLINE LEVEL TRS INPUT\u003c\/li\u003e\n\u003cli\u003eTS SEND\/RECEIVE INSERT JACKS\u003c\/li\u003e\n\u003cli\u003eXLR \u0026amp; TRS LINE LEVEL OUTPUTS\u003c\/li\u003e\n\u003cli\u003eDIRECT IN, INSTRUMENT INPUT\u003c\/li\u003e\n\u003cli\u003eFREQ RESPONSE 20HZ - 20KHZ +\/-.5 DB\u003c\/li\u003e\n\u003cli\u003e19\" RACKMOUNTABLE\u003c\/li\u003e\n\u003cli\u003eINTERNAL IEC 115V\/230V POWER INLET\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":47842118172914,"sku":"939043000072","price":1799.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0768\/6363\/5698\/files\/banner-wa273_1__1.jpg?v=1764014720"},{"product_id":"warm-audio-wa273-eq","title":"Warm Audio WA273-EQ Dual Channel British Style Mic Preamp + EQ","description":"\u003ch3\u003eA Dual Channel '73 For The Rest Of Us\u003c\/h3\u003e\n\u003cp\u003eIf there’s one style of preamp that professional engineers would unanimously agree has defined the tone of pop\/rock records for decades, it would most definitely be the venerable '73-style of mic pre. '73-style preamps have been massively used in recording and live applications for many years and are still considered to be the “Holy Grail” of preamp choices today. The Warm Audio “WA73 Family” consists of single and dual channel '73-style preamps (with \u0026amp; w\/out EQ), that each pay careful homage to British audio history.\u003c\/p\u003e\n\u003cp\u003eWhen we at Warm Audio decided to release the WA273-EQ it was imperative that it met vintage expectation in both design and performance. The tone and sweet character that vintage '73-style mic preamps impart is so unique and familiar, that we had only the pure desire to release sonically accurate reproductions. After years of R\u0026amp;D, careful reverse-engineering, and countless hours of auditioning, the WA273-EQ was born!\u003c\/p\u003e\n\u003cp\u003eThe WA273-EQ is a “Desert Island” boutique preamp, but it can also be classified as a studio and live work-horse. Classic '73-style preamps are known for being versatile tools that work with all kinds of microphones from Condenser, to Dynamic, to Ribbon. The WA273-EQ equally shines on all types of microphones and sources including; vocals, acoustic\/electric guitars, bass, drums, percussion, orchestras, keyboards, and even as a tone shaping tool to run partial or complete mixes through. With 80dB of gain and a fully discrete Carnhill Transformer balanced signal path, there’s no recording, mixing or engineering task that the WA273-EQ can’t handle.\u003c\/p\u003e\n\u003cp\u003eUK Custom Carnhill Transformers\u003c\/p\u003e\n\u003cp\u003eEnthusiasts unequivocally get excited about the components used in classic '73-style British preamps. The signal transformers are a common topic of conversation. Vintage units used various versions of transformers throughout the years, but the most coveted were the earliest versions. These are regarded as the most desirable choice due to their fluid and forgiving nature. They saturate sweetly when pushed, and have been known to make engineers cry when they hear how beautiful their mixes sound through them!\u003c\/p\u003e\n\u003cp\u003eWarm Audio worked closely with Carnhill Transformers of Cambridgeshire, UK, to design faithful reproductions of these most coveted, early version transformers. We at Warm Audio have not yet heard a modern day '73-style preamp sound as sweet and musical as does our WA273-EQ with these beautiful custom Transformers.\u003c\/p\u003e\n\u003cp\u003eCapacitors \u0026amp; Signal Path\u003c\/p\u003e\n\u003cp\u003eAn important part of classic British tone not often discussed are the different styles of capacitors and output transistor used in '73-style circuits. We found it important to maintain integrity to early British designs by using tantalum and polystyrene capacitors in the signal path and an output transistor choice that is much smoother in the high gain settings than what is typically found in modern '73-style preamps.\u003c\/p\u003e\n\u003cp\u003eUK Blore Edwards Switch-Pots\u003c\/p\u003e\n\u003cp\u003eA great sounding '73-style circuit should be just as reliable as it is great sounding. The complex dual concentric switch potentiometers in the EQ sections of the WA273-EQ are made in the UK by Blore Edwards who manufacture military spec switches and potentiometers. The use of Blore-Edwards components is no small inclusion for a '73-style preamp-eq in this price range.\u003c\/p\u003e\n\u003cp\u003eHand Wired \u0026amp; Hand Assembled\u003c\/p\u003e\n\u003cp\u003eClassic '73-style preamps were often hand-wired and so is the WA273-EQ! Guru’s claim that a portion of the sought after classic British tone can be attributed to the hand-wired nature of the build. The WA273-EQ is hand-wired and hand assembled, including the pcb components that are all populated by hand.\u003c\/p\u003e\n\u003ch3\u003eTechnical Specification\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eDUAL CHANNEL, CLASS A, '73-STYLE BRITISH MICROPHONE PREAMP WITH EQ\u003c\/li\u003e\n\u003cli\u003eUK MADE CARNHILL TRANSFORMERS\u003c\/li\u003e\n\u003cli\u003eUK MADE - BLORE EDWARDS EQ DUAL-CONCENTRIC SWITCH POTENTIOMETERS\u003c\/li\u003e\n\u003cli\u003eHAND WIRED, HAND ASSEMBLED\u003c\/li\u003e\n\u003cli\u003e80DB OF GAIN - RESISTOR STEPPED GAIN SWITCH\u003c\/li\u003e\n\u003cli\u003eFULLY DISCRETE\u003c\/li\u003e\n\u003cli\u003eTONE BUTTON - CHANGES INPUT TRANSFORMER IMPEDANCE FOR VARYING TONE\u003c\/li\u003e\n\u003cli\u003ePOLARITY SWITCH\u003c\/li\u003e\n\u003cli\u003e48V PHANTOM POWER\u003c\/li\u003e\n\u003cli\u003eLOW BAND BOOST\/CUT - 35, 60, 110, 220 HZ\u003c\/li\u003e\n\u003cli\u003eMID BAND BOOST\/CUT - 360, 700, 1600, 3200, 4800, 7200 HZ\u003c\/li\u003e\n\u003cli\u003eHIGH BAND BOOST\/CUT - 10, 12, 16 KHZ\u003c\/li\u003e\n\u003cli\u003eADDITIONAL HIGH BAND FREQUENCY EQ POINTS ADDED (COMPARED TO VINTAGE 1073)\u003c\/li\u003e\n\u003cli\u003e4 POSITION INDUCTOR BASED HIPASS FILTER - 50, 80, 160, 300 HZ\u003c\/li\u003e\n\u003cli\u003eXLR MIC INPUTS (FRONT \u0026amp; BACK)\u003c\/li\u003e\n\u003cli\u003eLINE LEVEL TRS INPUT\u003c\/li\u003e\n\u003cli\u003eTS SEND\/RECEIVE INSERT JACKS\u003c\/li\u003e\n\u003cli\u003eXLR \u0026amp; TRS LINE LEVEL OUTPUTS\u003c\/li\u003e\n\u003cli\u003eDIRECT IN, INSTRUMENT INPUT\u003c\/li\u003e\n\u003cli\u003eOUTPUT CONTROL\u003c\/li\u003e\n\u003cli\u003eLED LEVEL INDICATION\u003c\/li\u003e\n\u003cli\u003eFREQ RESPONSE 20HZ - 20KHZ +\/-.5 DB\u003c\/li\u003e\n\u003cli\u003e19\" RACKMOUNTABLE\u003c\/li\u003e\n\u003cli\u003eINTERNAL IEC 115V\/230V POWER INLET\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":47842118205682,"sku":"939043000076","price":2699.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0768\/6363\/5698\/files\/banner-wa273-eq.jpg?v=1764014721"},{"product_id":"warm-audio-wa-2a","title":"Warm Audio WA-2A Opto Compressor","description":"\u003ch3\u003eAnalog Tone\u003c\/h3\u003e\n\u003cp\u003eThough digital technology and software have made great strides in recent years; we still believe that nothing compares to the level of articulation, depth, realism, and responsiveness of a well-built piece of analog gear. When you hear the bottom-end presence and top-end detail of quality analog gear, the difference is astounding. The cost of most boutique analog equipment is financially out of reach for many recording artists. Our mission is to change this, and introduce as many people as we can to recording and mixing with real, dedicated hardware.\u003c\/p\u003e\n\u003cp\u003e'2A Style Optical Compressor\u003c\/p\u003e\n\u003cp\u003eNo plug-in or other compressor type quite compares to the warm, forgiving, fluid qualities of the classic '2A optical compressor. For decades, the renowned ‘2A style circuit has become the go-to device for seamlessly handling vocals, bass, and a wide variety of other instruments and program material in an effortlessly smooth way.\u003c\/p\u003e\n\u003cp\u003eReleasing the WA-2A would be for nothing if we couldn’t make it affordable. Since the start of Warm Audio we have striven to give an unprecedented value to our customers, by putting high end audio within the reach of more people than ever before. This philosophy drives everything we do, and every product we offer.\u003c\/p\u003e\n\u003cp\u003ePremium Components\u003c\/p\u003e\n\u003cp\u003eThe WA-2A is a high-voltage, Class-A opto-compressor, utilizing large-core CineMag USA Transformers, four premium vacuum tubes, and the legendary Kenetek opto-cell - considered by many to be the world’s finest.\u003c\/p\u003e\n\u003cp\u003eA Four Tube Operation\u003c\/p\u003e\n\u003cp\u003eThe WA-2A operates on four tubes: two 12AX7’s, one 12BH7, and one 6aq5 (or 6P1J). We proudly use Tung-Sol and Electro-Harmonix brand tubes in the signal path, which sound very 'open' and LARGE. All 4 tubes are socketed for easy swapping and replacement.\u003c\/p\u003e\n\u003ch3\u003eTechnical Specification\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e'2A STYLE, TRANSFORMER BALANCED, HIGH VOLTAGE, OPTO TUBE COMPRESSOR\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":47842118238450,"sku":"939043000060","price":1649.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0768\/6363\/5698\/files\/wa-2a-reflected.jpg?v=1764014722"},{"product_id":"warm-audio-wa76","title":"Warm Audio WA76 Discrete Compressor","description":"\u003ch3\u003eClassic Style\u003c\/h3\u003e\n\u003cp\u003eThe WA76 Discrete Compressor is a modern reproduction of the Classic '76 Revision D. The WA76 has a fully discrete signal path and uses the original Reichenbach Engineering's (now CineMag) transformer design. The classic '76 was a major breakthrough in limiter technology, and used on hundreds of hit records since its inception. Engineers have craved the ultra-fast attack time and trademark sound of the '76 for decades, and now it is finally affordable!\u003c\/p\u003e\n\u003cp\u003eOur goal was to make a compressor of this pedigree affordable for the first time, without compromising the quality and design parameters that make this type of compressor so desirable.\u003c\/p\u003e\n\u003cp\u003eAll Buttons In\u003c\/p\u003e\n\u003cp\u003eThe WA76 can reproduce the classic effect known as ‘All Buttons In’ mode, sometimes also referred to as ‘British Mode’ or the ‘Four Button Trick’. Originally an accident due to the mechanical nature of the interconnected latching switches, this mode is reproduced by pushing in all four ratio buttons simultaneously and getting them to latch. This can take a bit of practice. The resulting compression curve is aggressive and unmistakably unique, and can be heard on the drum tracks of many classic recordings.\u003c\/p\u003e\n\u003cp\u003eAll-buttons-in compression is typically characterized by having a very aggressive compression ratio, attack and release curves that are more drastic plateaus opposed to gentler slopes, and more audible distortion or ‘overdrive’ on the signal. Initial transients are more likely to come through loudly, followed by heavy compression curve sometimes described as having a ‘sucking’ effect as the compressor releases. Because this mode is considered a design accident, faithfully maintained; it is normal for the meter function to ‘peg out’ and cease providing accurate metering.\u003c\/p\u003e\n\u003cp\u003ePremium Components\u003c\/p\u003e\n\u003cp\u003eWe have faithfully reproduced the circuitry of the revision D, generally considered one of the best and most popular among the different versions made over the years. We’ve used all discrete, through-hole components, high quality CineMag input and output transformers, and a class A circuit that stays true to the legacy design.\u003c\/p\u003e\n\u003ch3\u003eTechnical Specification\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eUTILIZES PREMIUM GRADE INPUT AND OUTPUT CINEMAG USA TRANSFORMERS.\u003c\/li\u003e\n\u003cli\u003eTRUE TO THE CLASSIC '76 COMPRESSOR IN DESIGN AND PERFORMANCE.\u003c\/li\u003e\n\u003cli\u003eCOMPLETELY DISCRETE SIGNAL PATH.\u003c\/li\u003e\n\u003cli\u003eMODELED AFTER THE D REVISION.\u003c\/li\u003e\n\u003cli\u003eSUPPORTS THE FAMOUS \"ALL BUTTONS IN\" RATIO SETTING.\u003c\/li\u003e\n\u003cli\u003eULTRA FAST ATTACK TIME.\u003c\/li\u003e\n\u003cli\u003eCLASS A LINE LEVEL OUTPUT AMPLIFIER.