{"title":"Studio Preamps \u0026 Outboard","description":"","products":[{"product_id":"focusrite-isa-one-microphone-preamp","title":"Focusrite ISA ONE Microphone Preamp","description":"\u003cp\u003eUtilizing the same circuitry designed by Focusrite founder Rupert Neve, the ISA One brings pro recording to your home or project studio. This is a beautifully clean and clear preamp with plenty of gain and a DI section to kill for. Whether you want to get the best out of your microphone, upgrade the front end of your recording setup, or simply record an incredible direct bass or guitar sound, inject some pro quality into your studio with this awesome preamo\/DI.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eISA series transformer-based preamplifier\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEncased in a rugged and portable chassis, ISA One offers the classic Focusrite microphone preamplifier at its lowest cost to date.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFlexible independent D.I. channel\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eISA One is ideal for both engineers and demanding performers alike, featuring independent gain control, an output for routing to an amp, an independent XLR output on the rear and routing to the optional A-D converter.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSwitchable impedance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoose one of four carefully selected input impedances, including the original ISA110 setting, to suit any microphone.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeadphone output with volume control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eISA One can feed either a sum of the two inputs to the headphones output, or an external stereo cue mix (such as a stereo mix feed from an interface) via two TRS Jack inputs on the rear of the unit.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDedicated insert point\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAllows you to place extra processing between the preamplifier or D.I. and the optional converter, such as an EQ or compressor.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOptional stereo 192kHz A-D converter\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eYou can choose to upgrade your unit with an optional digital card that delivers the best A-D performance in its class (dynamic range of 118dB). Alternatively, the ISA One Digitalcomes with the A-D converter as standard.\u003c\/p\u003e\n\u003cp\u003eThe ISA One microphone preamplifier delivers Focusrite's prestigious ISA transformer-based preamp in a rugged and portable chassis, at a groundbreaking price. ISA One features the classic vintage microphone preamplifier topology from the original ISA110 module, which formed the cornerstone of each channel of Focusrite's legendary Forté console.\u003c\/p\u003e\n\u003cp\u003eThe preamp is complemented by a line input and an independent D.I. channel, complete with dedicated gain control, active or passive impedance switch, a TRS Jack output for routing to an amp and an independent XLR output on the rear. This flexible independent D.I. makes the ISA One ideal both for engineers wishing to blend a D.I.’d guitar signal with a mic’d guitar cabinet, and for demanding performers who require a single classic solution for both guitar and vocals.\u003c\/p\u003e\n\u003cp\u003eA variable impedance circuit has been added, allowing the user to switch between four carefully selected input impedance settings. In addition to the original ISA110 impedance, three further impedance settings allow perfect matching, or creative mismatching of the preamp with any microphone. ISA One also features an insert point, should the need arise to place extra processing between the preamp or D.I. and the optional converter. Phantom power, phase reverse and a 75Hz, 18dB\/octave high-pass filter are also available from the angled front fascia.\u003c\/p\u003e\n\u003cp\u003eIndependent input metering for both channels is provided in the form of a moving coil VU meter with variable