\u003c\/li\u003e\n\u003cli\u003eINPUT IMPEDANCE - 600 OHMS, BRIDGES-T CONTROL (FLOATING).\u003c\/li\u003e\n\u003cli\u003eFREQUENCY RESPONSE ± 1 DB 20 HZ TO 20KHZ.\u003c\/li\u003e\n\u003cli\u003eXLR AND TRS INPUTS. XLR AND TRS OUTPUTS.\u003c\/li\u003e\n\u003cli\u003e50DB OF GAIN.\u003c\/li\u003e\n\u003cli\u003eLESS THAN 0.4% TOTAL HARMONIC DISTORTION FROM 50 HZ TO 20 KHZ WITH LIMITING.\u003c\/li\u003e\n\u003cli\u003eSIGNAL TO NOISE RATIO IS GREATER THAN 74 DB AT +25 DBM.\u003c\/li\u003e\n\u003cli\u003eEIN -104.1 DBM.\u003c\/li\u003e\n\u003cli\u003eATTACK TIME, 20 MICROSECONDS TO 800 MICROSECONDS.\u003c\/li\u003e\n\u003cli\u003eRELEASE TIME, 50 MILLISECONDS TO 1 SECOND.\u003c\/li\u003e\n\u003cli\u003eMETER PROVIDES DB GAIN REDUCTION AND DB OUTPUT.\u003c\/li\u003e\n\u003cli\u003eSWITCHABLE 115\/230 VOLT IEC POWER INLET.\u003c\/li\u003e\n\u003cli\u003e19″ RACKMOUNT CHASSIS, 2U.\u003c\/li\u003e\n\u003cli\u003e1-YEAR WARRANTY.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":47842118271218,"sku":"939043000053","price":1099.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0768\/6363\/5698\/files\/76boy.jpg?v=1764014723"},{"product_id":"warm-audio-eqp-wa","title":"Warm Audio EQP-WA Pultec Style Tube Equaliser","description":"\u003ch3\u003ePultec Style Tube Equalizer\u003c\/h3\u003e\n\u003cp\u003eThe EQP-WA is a re-creation of the most renowned tube Equalizer in studio history, the \"Pultec EQP-1A\". Not only does the look and feel of the EQP-WA match the classic Pultec units, but the sonic quality has been carefully considered by using top-end components such as CineMag transformers and premium tubes. This fully discrete Tube EQ can pull euphoric sonics from any track and bring a brilliance and luster to mixes that’s nearly impossible to achieve inside-the-box. We are proud to have once again redefined the industry standard by bringing a fully professional-grade equalizer to the market at a price that's just as remarkable as the unit.\u003c\/p\u003e\n\u003cp\u003eOur goal was to make a equalizer affordable for the first time, without compromising the quality and design parameters that make this type of equalizer so desirable.\u003c\/p\u003e\n\u003cp\u003ePremium Components\u003c\/p\u003e\n\u003cp\u003eThe EQP-WA is a high-voltage tube equalizer, utilzing CineMag USA Transformers and two premium vacuum tubes by Tung-Sol.\u003c\/p\u003e\n\u003cp\u003eA Two Tube Operation\u003c\/p\u003e\n\u003cp\u003eThe EQP-WA operates on two tubes: one 12AX7 and one 12AU7. We proudly use Tung-Sol brand tubes in this product for their sonic richness and 'open' sound. These 2 tubes are socketed for easy swapping and replacement.\u003c\/p\u003e\n\u003ch3\u003eTechnical Specification\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eUTILIZES PREMIUM GRADE INPUT AND OUTPUT CINEMAG USA TRANSFORMERS.\u003c\/li\u003e\n\u003cli\u003eTUBE EQUALIZER BASED ON THE CLASSIC “PULTEC” EQP-1A.\u003c\/li\u003e\n\u003cli\u003ePREMIUM HIGH VOLTAGE 12AX7 AND 12AU7 TUBES.\u003c\/li\u003e\n\u003cli\u003eCINEMAG INDUCTOR EQ SECTION.\u003c\/li\u003e\n\u003cli\u003eEQ SECTION IS BYPASSABLE - SIGNAL STILL PASSES THROUGH TUBES AND TRANSFORMERS FOR WARMING EFFECT.\u003c\/li\u003e\n\u003cli\u003eXLR AND TRS TRANSFORMER BALANCED OUTPUTS.\u003c\/li\u003e\n\u003cli\u003eFLAT FREQUENCY RESPONSE FROM 20 HZ - 50 KHZ.\u003c\/li\u003e\n\u003cli\u003eXLR AND TRS TRANSFORMER BALANCED INPUTS.\u003c\/li\u003e\n\u003cli\u003eNO INSERTION LOSS - LOSS RESTORED BY TUBE AMPLIFIER.\u003c\/li\u003e\n\u003cli\u003e5 ADDED FREQUENCY POINTS FOR GREATER FLEXIBILITY.\u003c\/li\u003e\n\u003cli\u003eSWITCHABLE 115\/230 VOLT IEC POWER INLET.\u003c\/li\u003e\n\u003cli\u003eDIMENSIONS: 19 X 3.5 X 6 INCHES - 2RU RACK MOUNTABLE.\u003c\/li\u003e\n\u003cli\u003eLOW FREQUENCY BOOST - 20, 30, 60, 100, 200, 400, 800 HZ - 12 DB.\u003c\/li\u003e\n\u003cli\u003eLOW FREQUENCY CUT - 20, 30, 60, 100, 200, 400, 800 HZ - 18 DB.\u003c\/li\u003e\n\u003cli\u003eHIGH FREQUENCY BOOST - 3, 4, 5, 8, 10, 12, 16 KHZ - 18 DB.\u003c\/li\u003e\n\u003cli\u003eHIGH FREQUENCY CUT - 3, 4, 5, 10, 20 KHZ - 14 DB.\u003c\/li\u003e\n\u003cli\u003eBOOST AND CUT CONTROLS CAN BE USED SIMULTANEOUSLY FOR PHASE EFFECT.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":47842118303986,"sku":"939043000054","price":1249.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0768\/6363\/5698\/files\/banner-eqp-wa.jpg?v=1764014723"},{"product_id":"warm-audio-wa14","title":"Warm Audio WA14 FET Condenser Microphone","description":"\u003ch3\u003eBlast From The Past\u003c\/h3\u003e\n\u003cp\u003eThe WA-14 is a classic condenser microphone based on the early 1970's microphone used on countless hit records. The WA-14 utilizes a custom all-brass CK12-style capsule, CineMag USA transformer, and a fully discrete signal path. The WA-14 can be used on an array of sources, such as; punchy\/warm intimate lead vocals, acoustic\/electric guitars, bass, drums\/percussion, strings\/orchestral material, and many other sources. The WA-14 provides a realism and thickness that is true to the vintage microphone, but now at an affordable price.\u003c\/p\u003e\n\u003cp\u003eAll Brass Capsule\u003c\/p\u003e\n\u003cp\u003eThe WA-12-B-60V is an all-brass, edge-terminated capsule that captures all the smoothness, rich top end, and warm vintage sonics of the original CK12 capsule. The WA-12-B-60V uses a variant CEK-12 back plate as a basis, which overcomes manufacturing limitations of the original CK12 capsule. The o-ring and housing of the WA-12-B-60V are all made from brass (no teflon parts), and the diaphragm is 24k gold sputtered 6 micron, NOS PET film (mylar). The end result is a very consistent, reliable capsule which matches the frequency response and tonality of the classic 1970's classic capsule.\u003c\/p\u003e\n\u003cp\u003eBorn Out Of Need\u003c\/p\u003e\n\u003cp\u003eWhen designing our first microphone we knew that the single greatest challenge would be to offer a capsule that was built to a high standard and priced in a range that every-day musicians and engineers could afford. We already knew where to find great microphone transformers, precision resistors, polystyrene, tantalum and WIMA film capacitors; but we came to realize that a quality affordable microphone capsule that met our specifications simply wasn’t out there. We knew we would have to develop our own line of capsules.\u003c\/p\u003e\n\u003cp\u003eThe WA (Warm Audio) brand of capsule is the result of several years of research, a lifetime of listening, and a passion for great sound. Above all else, Warm Audio capsules came from the desire to give customers far more quality\/value than what they are used to getting in an affordable microphone. Every Warm Audio capsule is made in the same small assembly house in a clean-room environment, and packaged in its own protective jewel case until the moment it is loaded into the microphone. Every capsule visually inspected and electrically tested for imperfections. Every capsule is also made with all brass parts (no teflon or other cost saving material), and is carefully skinned from the same supply of high purity NOS Mylar (PET film). We are confident that you will be just as pleased with our microphone capsules as we are to offer them, and that they will give you a lifetime of great recordings and enjoyment.\u003c\/p\u003e\n\u003ch3\u003eTechnical Specification\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eLARGE DIAPHRAGM CONDENSER MICROPHONE WITH VARIABLE PAD AND THREE POLAR PATTERNS\u003c\/li\u003e\n\u003cli\u003eCUSTOM CINEMAG USA TRANSFORMER\u003c\/li\u003e\n\u003cli\u003eFREQUENCY RANGE: 20HZ TO 20KHZ\u003c\/li\u003e\n\u003cli\u003eOUTPUT PAD: 0DB, -10DB, -20DB\u003c\/li\u003e\n\u003cli\u003ePOLAR PATTERNS: CARDIOID, FIGURE OF EIGHT AND OMNIDIRECTIONAL\u003c\/li\u003e\n\u003cli\u003eOUTPUT IMPEDANCE: 150 OHMS\u003c\/li\u003e\n\u003cli\u003eFEATURES CUSTOM WA-12-B-60V EDGE-TERMINATED, DUAL-BACKPLATE, ALL-BRASS VINTAGE CK12-STYLE CAPSULE\u003c\/li\u003e\n\u003cli\u003e3-PIN GOLD PLATED XLR\u003c\/li\u003e\n\u003cli\u003eREQUIRES +48V PHANTOM POWER\u003c\/li\u003e\n\u003cli\u003eCOLOR: BLACK\u003c\/li\u003e\n\u003cli\u003eINCLUDES SHOCK MOUNT AND HARD MOUNT\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":47842118336754,"sku":"939043000073","price":849.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0768\/6363\/5698\/files\/wa-14-bundle-2000x672.png?v=1764014725"},{"product_id":"warm-audio-wa47","title":"Warm Audio WA-47 Tube Condenser Microphone","description":"\u003ch3\u003eBlast From The Past\u003c\/h3\u003e\n\u003cp\u003eThe WA-47 is an all vacuum tube, large diaphragm, transformer balanced, multi-pattern (9), large condenser microphone, based on the classic ‘47 that has been used on countless hit records for the last 50+ years. The WA-47 is designed for pro studio, home studio, live, and broadcast applications and sounds great on vocals, acoustic\/electric guitars, acoustic\/electric bass, drums, piano, strings, brass\/woodwind instruments, and an array of other sources. The classic ‘47 became extremely popular in the 1960’s and is now considered one of the greatest microphones ever made. The classic ‘47 is still widely used today in professional recording studios but have become extremely rare and expensive to acquire.\u003c\/p\u003e\n\u003cp\u003eDesigning For A Classic\u003c\/p\u003e\n\u003cp\u003eDesigning the WA-47 to sound like the classic ‘47 was no easy task, especially considering that some of the vintage components are no longer available. We compared and listened to 2 different vintage ‘47 mics and found that they both sounded amazing but also sounded a little different from each other. These comparison tests became the benchmark for tailoring our WA-47 sonics to sit right in with these 2 vintage ‘47 mics. We are pleased to release such a gorgeous sounding classic to the market at a price that’s reachable to more people than ever before. We are also proud to mention that the WA-47 sounds legitimately indistinguishable to the vintage ‘47’s we auditioned on several sources.\u003c\/p\u003e\n\u003cp\u003eAs with all Warm Audio products, we focus heavily on quality components to ensure we release the best sounding product possible. The WA-47 is packed with top end components that are carefully sourced from many of the top pro audio component suppliers in the world.\u003c\/p\u003e\n\u003cp\u003eTrue '47 Style Capsule\u003c\/p\u003e\n\u003cp\u003eThe WA-47 utilizes a custom reproduction of the vintage k47 style capsule that was used in the classic ‘47 microphone - designed with the same hole pattern and frequency response. Every Warm Audio capsule is made in the same small assembly house in a clean-room environment, and packaged in its own protective jewel case until the moment it is loaded into the microphone. Each capsule is visually inspected and electrically tested for imperfections.\u003c\/p\u003e\n\u003cp\u003eA large part of any microphone's tone comes from its capsule, and the true k47 style capsule used in the WA-47 is not easily manufactured or typically found in affordable condenser microphones. We are proud to be using such a faithful recreation of this classic part in an affordably priced '47 style microphone.\u003c\/p\u003e\n\u003cp\u003eThe Capsule\u003cbr\u003eThe WA-47 utilizes a custom reproduction of the vintage k47 style capsule that was used in the classic ‘47 microphone - designed with the same hole pattern and frequency response. Our version of this capsule (model# WA-47-B-80v) is carefully manufactured by an Australian capsule manufacturer who's precision and repeatability allows us to nail the vintage sonics of the most important sonic piece of this classic style of microphone.\u003c\/p\u003e\n\u003cp\u003eThe Tube\u003cbr\u003eA Slovak Republic JJ 5751 vacuum tube is a lower gain, low noise tube that forces much of the sonics of the capsule and transformer to be heard more significantly than some higher gain tubes might allow. We auditioned 4 different tube brands and fell in love with the JJ 5751. The frequency response of the JJ 5751 and the way it contributes to the circuit is tonally smooth and vintage in nature.\u003c\/p\u003e\n\u003cp\u003eThe Transformer\u003cbr\u003eThe WA-47 utilizes an American made TAB-Funkenwerk (AMI) USA transformer with large core imported German laminations. This transformer helps provide the creamy smooth top end, and the LARGER THAN LIFE bottom end one would expect from a '47 style condenser microphone.\u003c\/p\u003e\n\u003cp\u003eThe Capacitors\u003cbr\u003eThe WA-47 uses a polystyrene coupling capacitor for uncompressed top-end response from the capsule, wima film capacitors throughout, and an imported Solen French capacitor on its output driving the TAB-Funkenwerk (AMI) USA output transformer.\u003c\/p\u003e\n\u003cp\u003eThe Cable\u003cbr\u003eOne component of a tube microphone often overlooked is the 7 pin cable that connects the microphone to its power supply. When auditioning the WA-47 and other tube microphones we learned quite a bit about 7 pin cables and how the shielding and wire gauge size can drastically change the sonics of a tube microphone. We have partnered with Gotham Audio in Switzerland to use their very carefully built top-end 7 pin GAC-7 cable. Using this cable increases top end presence and the overall size of the recorded image in the stereo field, by reducing phase shift and the parasitic effect often found in poorly built cables. Gotham Audio is very expensive and boutique in nature and should not be considered a small addition to the WA-47 package.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCUSTOM TRUE '47 CAPSULE REPRODUCTION (K47 STYLE) - MODEL# WA-47-B-80V\u003c\/li\u003e\n\u003cli\u003eCAPSULE MAKEUP: GOLD SPUTTERED, DUAL LARGE DIAPHRAGM, SINGLE BACKPLATE, 6 MICRONS NOS MYLAR (PET FILM)\u003c\/li\u003e\n\u003cli\u003eTAB-FUNKENWERK (AMI) USA OUTPUT TRANSFORMER\u003c\/li\u003e\n\u003cli\u003eJJ SLOVAK 5751 VACUUM TUBE\u003c\/li\u003e\n\u003cli\u003eGOTHAM 5 METER GAC-7, 7-PIN TUBE MICROPHONE CABLE\u003c\/li\u003e\n\u003cli\u003eWIMA, SOLEN FRENCH, AND POLYSTYRENE CAPACITORS\u003c\/li\u003e\n\u003cli\u003eSELF-NOISE: 11DBA\u003c\/li\u003e\n\u003cli\u003ePOLAR PATTERNS: 9 PATTERNS - CARDIOID, OMNI, FIGURE-OF-EIGHT + 6 MIXED PATTERNS\u003c\/li\u003e\n\u003cli\u003eDYNAMIC RANGE: 130DBA\u003c\/li\u003e\n\u003cli\u003eMAXIMUM SPL: 140DB (\u0026lt;0.5% THD)\u003c\/li\u003e\n\u003cli\u003eFREQUENCY RANGE: 20 HZ~20 KHZ\u003c\/li\u003e\n\u003cli\u003eOUTPUT IMPEDANCE: 200 OHMS\u003c\/li\u003e\n\u003cli\u003eRATED LOAD IMPEDANCE: ≥2KOHMS\u003c\/li\u003e\n\u003cli\u003eS\/N RATIO: 82DBA\u003c\/li\u003e\n\u003cli\u003eEQUIVALENT NOISE: 10DBA (IEC651)\u003c\/li\u003e\n\u003cli\u003eEXTERNAL IEC GROUNDED PSU\u003c\/li\u003e\n\u003cli\u003eTOTAL WEIGHT - 9 LBS\u003c\/li\u003e\n\u003cli\u003eMIC DIAMETER: 90MM\u003c\/li\u003e\n\u003cli\u003eMIC LENGTH: 254MM\u003c\/li\u003e\n\u003cli\u003eINCLUDES: MICROPHONE, WOOD BOX, POWER SUPPLY UNIT, SHOCKMOUNT, GOTHAM 7 PIN GAC-7 CABLE, IEC POWER CABLE\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":47842118435058,"sku":"939043000055","price":1499.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0768\/6363\/5698\/files\/47-accessories-rev-2-min.png?v=1764014725"},{"product_id":"warm-audio-wa47jr","title":"Warm Audio WA-47 Jr FET Condenser Microphone","description":"\u003ch3\u003eLike Father. Like Son\u003c\/h3\u003e\n\u003cp\u003eThe WA-47jr is an FET transformerless version of the highly renowned classic ‘47 microphone that has been used on countless hit records for the last 50+ years. The WA-47jr is fully discrete, has 3 polar patterns and is designed for pro studio, home studio, live, and broadcast applications. The WA-47jr sounds great on vocals, acoustic\/electric guitars, acoustic\/electric bass, drums, piano, strings, brass\/woodwind instruments, and an array of other sources.\u003c\/p\u003e\n\u003cp\u003eThe WA-47jr proudly utilizes a custom k47 style capsule reproduction, designed with the same hole pattern and frequency response as the vintage design. Our version of this capsule (model# WA-47-B-80v) is carefully manufactured by an Australian capsule manufacturer with careful precision and repeat-ability that allows the most important sonic piece of the classic mic to be heard and influence the tone and signature of the WA-47jr. The WA47jr's low-noise and discrete signal path, when paired with this excellent true '47 style capsule, allows it to obtain a very similar tone to the classic ‘47 microphone, but at a much lower price tag. The WA-47jr utilizes the same k47 style capsule found in our flagship WA-47 tube condenser microphone.\u003c\/p\u003e\n\u003cp\u003eThe WA-47jr circuit uses high quality Toshiba FET’s, Wima film capacitors and Panasonic electrolytic capacitors. The circuit is modernized and more simple than the classic ‘47 tube microphone, but the components and circuitry are top-notch, and have a sound quality and tone that punches far above anything we’ve ever heard in this price range.\u003c\/p\u003e\n\u003cp\u003eWe at Warm Audio are very excited to bring this ‘47 style FET condenser microphone and classic tone to the market at such an affordable price. We feel confident that you will enjoy a lifetime of beautiful recordings with the WA-47jr.\u003c\/p\u003e\n\u003cp\u003eQuality Components Make A Better Mic\u003c\/p\u003e\n\u003cp\u003eThe WA-47jr proudly utilizes a custom k47 style capsule reproduction, designed with the same hole pattern and frequency response as the vintage part. Our version of this capsule (model# WA-47-B-80v) is assembled with precision by an Australian capsule manufacturer. The WA47jr's low-noise and discrete signal path then paired with an excellent true '47 style capsule allows this mic to obtain a very similar tone to the classic ‘47 microphone at a much lower price tag.\u003c\/p\u003e\n\u003cp\u003eThe Warm Audio WA-47-B-80v capsule is also used in our flagship WA-47 tube condenser microphone.\u003c\/p\u003e\n\u003cp\u003eBorn Out Of Need\u003c\/p\u003e\n\u003cp\u003eWhen designing our first microphone we knew that the single greatest challenge would be to offer a capsule that was built to a high standard and priced in a range that every-day musicians and engineers could afford. We already knew where to find great microphone transformers, precision resistors, polystyrene, tantalum and WIMA film capacitors; but we came to realize that a quality affordable microphone capsule that met our specifications simply wasn’t out there. We knew we would have to develop our own line of capsules.\u003c\/p\u003e\n\u003cp\u003eThe WA (Warm Audio) brand of capsule is the result of several years of research, a lifetime of listening, and a passion for great sound. Above all else, Warm Audio capsules came from the desire to give customers far more quality\/value than what they are used to getting in an affordable microphone. Every Warm Audio capsule is made in the same small assembly house in a clean-room environment, and packaged in its own protective jewel case until the moment it is loaded into the microphone. Every capsule visually inspected and electrically tested for imperfections. Every capsule is also made with all brass parts (no teflon or other cost saving material), and is carefully skinned from the same supply of high purity NOS Mylar (PET film). We are confident that you will be just as pleased with our microphone capsules as we are to offer them, and that they will give you a lifetime of great recordings and enjoyment.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFET TRANSFORMERLESS '47 STYLE CONDENSER MICROPHONE.\u003c\/li\u003e\n\u003cli\u003eCUSTOM TRUE '47 CAPSULE REPRODUCTION (K47 STYLE)\u003c\/li\u003e\n\u003cli\u003eMODEL# WA-47-B-80V.\u003c\/li\u003e\n\u003cli\u003eCAPSULE MAKEUP: GOLD SPUTTERED, DUAL LARGE DIAPHRAGM, SINGLE BACKPLATE, 6 MICRONS NOS MYLAR (PET FILM).\u003c\/li\u003e\n\u003cli\u003ePOLAR PATTERNS: CARDIOID, FIGURE-OF-EIGHT, AND OMNIDIRECTIONAL.\u003c\/li\u003e\n\u003cli\u003ePAD: -10DB\u003c\/li\u003e\n\u003cli\u003eHIGH-PASS FILTER: 70HZ\u003c\/li\u003e\n\u003cli\u003eSELF-NOISE: 9DBA\u003c\/li\u003e\n\u003cli\u003eDYNAMIC RANGE: 138DBA\u003c\/li\u003e\n\u003cli\u003eFULLY DISCRETE SIGNAL PATH, TOSHIBA FET’S, WIMA FILM CAPACITORS, PANASONIC ELECTROLYTIC CAPACITORS\u003c\/li\u003e\n\u003cli\u003eMAXIMUM SPL: 147\/157DB (@1KHZ 1KOHMS 0.5% THD, 0\/-10DB)\u003c\/li\u003e\n\u003cli\u003eFREQUENCY RANGE: 20 HZ~20 KHZ\u003c\/li\u003e\n\u003cli\u003eSENSITIVITY: 10MV\/PA OR -40DB\u003c\/li\u003e\n\u003cli\u003eOUTPUT IMPEDANCE: 100 OHMS\u003c\/li\u003e\n\u003cli\u003eRATED LOAD IMPEDANCE: ≥1KOHMS\u003c\/li\u003e\n\u003cli\u003eEQUIVALENT NOISE: 10DBA (IEC651)\u003c\/li\u003e\n\u003cli\u003eEXTERNAL IEC GROUNDED PSU\u003c\/li\u003e\n\u003cli\u003eTOTAL WEIGHT: 1.1 LBS\u003c\/li\u003e\n\u003cli\u003eMIC DIAMETER: 52MM\u003c\/li\u003e\n\u003cli\u003eMIC LENGTH: 210MM\u003c\/li\u003e\n\u003cli\u003eINCLUDES: SHOCKMOUNT, HARD MOUNT, ZIPPER STORAGE POUCH\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":47842118500594,"sku":"939043000056","price":529.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0768\/6363\/5698\/files\/wa-47-jr-kit.png?v=1764014726"},{"product_id":"warm-audio-wa251","title":"Warm Audio WA251 Tube Condenser Microphone","description":"\u003cp\u003eSound Like A Legend\u003cbr\u003eThe WA-251 was created to offer a classic microphone design to a new generation of recording artists at an affordable price. We spent a great deal of time listening to different ‘251 microphones to determine what people liked about them and why, how various styles of components impact the tone, and how to give the WA-251 microphone a signature that pays homage to the vintage classic, but also stands out on its own.\u003c\/p\u003e\n\u003cp\u003eThe WA-251 is an all vacuum tube, large diaphragm, transformer balanced, multi-pattern, large condenser microphone, based on the classic ‘251 that has been used on countless hit records for the last 50+ years. The WA-251 is designed for pro studio, home studio, live, and broadcast applications and sounds great on vocals, acoustic\/electric guitars, acoustic\/electric bass, drums, piano, strings, brass\/woodwind instruments, and an array of other sources.\u003cbr\u003e\u003cbr\u003eDesign\u003cbr\u003eThe classic ‘251 became extremely popular as a vocal microphone in the 1960’s and is now considered to be one of the greatest condenser microphones ever created. The classic ‘251 is still widely used today in professional recording studios but has become extremely rare and cost prohibitive to acquire.\u003c\/p\u003e\n\u003cp\u003eDesigning our WA-251 to sound like the classic ‘251 was no easy task, especially since some of the vintage components are no longer manufactured or available. We are pleased to release such a gorgeous sounding classic to the market at a price that’s reachable to more people than ever before.\u003c\/p\u003e\n\u003cp\u003eA Look Inside\u003c\/p\u003e\n\u003cp\u003eAll Brass Capsule\u003cbr\u003eThe WA-12-B-60V is an all-brass, edge-terminated capsule that captures all the smoothness, rich top end, and warm vintage sonics of the original CK12 capsule. The WA-12-B-60V uses a variant CEK-12 back plate as a basis, which overcomes manufacturing limitations of the original CK12 capsule. The o-ring and housing of the WA-12-B-60V are all made from brass (no teflon parts), and the diaphragm is 24k gold sputtered 6 micron, NOS PET film (mylar). The end result is a very consistent, reliable capsule which matches the frequency response and tonality of the classic 1970's classic capsule.\u003c\/p\u003e\n\u003cp\u003eThe Tube\u003cbr\u003eA Slovak Republic JJ 12AY7 vacuum tube is used in the WA-251. We auditioned 3 tube brands and fell in love with the JJ 12AY7. The frequency response of the JJ tube, and the way it contributes to the circuit is tonally smooth and vintage in nature.\u003c\/p\u003e\n\u003cp\u003eThe Transformer\u003cbr\u003eThe WA-251 utilizes an American made CineMag USA transformer. This transformer helps provide the present top end and the LARGE bottom end one would hope to get from a 251-style condenser microphone.\u003c\/p\u003e\n\u003cp\u003eThe Capacitors\u003cbr\u003eThe WA-251 proudly uses polystyrene coupling capacitors, wima film capacitors throughout, and an imported Solen French capacitor on its output.\u003c\/p\u003e\n\u003cp\u003eThe Cable\u003cbr\u003eOne component of a tube microphone that is often overlooked is the 7 pin cable that connects the microphone to its power supply. When auditioning the WA-251 and other tube microphones we learned quite a bit about 7 pin cables and how the shielding and wire gauge size can drastically change the sonics of a tube microphone. We have partnered with Gotham Audio in Switzerland to use their very carefully built high-end 7 pin “GAC-7 cable”. Using this cable increases top end presence and the overall size of the recorded image in the stereo field by reducing phase shift and the parasitic effect often experienced in poorly built cables. Gotham Cabling is very expensive and boutique in nature and shouldn’t be considered a small addition to the WA-251 package.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCUSTOM WA-12-B-60V EDGE TERMINATED, DUAL-BACKPLATE,\u003c\/li\u003e\n\u003cli\u003eALL-BRASS VINTAGE CK12-STYLE CAPSULE\u003c\/li\u003e\n\u003cli\u003eCINEMAG USA OUTPUT TRANSFORMER\u003c\/li\u003e\n\u003cli\u003eJJ SLOVAK 12AY7 VACUUM TUBE\u003c\/li\u003e\n\u003cli\u003eGOTHAM 5 METER GAC-7, 7-PIN TUBE MICROPHONE CABLE\u003c\/li\u003e\n\u003cli\u003eWIMA, SOLEN FRENCH, AND POLYSTYRENE CAPACITORS\u003c\/li\u003e\n\u003cli\u003ePOLAR PATTERNS: 3 PATTERNS - CARDIOID, OMNI, FIGURE-OF-EIGHT\u003c\/li\u003e\n\u003cli\u003eFREQUENCY RANGE: 20 HZ~20 KHZ\u003c\/li\u003e\n\u003cli\u003eOUTPUT IMPEDANCE: 200 OHMS\u003c\/li\u003e\n\u003cli\u003eMAXIMUM SPL: 132DB (\u0026lt;0.5% THD)\u003c\/li\u003e\n\u003cli\u003eRATED LOAD IMPEDANCE: ≥2KOHMS\u003c\/li\u003e\n\u003cli\u003eS\/N RATIO: 80DBA\u003c\/li\u003e\n\u003cli\u003eEQUIVALENT NOISE: 12DBA (IEC651)\u003c\/li\u003e\n\u003cli\u003eEXTERNAL IEC GROUNDED PSU\u003c\/li\u003e\n\u003cli\u003eTOTAL WEIGHT (MIC, PSU, SHOCKMOUNT, CABLES) - 12 LBS\u003c\/li\u003e\n\u003cli\u003eMIC DIMENSIONS: 247MM X 46MM\u003c\/li\u003e\n\u003cli\u003eDYNAMIC RANGE: 125DBA\u003c\/li\u003e\n\u003cli\u003eINCLUDES: MICROPHONE, WOOD BOX, PSU, SHOCK-MOUNT AND GOTHAM CABLE.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":47842160804082,"sku":"939043000066","price":1399.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0768\/6363\/5698\/files\/wa251-accessories-1500x663.png?v=1764014751"},{"product_id":"warm-audio-wa84-bk","title":"Warm Audio WA84 Small Diaphragm Condenser Microphone - Black - Single","description":"\u003cp\u003eSound Like A Legend\u003cbr\u003eThe WA-84 is a small diaphragm condenser microphone based on classic microphone circuitry. The WA-84 is a fully discrete Class A design that utilizes a CineMag USA transformer, polystyrene and Wima capacitors and a Fairchild FET. The WA-84 is designed for pro studio, home studio, live, and broadcast applications and sounds great on a variety of instruments and sources, such as; acoustic\/electric guitars, acoustic\/electric bass, drums, piano, strings, brass \u0026amp; woodwind instruments, and an array of other sources.\u003c\/p\u003e\n\u003cp\u003eLarge Sound, Small Size\u003cbr\u003eThe WA-84 has a very LARGE sound for it’s small size and uniquely uses a heavy Nickel CineMag transformer in it’s signal path to warm up and ENLARGE sound sources. Small diaphragm condenser microphones have widely moved to transformer-less technology in recent years for ease of design and a lower-cost manufacturing process. When designing the WA-84 we chose to go the extra mile and tackle a more boutique design known for it’s it’s crystal clear, yet smooth, LARGE sound.\u003c\/p\u003e\n\u003cp\u003eBoutique Tone\u003cbr\u003eWe are proud to offer something special to the market-place by using large core transformer technology (CineMag USA) in a small diaphragm condenser microphone package. The result is a circuit that we feel sounds absolutely gorgeous and goes the extra mile in terms of signal integrity and smooth boutique tone.\u003c\/p\u003e\n\u003cp\u003eA Look Inside The WA-84\u003cbr\u003eThe Capsule\u003cbr\u003eThe WA-84 utilizes a custom vintage-style capsule designed to emulate classic componentry and design techniques. The WA-84’s capsule is carefully manufactured by an Australian capsule supplier and is precisely reproduced to vintage specs. We are pleased to offer such a high quality capsule in this microphone which allows us to nail the sonics of the most important component of any microphone.\u003c\/p\u003e\n\u003cp\u003eThe Circuit\u003cbr\u003eThe WA-84 is a fully discrete Class A design that utilizes a CineMag USA transformer, polystyrene and Wima capacitors and a Fairchild FET.\u003c\/p\u003e\n\u003cp\u003eThe Transformer\u003cbr\u003eThe WA-84 utilizes an American made CineMag USA transformer that contributes to the legendary creamy smooth top-end and the BEEFY mid to bottom-end one would hope to get from an 84-style small diaphragm condenser microphone.\u003c\/p\u003e\n\u003cp\u003eThe Capacitors\u003cbr\u003eThe WA-84 proudly utilizes Wima, polystyrene and tantalum through-hole capacitors throughout.\u003c\/p\u003e\n\u003cp\u003eTechnical Specification\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUTILIZES A CINEMAG USA TRANSFORMER\u003c\/li\u003e\n\u003cli\u003eDIRECTIONAL PATTERN: CARDIOID\u003c\/li\u003e\n\u003cli\u003eFULLY DISCRETE VINTAGE-STYLE SIGNAL PATH\u003c\/li\u003e\n\u003cli\u003eVINTAGE CAPSULE REPRODUCTION\u003c\/li\u003e\n\u003cli\u003ePACKAGE INCLUDES: MICROPHONE, CARDIOID CAPSULE, SHOCK-MOUNT, MIC CLIP, WINDSCREEN AND CARRYING CASE\u003c\/li\u003e\n\u003cli\u003e48V PHANTOM POWERED\u003c\/li\u003e\n\u003cli\u003eFREQUENCY RANGE: 20HZ - 20KHZ\u003c\/li\u003e\n\u003cli\u003eSENSITIVITY: -39DB OR 11MV\/PA @ 1KHZ\u003c\/li\u003e\n\u003cli\u003eOUTPUT IMPEDANCE: 200Ω\u003c\/li\u003e\n\u003cli\u003eRATED LOAD IMPEDANCE: ≥1KΩ\u003c\/li\u003e\n\u003cli\u003ePAD: 0DB OR -10DB\u003c\/li\u003e\n\u003cli\u003eMAXIMUM SPL: 123\/133DB @ 1KHZ, 0.5% THD, 0\/-10DB\u003c\/li\u003e\n\u003cli\u003eS\/N RATIO: 78DBA (IEC651)\u003c\/li\u003e\n\u003cli\u003eEQUIVALENT NOISE: 16DBA (IEC651)\u003c\/li\u003e\n\u003cli\u003eDYNAMIC RANGE: 107DBA (IEC651)\u003c\/li\u003e\n\u003cli\u003eCONNECTOR: 3-PIN GOLD-PLATED XLR\u003c\/li\u003e\n\u003cli\u003eWEIGHT: 122G EACH\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":47842160967922,"sku":"939043000067","price":699.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0768\/6363\/5698\/files\/warmaudio_wa-84black_01.jpg?v=1764014752"},{"product_id":"warm-audio-wa84-ni","title":"Warm Audio WA84 Small Diaphragm Condenser Microphone - Nickel - Single","description":"\u003cp\u003eSound Like A Legend\u003cbr\u003eThe WA-84 is a small diaphragm condenser microphone based on classic microphone circuitry. The WA-84 is a fully discrete Class A design that utilizes a CineMag USA transformer, polystyrene and Wima capacitors and a Fairchild FET. The WA-84 is designed for pro studio, home studio, live, and broadcast applications and sounds great on a variety of instruments and sources, such as; acoustic\/electric guitars, acoustic\/electric bass, drums, piano, strings, brass \u0026amp; woodwind instruments, and an array of other sources.\u003c\/p\u003e\n\u003cp\u003eLarge Sound, Small Size\u003cbr\u003eThe WA-84 has a very LARGE sound for it’s small size and uniquely uses a heavy Nickel CineMag transformer in it’s signal path to warm up and ENLARGE sound sources. Small diaphragm condenser microphones have widely moved to transformer-less technology in recent years for ease of design and a lower-cost manufacturing process. When designing the WA-84 we chose to go the extra mile and tackle a more boutique design known for it’s it’s crystal clear, yet smooth, LARGE sound.\u003c\/p\u003e\n\u003cp\u003eBoutique Tone\u003cbr\u003eWe are proud to offer something special to the market-place by using large core transformer technology (CineMag USA) in a small diaphragm condenser microphone package. The result is a circuit that we feel sounds absolutely gorgeous and goes the extra mile in terms of signal integrity and smooth boutique tone.\u003c\/p\u003e\n\u003cp\u003eA Look Inside The WA-84\u003cbr\u003eThe Capsule\u003cbr\u003eThe WA-84 utilizes a custom vintage-style capsule designed to emulate classic componentry and design techniques. The WA-84’s capsule is carefully manufactured by an Australian capsule supplier and is precisely reproduced to vintage specs. We are pleased to offer such a high quality capsule in this microphone which allows us to nail the sonics of the most important component of any microphone.\u003c\/p\u003e\n\u003cp\u003eThe Circuit\u003cbr\u003eThe WA-84 is a fully discrete Class A design that utilizes a CineMag USA transformer, polystyrene and Wima capacitors and a Fairchild FET.\u003c\/p\u003e\n\u003cp\u003eThe Transformer\u003cbr\u003eThe WA-84 utilizes an American made CineMag USA transformer that contributes to the legendary creamy smooth top-end and the BEEFY mid to bottom-end one would hope to get from an 84-style small diaphragm condenser microphone.\u003c\/p\u003e\n\u003cp\u003eThe Capacitors\u003cbr\u003eThe WA-84 proudly utilizes Wima, polystyrene and tantalum through-hole capacitors throughout.\u003c\/p\u003e\n\u003cp\u003eTechnical Specification\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUTILIZES A CINEMAG USA TRANSFORMER\u003c\/li\u003e\n\u003cli\u003eDIRECTIONAL PATTERN: CARDIOID\u003c\/li\u003e\n\u003cli\u003eFULLY DISCRETE VINTAGE-STYLE SIGNAL PATH\u003c\/li\u003e\n\u003cli\u003eVINTAGE CAPSULE REPRODUCTION\u003c\/li\u003e\n\u003cli\u003ePACKAGE INCLUDES: MICROPHONE, CARDIOID CAPSULE, SHOCK-MOUNT, MIC CLIP, WINDSCREEN AND CARRYING CASE\u003c\/li\u003e\n\u003cli\u003e48V PHANTOM POWERED\u003c\/li\u003e\n\u003cli\u003eFREQUENCY RANGE: 20HZ - 20KHZ\u003c\/li\u003e\n\u003cli\u003eSENSITIVITY: -39DB OR 11MV\/PA @ 1KHZ\u003c\/li\u003e\n\u003cli\u003eOUTPUT IMPEDANCE: 200Ω\u003c\/li\u003e\n\u003cli\u003eRATED LOAD IMPEDANCE: ≥1KΩ\u003c\/li\u003e\n\u003cli\u003ePAD: 0DB OR -10DB\u003c\/li\u003e\n\u003cli\u003eMAXIMUM SPL: 123\/133DB @ 1KHZ, 0.5% THD, 0\/-10DB\u003c\/li\u003e\n\u003cli\u003eS\/N RATIO: 78DBA (IEC651)\u003c\/li\u003e\n\u003cli\u003eEQUIVALENT NOISE: 16DBA (IEC651)\u003c\/li\u003e\n\u003cli\u003eDYNAMIC RANGE: 107DBA (IEC651)\u003c\/li\u003e\n\u003cli\u003eCONNECTOR: 3-PIN GOLD-PLATED XLR\u003c\/li\u003e\n\u003cli\u003eWEIGHT: 122G EACH\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":47842161000690,"sku":"939043000068","price":699.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0768\/6363\/5698\/files\/3025877-d.jpg?v=1764014753"},{"product_id":"warm-audio-wa84-bk-pair","title":"Warm Audio WA84 Small Diaphragm Condenser Microphone - Black - Pair","description":"\u003cp\u003eSound Like A Legend\u003cbr\u003eThe WA-84 is a small diaphragm condenser microphone based on classic microphone circuitry. The WA-84 is a fully discrete Class A design that utilizes a CineMag USA transformer, polystyrene and Wima capacitors and a Fairchild FET. The WA-84 is designed for pro studio, home studio, live, and broadcast applications and sounds great on a variety of instruments and sources, such as; acoustic\/electric guitars, acoustic\/electric bass, drums, piano, strings, brass \u0026amp; woodwind instruments, and an array of other sources.\u003c\/p\u003e\n\u003cp\u003eLarge Sound, Small Size\u003cbr\u003eThe WA-84 has a very LARGE sound for it’s small size and uniquely uses a heavy Nickel CineMag transformer in it’s signal path to warm up and ENLARGE sound sources. Small diaphragm condenser microphones have widely moved to transformer-less technology in recent years for ease of design and a lower-cost manufacturing process. When designing the WA-84 we chose to go the extra mile and tackle a more boutique design known for it’s it’s crystal clear, yet smooth, LARGE sound.\u003c\/p\u003e\n\u003cp\u003eBoutique Tone\u003cbr\u003eWe are proud to offer something special to the market-place by using large core transformer technology (CineMag USA) in a small diaphragm condenser microphone package. The result is a circuit that we feel sounds absolutely gorgeous and goes the extra mile in terms of signal integrity and smooth boutique tone.\u003c\/p\u003e\n\u003cp\u003eA Look Inside The WA-84\u003cbr\u003eThe Capsule\u003cbr\u003eThe WA-84 utilizes a custom vintage-style capsule designed to emulate classic componentry and design techniques. The WA-84’s capsule is carefully manufactured by an Australian capsule supplier and is precisely reproduced to vintage specs. We are pleased to offer such a high quality capsule in this microphone which allows us to nail the sonics of the most important component of any microphone.\u003c\/p\u003e\n\u003cp\u003eThe Circuit\u003cbr\u003eThe WA-84 is a fully discrete Class A design that utilizes a CineMag USA transformer, polystyrene and Wima capacitors and a Fairchild FET.\u003c\/p\u003e\n\u003cp\u003eThe Transformer\u003cbr\u003eThe WA-84 utilizes an American made CineMag USA transformer that contributes to the legendary creamy smooth top-end and the BEEFY mid to bottom-end one would hope to get from an 84-style small diaphragm condenser microphone.\u003c\/p\u003e\n\u003cp\u003eThe Capacitors\u003cbr\u003eThe WA-84 proudly utilizes Wima, polystyrene and tantalum through-hole capacitors throughout.\u003c\/p\u003e\n\u003cp\u003eTechnical Specification\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUTILIZES A CINEMAG USA TRANSFORMER\u003c\/li\u003e\n\u003cli\u003eDIRECTIONAL PATTERN: CARDIOID\u003c\/li\u003e\n\u003cli\u003eFULLY DISCRETE VINTAGE-STYLE SIGNAL PATH\u003c\/li\u003e\n\u003cli\u003eVINTAGE CAPSULE REPRODUCTION\u003c\/li\u003e\n\u003cli\u003ePACKAGE INCLUDES: MICROPHONE, CARDIOID CAPSULE, SHOCK-MOUNT, MIC CLIP, WINDSCREEN AND CARRYING CASE\u003c\/li\u003e\n\u003cli\u003e48V PHANTOM POWERED\u003c\/li\u003e\n\u003cli\u003eFREQUENCY RANGE: 20HZ - 20KHZ\u003c\/li\u003e\n\u003cli\u003eSENSITIVITY: -39DB OR 11MV\/PA @ 1KHZ\u003c\/li\u003e\n\u003cli\u003eOUTPUT IMPEDANCE: 200Ω\u003c\/li\u003e\n\u003cli\u003eRATED LOAD IMPEDANCE: ≥1KΩ\u003c\/li\u003e\n\u003cli\u003ePAD: 0DB OR -10DB\u003c\/li\u003e\n\u003cli\u003eMAXIMUM SPL: 123\/133DB @ 1KHZ, 0.5% THD, 0\/-10DB\u003c\/li\u003e\n\u003cli\u003eS\/N RATIO: 78DBA (IEC651)\u003c\/li\u003e\n\u003cli\u003eEQUIVALENT NOISE: 16DBA (IEC651)\u003c\/li\u003e\n\u003cli\u003eDYNAMIC RANGE: 107DBA (IEC651)\u003c\/li\u003e\n\u003cli\u003eCONNECTOR: 3-PIN GOLD-PLATED XLR\u003c\/li\u003e\n\u003cli\u003eWEIGHT: 122G EACH\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":47842161230066,"sku":"939043000069","price":1299.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0768\/6363\/5698\/files\/wa-84_black_stereo-pair_case.jpg?v=1764014754"},{"product_id":"warm-audio-wa84-ni-pair","title":"Warm Audio WA84 Small Diaphragm Condenser Microphone - Nickel - Pair","description":"\u003cp\u003eSound Like A Legend\u003cbr\u003eThe WA-84 is a small diaphragm condenser microphone based on classic microphone circuitry. The WA-84 is a fully discrete Class A design that utilizes a CineMag USA transformer, polystyrene and Wima capacitors and a Fairchild FET. The WA-84 is designed for pro studio, home studio, live, and broadcast applications and sounds great on a variety of instruments and sources, such as; acoustic\/electric guitars, acoustic\/electric bass, drums, piano, strings, brass \u0026amp; woodwind instruments, and an array of other sources.\u003c\/p\u003e\n\u003cp\u003eLarge Sound, Small Size\u003cbr\u003eThe WA-84 has a very LARGE sound for it’s small size and uniquely uses a heavy Nickel CineMag transformer in it’s signal path to warm up and ENLARGE sound sources. Small diaphragm condenser microphones have widely moved to transformer-less technology in recent years for ease of design and a lower-cost manufacturing process. When designing the WA-84 we chose to go the extra mile and tackle a more boutique design known for it’s it’s crystal clear, yet smooth, LARGE sound.\u003c\/p\u003e\n\u003cp\u003eBoutique Tone\u003cbr\u003eWe are proud to offer something special to the market-place by using large core transformer technology (CineMag USA) in a small diaphragm condenser microphone package. The result is a circuit that we feel sounds absolutely gorgeous and goes the extra mile in terms of signal integrity and smooth boutique tone.\u003c\/p\u003e\n\u003cp\u003eA Look Inside The WA-84\u003cbr\u003eThe Capsule\u003cbr\u003eThe WA-84 utilizes a custom vintage-style capsule designed to emulate classic componentry and design techniques. The WA-84’s capsule is carefully manufactured by an Australian capsule supplier and is precisely reproduced to vintage specs. We are pleased to offer such a high quality capsule in this microphone which allows us to nail the sonics of the most important component of any microphone.\u003c\/p\u003e\n\u003cp\u003eThe Circuit\u003cbr\u003eThe WA-84 is a fully discrete Class A design that utilizes a CineMag USA transformer, polystyrene and Wima capacitors and a Fairchild FET.\u003c\/p\u003e\n\u003cp\u003eThe Transformer\u003cbr\u003eThe WA-84 utilizes an American made CineMag USA transformer that contributes to the legendary creamy smooth top-end and the BEEFY mid to bottom-end one would hope to get from an 84-style small diaphragm condenser microphone.\u003c\/p\u003e\n\u003cp\u003eThe Capacitors\u003cbr\u003eThe WA-84 proudly utilizes Wima, polystyrene and tantalum through-hole capacitors throughout.\u003c\/p\u003e\n\u003cp\u003eTechnical Specification\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUTILIZES A CINEMAG USA TRANSFORMER\u003c\/li\u003e\n\u003cli\u003eDIRECTIONAL PATTERN: CARDIOID\u003c\/li\u003e\n\u003cli\u003eFULLY DISCRETE VINTAGE-STYLE SIGNAL PATH\u003c\/li\u003e\n\u003cli\u003eVINTAGE CAPSULE REPRODUCTION\u003c\/li\u003e\n\u003cli\u003ePACKAGE INCLUDES: MICROPHONE, CARDIOID CAPSULE, SHOCK-MOUNT, MIC CLIP, WINDSCREEN AND CARRYING CASE\u003c\/li\u003e\n\u003cli\u003e48V PHANTOM POWERED\u003c\/li\u003e\n\u003cli\u003eFREQUENCY RANGE: 20HZ - 20KHZ\u003c\/li\u003e\n\u003cli\u003eSENSITIVITY: -39DB OR 11MV\/PA @ 1KHZ\u003c\/li\u003e\n\u003cli\u003eOUTPUT IMPEDANCE: 200Ω\u003c\/li\u003e\n\u003cli\u003eRATED LOAD IMPEDANCE: ≥1KΩ\u003c\/li\u003e\n\u003cli\u003ePAD: 0DB OR -10DB\u003c\/li\u003e\n\u003cli\u003eMAXIMUM SPL: 123\/133DB @ 1KHZ, 0.5% THD, 0\/-10DB\u003c\/li\u003e\n\u003cli\u003eS\/N RATIO: 78DBA (IEC651)\u003c\/li\u003e\n\u003cli\u003eEQUIVALENT NOISE: 16DBA (IEC651)\u003c\/li\u003e\n\u003cli\u003eDYNAMIC RANGE: 107DBA (IEC651)\u003c\/li\u003e\n\u003cli\u003eCONNECTOR: 3-PIN GOLD-PLATED XLR\u003c\/li\u003e\n\u003cli\u003eWEIGHT: 122G EACH\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":47842161262834,"sku":"939043000070","price":1299.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0768\/6363\/5698\/files\/warm_audio_wa84_c_n_st_vintage_small_diaphragm_condenser_1455483.jpg?v=1764014756"},{"product_id":"warm-audio-bus-comp","title":"Warm Audio BUS-COMP 2 channel Stereo VCA Bus Compressor","description":"\u003cp\u003eThe Warm Audio BUS-COMP is an all-analog, 2 channel, stereo VCA bus compressor based on classic circuitry that has provided silky smooth tone for decades. Stereo VCA bus compressors are masterful at controlling dynamics on many sources, but they have become widely known for their magic touch on stereo mixes.\u003c\/p\u003e\n\u003cp\u003eThe BUS-COMP will perform well on stereo mixes, drum mixes, drum overheads, acoustic guitars, keyboards, piano, orchestral instruments, voice-overs and an array of other sources. The BUS-COMP is primarily designed for stereo use, but it can be used just as successfully on individual mono sources. VCA bus compressors of this type have become widely loved for their ability to control dynamics effortlessly but also for the added tone and depth they provide to the audio signal that passes through them, even when no compression is applied.\u003c\/p\u003e\n\u003cp\u003eA Look Inside\u003c\/p\u003e\n\u003cp\u003eRe-creating legendary VCA bus compressor technology was the focus of the BUS-COMP’s design, however, adding options and improvements was just as important to us during its development. One feature we are proud to boast is the BUS-COMP’s ability to have USA made CineMag transformers inserted into the signal path driven by fully discrete operational amplifiers. With a single push of a front panel switch, these custom USA made transformers are inserted into the audio’s path providing increased depth, tone and vibe!\u003c\/p\u003e\n\u003cp\u003ePremium Components\u003c\/p\u003e\n\u003cp\u003eAs with all of the products we develop here at Warm Audio, the BUS-COMP was designed with a price point in mind. With efficient, modern manufacturing techniques we are proud to bring this boutique quality, classic VCA bus compressor to the market at a quality-to-price ratio previously unseen. More studios than ever before will now have access to analog quality VCA bus compression. 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Covered in thick velvet just like the vintage pedal, the Warm Audio Foxy Tone Box faithfully recreates the vintage circuit and brings you the huge tone, octave-up sounds and look of the original…without having to pay crazy vintage prices!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSerious Attention To Detail\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe specific components used in a pedal circuit are critical to the way that it sounds and reacts to your playing, so each Foxy Tone Box is assembled by hand using premium parts. We searched far and wide for a stash of the correct NOS (“New Old Stock”) Fairchild germanium transistors used in the original—and then paired them with germanium diodes, high-watt carbon resistors, and film capacitors to bring the fury of the vintage pedal to the present day. 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We went to great lengths to recreate the discrete circuit of the original microphone, using boutique components throughout to ensure that nothing got in the way of pure tube magic. The sound and vibe of the original ’67 is recreated in our WA-67, and we take great pride in being able to make such a high-quality microphone available to everyone at an unheard of price.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Capsule: The Heart Of A Microphone\u003c\/strong\u003e\u003cbr\u003eEven if you stuff a microphone full of premium components, if the capsule isn’t right, nothing is - it’s that critical. Knowing this we went to great lengths to recreate the capsule from the original ’67, making sure that ours performs the same way, has the same frequency response and contributes to the same chewy character as the original. That meant not only ensuring that the hole pattern was identical, but we also made sure to craft the entire assembly out of brass (including the mounting rings) just like the original design. It takes more time and it’s more expensive than using multiple types of material, but we felt that it was critical to go the extra mile on this microphone. The results speak for themselves - the WA-67 sounds absolutely stellar!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Guts And The Glory\u003c\/strong\u003e\u003cbr\u003eThe EF-86 tube is well-known in the industry for having characteristics that are consistently flattering to audio sources, and it’s one of the reasons why the original ’67 microphone remains sought after (and why some modern audio manufacturers use it in their own hyper-expensive microphones and preamps). We knew that it was critical to get absolutely right in the WA-67, and we’re thrilled with the results.\u003c\/p\u003e\n\u003cp\u003eGoing even further, in order to accentuate and complement the custom capsule and EF86 tube, we used top-shelf components to complete our version of the original circuit. We used high-bandwidth polystyrene capacitors, as well as boutique polypropylene caps from Wima and a large output capacitor from Solen. Just as important in a tube design, we also used a custom large-core transformer from Lundahl in Sweden, which plays a significant role in the buttery smooth high frequency response and huge three-dimensional sound of the WA-67. The microphone is also encased in a beautiful nickel-plated brass body and headbasket, which provides strength, additional shielding from extraneous handling noise and the ultimate in audio performance.\u003c\/p\u003e\n\u003cp\u003eLast but not certainly not least, the quality of the 7-pin cable that connects a tube mic to its power supply is also of paramount importance - it carries both audio signals and voltage for the tube on different pins, which means that it plays an integral role in the performance of the microphone. That’s why we’ve partnered with high-end manufacturer Gotham Audio of Switzerland to use their high-end GAC-7 cable with the WA-67. 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The original '47-style FET was released in 1969 and gained massive popularity inside recording studios for its ability to handle fast transients with exceptional detail. Compared to popular tube microphones, the WA-47F has a more pristine top end and a tighter, more controllable bass response. Famous artists such as Dave Grohl and Daft Punk used the original 47FET on kick drums, inspiring generations of drummers and engineers. For vocals, legends like David Lee Roth and Michael Stipe used the original to create some of the most beloved music of all time. The WA-47F shares the same sonic profile as that original microphone, making the WA-47F a studio workhorse that will quickly become a go-to mic in your locker.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFull Volume. Powerful Detail. No Compromise\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLike all Warm Audio microphones, the WA-47F is a no-nonsense studio tool with premium components and elite build quality. Like the originals, the WA-47F takes the sound of the WA-47 tube mic and swaps the valve for solid-state FETs, meaning there’s no compromise between capturing rich midrange, detailed bass, and handling very loud sources. At its core, the WA-47F uses a premium reproduction of the vintage K47-style capsule found in the original microphone for ultra-wide frequency response and detail. The WA-47F uses a single backplate, cardioid-only version of the same capsule used in our award-winning WA-47 tube microphone. The capsule is joined by a custom TAB-Funkenwerk USA Output Transformer that drives the punchy, powerful sound captured by this capsule. The WA-47F pairs premium Fairchild FETs with polystyrene \u0026amp; Wima capacitors and the AMI output transformer, giving the WA-47F the ideal frequency response to capture extra detail and depth. The -10dB pad gives you extra headroom for those loud sources that you need to keep loud. When you need to eliminate unwanted bass frequencies on sources like lead vocals or electric guitar cabs, engage the included 140 Hz low-cut filter to save yourself from unnecessary post-EQ. Our meticulous R\u0026amp;D process allowed us to dial in a true-to-original output level and frequency response that matches the performance expectations of world-class audio engineers and recording facilities.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio Workhorse\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLike the original, the WA-47F’s custom-tuned frequency response captures huge kick drum sounds, punchy guitar \u0026amp; bass cabs, and adds a pristine edge to solo vocals that need to stand out.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKick Drum\u003c\/strong\u003e\u003cbr\u003eIn addition to a dynamic mic on the inside of the kick, aimed right at the beater, many engineers choose to add a 47FET-style microphone to the outside of the kick drum on the front head. The dynamic mic on the beater tends to capture the “snap” of the kick, while the WA-47F on the outside will get the “thump” from the drum. The air pressure “boom” of the resonant kick drum head is a huge sound easily missed by the dynamic mic. Adding a WA-47F to your kick will have a huge spatial effect on the sound, making tracks feel more alive and less robotic.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVocals\u003c\/strong\u003e\u003cbr\u003eThe original mic was chosen to capture some very famous vocals including Bon Scott (AC\/DC), David Lee Roth (Van Halen), and REM’s Michael Stipe. 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This capsule allows the WA-CX12 to have 9 polar patterns with the typical cardioid, omni, and figure-8, in addition to 6 intermediate patterns. . Moving down from the capsule, the WA-CX12 uses a premium 12AY7 vacuum tube for added warmth. At the end of the circuit, the WA-CX12 uses a custom TAB-Funkenwerk (AMI) USA Output Transformer, which gives the WA-CX12 a very full, wide, and open sound, getting the most out of the capsule and additional circuit components. The WA-CX12 has premium capacitors throughout, and a no-solder mask board for the lowest noise possible. As with all Warm Audio products, we focus heavily on quality components to ensure we release the best sounding product possible.\u003cbr\u003e \u003cbr\u003e\u003cstrong\u003eTrue To Legacy, True To Sound\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe WA-CX12 sound profile is known for capturing the real sound of a performance. 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Because of the mic’s relatively flat frequency at 0dB until the top-end boost kicks in, the WA-CX12 adds just the right amount of pristine high end to a piano performance.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRoom Sounds\u003c\/strong\u003e\u003cbr\u003eWhether it’s room reflections, splashy cymbals, or guitar \u0026amp; bass cabinets - mixing in a distant WA-CX12 can bring a natural “live” sound to professional recordings.\u003cbr\u003e \u003cbr\u003e\u003cstrong\u003ePremium Components - Elite Build Quality - Superior Sound\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWA-12-B-60V CEK12-Style Capsule\u003cbr\u003eThe WA-12-B-60V CK12-style capsule accurately matches the frequency response of the original capsule found in vintage C12 mics. This capsule captures incredible detail across the 30Hz-20kHz frequency response. 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You are the reason that we put so much time and effort into ensuring that the products we bring to market sound amazing, are as affordable as possible and inspire endless creativity - we’re serious about this stuff!\u003c\/p\u003e\n\u003cp\u003eWe’re also serious about recording as an art, and we’re always looking for ways to help our customers achieve their sonic goals. With that mission in mind we partnered with Switzerland-based Gotham AG - Europe’s top producer of premium cable - to provide the cable stock for our entire new line of interconnects, and the results have exceeded our expectations!\u003c\/p\u003e\n\u003cp\u003eHighest Quality Possible\u003cbr\u003e\u003cbr\u003eWith Warm Cables we knew that we wanted to offer the highest quality possible at a price low enough for everyone to afford, with construction robust enough that we could offer a lifetime warranty. 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Known by its lauded boost and overdriven tones, the craze for this uber-popular pedal continues today, long after its original production from 1994 to 2009. With prices soaring into unthinkable prices for a three-knob overdrive, it’s no wonder that guitar players like Jeff Beck, Joe Perry, John Mayer, and Josh Homme have found all the mythical magic of the original pedals to be worth the hype. The Warm Audio Centavo is a true-to-original overdrive pedal that authentically recreates the legendary experience and adored tones of the original, legendary box.\u003cbr\u003e \u003cbr\u003eLegacy At Your Feet\u003cbr\u003eWhether you’re after the fabled boost tones, edge-of-breakup overdrive, or you want to push your rhythm channel to true grit - the Centavo has all of the adored tones of the original pedal. The Centavo is comfortable acting as a boost pedal, but the saturation in the higher gain settings provide a platform for true “transparent” overdriven rhythm tones. The addition of the “MOD” switch on the back - famously requested by Jeff Beck on the original pedal- allows players to extend the bass response, impacting the lower strings to get added low end drive tones.\u003cbr\u003e \u003cbr\u003ePedal Settings \u0026amp; Controls\u003cbr\u003eThe Centavo has three basic controls on the top - Gain, Treble, \u0026amp; Output. The gain on Centavo breaks up fairly late, with edge-of-breakup hitting after 50% and real clipping occurring late in the gain stage. The treble control is useful for dialing in more top-end for muddier guitars, like dual-humbucker models or all-mahogany instruments. The Centavo is loaded with output and can easily deliver clean boost, or create natural distortion if the tubes on your amplifier are already being pushed. Engaging the MOD switch on the back is a great tool to have at your disposal if the overdrive initially sounds “thin” in the lower register.\u003c\/p\u003e\n\u003cp\u003eTechnical Specifications\u003cbr\u003e\u003cbr\u003eAccurate Recreation Of The Most Sought-After Overdrive Pedal Of All Time\u003cbr\u003e \u003cbr\u003ePremium Components Including TL072 Op Amps, Vintage-Style Diodes, And Charge-Pump Voltage Regulator\u003cbr\u003e \u003cbr\u003eBuffered Bypass Operation\u003cbr\u003e \u003cbr\u003eGain, Treble, And Output Controls\u003cbr\u003e \u003cbr\u003eMOD Switch on Rear For Extended Low-End Response\u003cbr\u003e \u003cbr\u003eCustom-Cast “Champagne” Enclosure With Accurately Tapered Oxblood Knobs\u003cbr\u003e \u003cbr\u003e1\/4\" Input (Inst) And Output (Amp) Jacks\u003cbr\u003e \u003cbr\u003ePowered By 9v Battery Or Standard 9v Dc Pedal Adapter\u003cbr\u003e \u003cbr\u003eLength: 5”\u003cbr\u003e \u003cbr\u003eWidth: 6.75”\u003cbr\u003e \u003cbr\u003eHeight: 2.25”\u003cbr\u003e \u003cbr\u003eWeight: 2 Lbs\u003c\/p\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":47842536816882,"sku":"WARM-WAR-CV","price":280.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0768\/6363\/5698\/files\/cent_w_top.png?v=1764007848"},{"product_id":"warm-audio-wa-wd-warmdrive-overdrive-pedal","title":"Warm Audio WA-WD Warmdrive Overdrive Pedal","description":"\u003cp\u003eA Legendary Amp, On Your Pedalboard\u003cbr\u003eThe Warm Audio Warmdrive is a true reproduction of the most sought-after \"amp-in-a-box\" pedal of all time, delivering the tones of a truly unattainable overdriven amp. Both guitar heroes and modern virtuosos like SRV, Eric Clapton, Robben Ford, John Mayer, Santana, and Cory Wong are known to have used either the original amplifier or the pedal inspired by it. With an artist roster like that, it’s no wonder that original vintage pedals are talked about amongst the most demanding and discerning chasers of tone. Staying true to the legacy, the Warmdrive delivers all the tones of the original pedal and amplifier that inspired it.\u003cbr\u003e \u003cbr\u003eTrue To Legacy, True To Sound\u003cbr\u003eWhether you’re driving cleans into breakup, thickening up rhythm tones, or saturating solos, the Warmdrive can transform your amp from a polite and clean pedal platform into a fuzzy monster. While the Warmdrive has plenty of dynamic gain on tap, adding the pedal to your rig does not dramatically alter or diminish your tone. Just like the original, the Warmdrive has the unique Voice\/Tone control to go from silky-smooth tones reminiscent of that special overdriven amp at the sweet spot all the way to sustain-rich distortion. It’s like having the best of both worlds, from clean to mean.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003ePedal Settings \u0026amp; Controls\u003cbr\u003eThe voice\/tone control combination on the stomp box gives artists extra versatility compared to the typical overdrive pedal, allowing the player to modify the frequency both before (voice control) and after (tone control) the clipping stages. Playing with the knobs can create dynamic sounds that almost seem like two guitar signals going at once. Warmdrive will also push beyond light overdrive, all the way to a saturated cascading gain tone that makes it easy to get lost in a solo jam. Couple these controls with critical volume and gain knobs and the Warmdrive is a venerable addition to any live or studio rig.\u003c\/p\u003e\n\u003cp\u003eTechnical Specifications\u003cbr\u003e\u003cbr\u003eTrue Reproduction Of A Legendary Amp-In-A-Box Overdrive Pedal\u003cbr\u003e \u003cbr\u003ePremium Components: 2N7000 MOSFETs, A NE5532 Op-Amp, Carbon Resistors, And 1N34A Germanium \/ Schottky BAT41 Diodes\u003cbr\u003e \u003cbr\u003eTrue Bypass\u003cbr\u003e \u003cbr\u003eVolume, Tone, Gain, And Voice Controls\u003cbr\u003e \u003cbr\u003eAuthentic Metal Enclosure with Carefully Tapered Knobs\u003cbr\u003e \u003cbr\u003e1\/4\" Input (Inst) And Output (Amp) Jacks\u003cbr\u003e \u003cbr\u003ePowered By 9v Battery Or Standard 9v Dc Pedal Adapter\u003cbr\u003e \u003cbr\u003ePower Consumption: 25 MA\u003cbr\u003e \u003cbr\u003eLength: 4.75”\u003cbr\u003e \u003cbr\u003eWidth: 2.5”\u003cbr\u003e \u003cbr\u003eHeight: 2.25”\u003cbr\u003e \u003cbr\u003eWeight: .75 lbs\u003c\/p\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":47842536882418,"sku":"WARM-WAR-WD","price":260.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0768\/6363\/5698\/files\/wrmdrive_w_top.png?v=1764007849"},{"product_id":"warm-audio-mpx-single-channel-tape-era-tube-preamp","title":"Warm Audio WA-MPX Single Channel Tape Era Tube Preamp","description":"\u003cp\u003eThe WA-MPX is an authentic reproduction of the most revered microphone tube preamp that pioneered the birth of rock ‘n’ roll \u0026amp; radio-ready hits. 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With premium components, true-to-original circuit design, and tape saturation control, the WA-MPX authentically reproduces all the analog tone of the original to bring vintage warmth \u0026amp; color to your sound.\u003c\/p\u003e\n\u003cp\u003eAuthentic Reproduction Of The Most Revered Tape-Era Tube Mic Preamp: The WA-MPX is based on the 351-style tube preamplifier found in American tape machines that pioneered the birth of rock ‘n’ roll \u0026amp; radio-ready hits.\u003c\/p\u003e\n\u003cp\u003ePower \u0026amp; Versatility For A Wider Range Of Analog Tone: Delivering an impressive 300v of raw power \u0026amp; 90dB of tube gain, WA-MPX achieves clean gain \u0026amp; powerful volume, that pushes the tubes to saturate just like the most timeless analog gear.\u003c\/p\u003e\n\u003cp\u003ePremium Components \u0026amp; Handwired Construction For An Authentic Vintage Experience: Hand-assembled with three premium tubes per channel paired with custom-wound true-to-spec USA CineMag transformers, the WA-MPX authentically reproduces all the analog tone of the original.\u003c\/p\u003e\n\u003cp\u003eSelectable, All-Analog Tape Saturation: WA-MPX uses discrete analog components that provide compression, saturation, and non-linear frequency response for authentic tape-era reel-to-reel sound at 15IPS. \u003c\/p\u003e\n\u003cp\u003eHi-Pass (80Hz) \u0026amp; Low-Pass (2kHz) Filters to Refine Tone: The 2kHz low-pass filter allows you to further shape and focus your tone, dialing in ultimate midrange warmth \u0026amp; punch. 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The 80Hz hi-pass filter helps remove unwanted bass noise from unruly sources.\u003c\/p\u003e\n\u003cp\u003eHand-Inspected \u0026amp; Tested at Warm Audio HQ in Austin, Texas: Carefully inspected at Warm Audio Headquarters in Austin, Texas by trained engineers \u0026amp; musicians with a passion for helping you sound your best.\u003c\/p\u003e\n\u003cp\u003eTech Specs\u003c\/p\u003e\n\u003cp\u003e● Authentic Reproduction Of The Most Revered Tape-Era Tube Preamp \u003c\/p\u003e\n\u003cp\u003e● Fully Discrete, Hand-Built Construction With 3 Tubes Per Channel For Ultimate Analog Tone \u003c\/p\u003e\n\u003cp\u003e● Selectable Tape Saturation Adds Harmonic Distortion \u0026amp; Natural Compression \u003c\/p\u003e\n\u003cp\u003e● 90dB Of Analog Tube Gain Per Channel\u003c\/p\u003e\n\u003cp\u003e● Custom-Wound, Large-Core CineMag USA Transformers\u003c\/p\u003e\n\u003cp\u003e● Mic Input: 600Ω Transformer (6000Ω Rated)\u003c\/p\u003e\n\u003cp\u003e● Mic Input With “Tone” Engaged: 150Ω Transformer (1500Ω Rated)\u003c\/p\u003e\n\u003cp\u003e● Premium (2X) 12AX7 \u0026amp; (1X) 12AU7 Vacuum Tubes\u003c\/p\u003e\n\u003cp\u003e● 600Ω Output Attenuator\u003c\/p\u003e\n\u003cp\u003e● High Gain Control Engages The Third Tube In The Circuit For An Added 20dB (from 70dB to 90dB) Of Clean Gain For Low-Output Mics And Low-Volume Sources\u003c\/p\u003e\n\u003cp\u003e● 48v Phantom Power \u0026amp; Polarity Switch \u003c\/p\u003e\n\u003cp\u003e● Classic Warm Audio Tone Control That Alters The Input Transformer Impedance Adding Extra Analog Color\u003c\/p\u003e\n\u003cp\u003e● 80Hz High-Pass Filter To Control Unruly Bass Frequencies\u003cbr\u003e\u003cbr\u003e● 2kHz Low-Pass Filter To Focus Preamp Power \u0026amp; Warmth On Mids For Added Punch\u003c\/p\u003e\n\u003cp\u003e● Tape Saturation Adds Harmonic Distortion \u0026amp; Natural Compression For Authentic Analog Grit\u003c\/p\u003e\n\u003cp\u003e● Inputs: XLR Mic, TS Instrument \u0026amp; TRS Line.\u003c\/p\u003e\n\u003cp\u003e● Outputs: XLR \/ TRS Line Level\u003c\/p\u003e\n\u003cp\u003e● VU Meter Level Indication\u003c\/p\u003e\n\u003cp\u003e● Frequency Response: 20Hz-20kHz\u003c\/p\u003e\n\u003cp\u003e● Aluminum Faceplate, Steel Chassis, \u0026amp; Vintage Bakelite-Style Knobs\u003c\/p\u003e\n\u003cp\u003e● Internal IEC 115v\/230v Power Inlet\u003c\/p\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":47842584199410,"sku":"WARM-WAR-2MPX","price":2490.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0768\/6363\/5698\/files\/wa-2mpx_front.jpg?v=1764015304"},{"product_id":"warm-audio-wa14sp-large-diaphragm-condenser-microphone-stereo-pair","title":"Warm Audio WA14SP Large Diaphragm Condenser Microphone - Stereo Pair","description":"\u003cp\u003eAuthentic Recreation Of The Most Truthful Studio Mic Of All Time In Sequential Pair\u003c\/p\u003e\n\u003cp\u003eThe WA-14SP is a sequential stereo set of the WA-14 mic, an authentic recreation of the ultra-rare unattainable “EB-circuit” 414-style microphone, the most truthful studio mic of all time. Ideal for capturing the natural sound of performances with minimal coloration, the WA-14 delivers the same sonic performance of its original “EB” inspiration. The WA-14SP provides a stereo pair of WA-14 mics loaded with an all-brass, CK-12 style capsule, variable pad, and three polar patterns, and unlike modern iterations, the WA-14 mics are transformer-balanced for rich analog sound reproduction. The WA-14SP achieves present pianos, punchy guitars, clear overheads, and a natural stereo image, just like the original mic used by The Police, Common, Freddie Mercury, Billy Corgan and countless others.\u003c\/p\u003e\n\u003cp\u003eFeatures\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAccurate \u0026amp; Versatile: The WA-14SP is a stereo set of the WA-14 mic, an authentic recreation of the ultra-rare unattainable “EB-circuit” 414-style microphone, the most truthful studio mic of all time. Ideal for capturing the natural sound of performances with minimal coloration, the WA-14 delivers the same sonic performance of the original “EB” circuit.\u003c\/li\u003e\n\u003cli\u003eBalanced Tone, Exciting Mids: The WA-14 delivers clear mids, controlled bass, and accurate high-end emphasis for recordings that stay true to the original performance in the room. The WA-14SP achieves natural pianos, stereo guitars, and clear overheads, all with a natural stereo image. \u003c\/li\u003e\n\u003cli\u003eAccurate Stereo Recordings: WA-14SP stereo pairs ship as sequential pairs and are tested to be sure that they are within +\/- 1dB of each other, delivering consistent performance for stereo recording applications.\u003c\/li\u003e\n\u003cli\u003eCustom, Solid Brass CK12-Style Capsule: WA-14 mics use an edge-terminated, dual-diaphragm capsule that is custom machined out of solid brass and meticulously spec'd to match the detail and warmth of the original. Unlike later nylon iterations of this capsule, the WA-14 faithfully replicates the clear open top end of the original all-brass CK12 capsule.\u003c\/li\u003e\n\u003cli\u003eCustom CineMag USA Output Transformer: Featuring a critical component of the original \"EB-style\" mics not found on current reissues, the WA-14 is built with a custom Cinemag transformer to bring out the full richness and detailed sound reproduction of the CK12-style capsule.\u003c\/li\u003e\n\u003cli\u003ePro Recording Features: Each WA-14 mic has three polar patterns (cardioid, figure-8, \u0026amp; omnidirectional) to meet the needs of a variety of recording situations. 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Like its original inspiration, favored by producers and engineers from Chris Lord-Alge to Rick Rubin, the WA-1B delivers that revered “forgiving” musical compression of tube-optical circuitry with speed and control more closely associated with modern dynamics processing. Hand-wired to authentically recreate the sound of a renowned circuit, the WA-1B combines custom large-core transformers from Lundahl Sweden, select tubes from JJ and Tung-Sol, and a premium high-precision optical element for ultra-fast and accurate operation without sacrificing authentic analog warmth.\u003c\/p\u003e\n\u003cp\u003eOverview:\u003c\/p\u003e\n\u003cp\u003eTube-Opto Tone With Extended Control: Delivering that revered “forgiving” musical compression with the added speed and control functionality, the WA-1B excels on highly dynamic sources that demand analog warmth.\u003c\/p\u003e\n\u003cp\u003eTrue-To-Original Controls:To deliver extended dynamics processing, the WA-1B features all of the classic controls of its modern-classic inspiration. \u003c\/p\u003e\n\u003cp\u003eThreshold: The WA-1B supports a variable threshold giving maximum control to the user regarding how much compression is applied to any signal at various input levels.\u003c\/p\u003e\n\u003cp\u003eRatio: The WA-1B ratio is variable and has infinite controls between 2:1 and 10:1. From soft musical dynamic control all the way to hard-smashing compression! \u003c\/p\u003e\n\u003cp\u003eAttack \u0026amp; Release: The Attack\/Release controls on the WA-1B are unique in that the attack\/release operations can be switched from a fixed setting, manual (variable) setting, or a combined setting. In the “fixed” mode, the WA-1B delivers the natural attack \u0026amp; release time of the optical element. The combined setting in particular creates the opportunity for a more nuanced release-time curve. This dueling time-constant circuit operation is a special feature of the WA-1B and its original inspiration. \u003c\/p\u003e\n\u003cp\u003eMeter Switch: The WA-1B meter switch has three settings: input, compression, and output levels. Set to “input”, the VU meter is reading the level at the input connector. Set to “compression”, the VU meter is reading gain reduction. The steady-state is \"0\", and the amount of compression is shown as the needle moving right-to-left away from 0dB. Set to “output”, the VU meter is reading the level at the output connector.\u003c\/p\u003e\n\u003cp\u003eOn\/Bypass: The on\/bypass switch on the WA-1B activates or bypasses the compressor. This is a hard bypass, meaning no signal passes through the circuitry in bypass mode. \u003c\/p\u003e\n\u003cp\u003ePremium Components: The WA-1B is a 270v circuit with handwired through-hole circuitry, and 100% discrete analog signal path. The custom large-core transformers from Lundahl Sweden bring the full Scandinavian-style analog tone of the WA-1B circuit to life. Paired with select tubes from JJ and Tung-Sol, the high-precision optical element applies sweet analog warmth to audio signals with unrivaled accuracy. \u003c\/p\u003e\n\u003cp\u003eHand-Tested In Austin, TX: Like all Warm Audio gear, the WA-1B is meticulously hand-tested and inspected by trained technicians with a passion for making music in Austin, TX USA\u003c\/p\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":47842649866482,"sku":"BM850031640238","price":1799.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0768\/6363\/5698\/files\/wa-1b_front.jpg?v=1764015401"},{"product_id":"warm-audio-warm-bender-fuzz-pedal","title":"Warm Audio WARM BENDER Fuzz Pedal","description":"\u003cp\u003eThe Warm Audio Warm Bender features dedicated selectable circuits for delivering two of the most iconic Tone Bender fuzz tones plus a bonus modern tone in one stomp box. Warm Bender’s NOS 76 setting brings a cutting, present tone to the front of any band, while the NOS 75 delivers that Mark II Professional-style Bender fuzz tone lauded by all the Riff-Lords of the 60s \u0026amp; 70s. Warm Bender is made with 100% through-hole construction using NOS Germanium transistors. Warm Bender houses two distinct Germanium fuzz circuits plus a third modern silicon circuit for a more smooth, distortion-like tone. With the added SAG control starving the voltage and the smaller pedal footprint, Warm Bender is the ultimate Bender fuzz experience.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePedal Settings \u0026amp; Controls\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Warm Bender pedal has the typical ATTACK (Gain\/Fuzz) and LEVEL (Loudness) controls of a Tone Bender-style pedal. The SAG switch starves the voltage from 9V to 6V - perfect for that touch-sensitive compressed tone. The three settings on Warm Bender cover these basic tones:\u003c\/p\u003e\n\u003cp\u003eNOS 76 Setting\u003cbr\u003e Aggressive fuzz with raw grit and sharp attack. Clear high pass filter, cuts through any mix easily.\u003cbr\u003eNOS 75 Setting\u003cbr\u003e Thunderous bass with smooth, wooly, and fat fuzz tones. Can get to a very Cream\/Woman tone sound and depending on pickup choice, Zeppelin-ish riff tones shine here.\u003cbr\u003eSILICON Setting\u003cbr\u003e The most like a distortion sound. This circuit provides smoother sustain, compression, and more control. Hear tighter bass and treble on the fringes of your tone.\u003c\/p\u003e\n\u003cp\u003ePRO TIP: As a true-bypass, through-hole, NOS Germanium fuzz pedal, it’s recommended that Warm Bender is first in the chain if you are going to use other pedals for interesting textures and tones. This is especially crucial with buffered-bypass pedals. 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With LFO, MOD, FREQ \u0026amp; RATE controls, generate layered frequencies and harmonics, explore a wide range of sonic possibilities for guitar \u0026amp; beyond, and design your own sounds from the ground up. Sporting premium components including hand-selected op-amps and transistors, the RingerBringer delivers true-to-spec performance of the boutique original. The ideal platform for the sonic tinkerer, RingerBringer brings together a distinct set of controls, extensive in\/out options, and rich sonic textures to inspire boundless sonic experimentation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFor Original Artists Building Memorable Sounds\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDelivering tones ranging from nuanced drive to out-of-this world modulation, Ringerbringer helps develop a unique sonic signature for any instrument, on any track.\u003cbr\u003e \u003cbr\u003eRadical Guitar Tones\u003cbr\u003e Combine drive, rate, and frequency for out-of-this-world world guitar tones. Use an external EXP pedal to tame the madness by controlling the rate, amount, mix or frequency manually.\u003cbr\u003eA Sandbox For Synths \u0026amp; Keys\u003cbr\u003e Send any keyboard or synth through the WA-RB for added harmonic content and endless modulation. 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Just like the legendary RCA 44 ribbons of the 1930s, the WA-44 delivers warm, vintage, sultry tones and excels on loud audio sources. The tight figure-8 polar pattern removes side-address noise while its custom, vintage-matched ribbon and magnet together with a CineMag transformer deliver powerful bass with a pronounced proximity effect, lush mids, and a tamed top end, reducing excessive high end harshness. Featuring premium components and elite build quality, the WA-44 is the perfect choice for capturing lead tones on vocals, horns, acoustics, drums, piano, voice work and much more. \u003c\/p\u003e\n\u003cp\u003eFeatures:\u003c\/p\u003e\n\u003cp\u003eTimeless Ribbon Tone: Delivering the iconic tonal experience at the center of recording and broadcast history, the WA-44 faithfully recreates the warm and vintage tones of the legendary RCA 44 ribbon mic of the 1930s. \u003cbr\u003e \u003c\/p\u003e\n\u003cp\u003eRich Lows \u0026amp; Mids, No Harsh Highs: True to the vintage original, the WA-44 captures powerful bass \u0026amp; rich midrange with enhanced proximity effect. The WA-44 shows off its warm forgiving tone by taming top end harshness for smooth lead tones on vocals, horns, drums, and more. \u003cbr\u003e \u003c\/p\u003e\n\u003cp\u003eSultry On Any Source: Like its inspiration, the WA-44 excels on loud audio sources and removes side-address noise with the tight figure-8 polar pattern. A great choice for vocal recordings that benefit from a reduction in high-end frequencies, the WA-44 is also ideal for capturing haunting horn sections, resonant acoustic instruments, sultry strings, flat drum sounds, deep piano tones, and much more.\u003cbr\u003e \u003c\/p\u003e\n\u003cp\u003eVintage Build, Premium Components: With a boutique-quality build design, the WA-44 is manufactured with exacting quality standards to match the most prized original RCA 44 vintage mics. The WA-44 pairs a true-to-length, custom-crafted Japanese ribbon with a heavy, true-to-size Neodymium magnet powered by a USA-Made CineMag transformer to deliver true-to-vintage tone with added durability. Weighing in at over six pounds and including a Star-Quad shielded Gotham XLR cable connector and embroidered case, all of these components come together to revive a classic mic with a premium, vintage build. \u003cbr\u003e \u003c\/p\u003e\n\u003cp\u003eHand-Tested In Austin, TX: Like all Warm Audio gear, every single WA-44 is meticulously hand-tested and inspected by trained technicians with a passion for making music in Austin, TX USA.\u003c\/p\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":47842722087154,"sku":"BM850031640399","price":1478.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0768\/6363\/5698\/files\/44_front.jpg?v=1764015520"},{"product_id":"warm-audio-wa-19-vintage-studio-dynamic-nickel-wa19n","title":"Warm Audio WA-19 Vintage Studio Dynamic - Nickel (WA19N)","description":"\u003cp\u003eBringing back one of the most favored studio \u0026amp; live dynamic mics of the 1960s, the WA-19 blends the critical off-axis rejection, reduced proximity effect, and rugged metal construction of a dynamic with added clarity and richer detail similar to studio-worthy condenser tones. The acoustic high-pass filter ring can cut up to 10dB at 50Hz to remove unwanted low frequencies, making the WA-19 ideal for capturing enhanced detail of cymbals\/overheads, acoustic guitar, studio \u0026amp; live vocals, snare bottom, guitar cabs and more. Reviving the original tone \u0026amp; capabilities, the WA-19 delivers the ideal balance between dynamic functionality and condenser-like character for a dynamic studio mic that you’ll want to try on almost anything in the studio or live. \u003c\/p\u003e\n\u003cp\u003eFeatures:\u003c\/p\u003e\n\u003cp\u003eReviving A Favored Studio Dynamic: The WA-19 delivers a unique combination of dynamic mic functionality and condenser-like clarity, faithfully recreating one of the most favored studio \u0026amp; live dynamics of the 1960s.\u003cbr\u003e \u003c\/p\u003e\n\u003cp\u003eDynamic Capabilities, Condenser-Like Character: The WA-19 features a custom, hand-assembled dynamic cardioid humbucking capsule that blends the critical noise rejection \u0026amp; reduced proximity effect of a dynamic but with more clarity and airy top end for richer detail than most studio dynamics.\u003cbr\u003e \u003c\/p\u003e\n\u003cp\u003eControl The Boom \u0026amp; Bass: The WA-19 includes a variable acoustic high-pass filter ring that cuts up to 10dB at 50 Hz, ideal for tightening up the tone and adding upper-midrange emphasis without any electronic phase shift often incurred from preamp high-pass filters. Additionally, ventilated slots on the side of the WA-19 body reduce proximity effect, eliminating boomy bass associated with placing the mic closer to louder sources. \u003cbr\u003e \u003c\/p\u003e\n\u003cp\u003eGreat Sound With Any Placement: The thin pencil-style body design of the WA-19 allows for easy mic placement in crowded studio or live performance situations where mics are on top of each other - like recording acoustic guitar and vocals simultaneously, tracking a whole band, or miking a full drum kit. WA-19 has a dynamic humbucking coil that helps the mic deliver elite off-axis rejection, especially in the bass\/lower midrange with minimal noise, making it easy to grab tight snare bottom tones without aggressive kick drum bleed. \u003cbr\u003e \u003c\/p\u003e\n\u003cp\u003eHand-Tested In Austin, TX: Like all Warm Audio gear, every single WA-19 is meticulously hand-tested and inspected by trained technicians with a passion for making music in Austin, TX USA.\u003c\/p\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":47842722119922,"sku":"BM850031640429","price":295.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0768\/6363\/5698\/files\/19_nickel_group.jpg?v=1764015524"},{"product_id":"warm-audio-wa-19-vintage-studio-dynamic-black-wa19b","title":"Warm Audio WA-19 Vintage Studio Dynamic - Black (WA19B)","description":"\u003cp\u003eBringing back one of the most favored studio \u0026amp; live dynamic mics of the 1960s, the WA-19 blends the critical off-axis rejection, reduced proximity effect, and rugged metal construction of a dynamic with added clarity and richer detail similar to studio-worthy condenser tones. The acoustic high-pass filter ring can cut up to 10dB at 50Hz to remove unwanted low frequencies, making the WA-19 ideal for capturing enhanced detail of cymbals\/overheads, acoustic guitar, studio \u0026amp; live vocals, snare bottom, guitar cabs and more. Reviving the original tone \u0026amp; capabilities, the WA-19 delivers the ideal balance between dynamic functionality and condenser-like character for a dynamic studio mic that you’ll want to try on almost anything in the studio or live. \u003c\/p\u003e\n\u003cp\u003eFeatures:\u003c\/p\u003e\n\u003cp\u003eReviving A Favored Studio Dynamic: The WA-19 delivers a unique combination of dynamic mic functionality and condenser-like clarity, faithfully recreating one of the most favored studio \u0026amp; live dynamics of the 1960s.\u003cbr\u003e \u003c\/p\u003e\n\u003cp\u003eDynamic Capabilities, Condenser-Like Character: The WA-19 features a custom, hand-assembled dynamic cardioid humbucking capsule that blends the critical noise rejection \u0026amp; reduced proximity effect of a dynamic but with more clarity and airy top end for richer detail than most studio dynamics.\u003cbr\u003e \u003c\/p\u003e\n\u003cp\u003eControl The Boom \u0026amp; Bass: The WA-19 includes a variable acoustic high-pass filter ring that cuts up to 10dB at 50 Hz, ideal for tightening up the tone and adding upper-midrange emphasis without any electronic phase shift often incurred from preamp high-pass filters. Additionally, ventilated slots on the side of the WA-19 body reduce proximity effect, eliminating boomy bass associated with placing the mic closer to louder sources. \u003cbr\u003e \u003c\/p\u003e\n\u003cp\u003eGreat Sound With Any Placement: The thin pencil-style body design of the WA-19 allows for easy mic placement in crowded studio or live performance situations where mics are on top of each other - like recording acoustic guitar and vocals simultaneously, tracking a whole band, or miking a full drum kit. 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Warm Lifter boasts 26dB of analog gain with true impedance matching, so any low output mic you plug in will be professionally powered for connecting to audio interfaces or mixers. Beyond gain, Warm Lifter also has a 100Hz high-pass filter and a 3kHz high-shelf boost to sculpt tones. Warm Lifter is built with premium components and rugged material. 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Unlike some inline preamps, signal boosters, and lifters, the circuit design of the Warm Lifter protects your recording from signal loss or phase issues by ensuring there is no “mismatching” of impedance between your mic of choice and the Warm Lifter.\u003cbr\u003e \u003c\/p\u003e\n\u003cp\u003eAdded Frequency Flexibility: The Warm Lifter has a selectable 100 Hz high-pass filter to remove unruly low end frequencies for added clarity and detail. 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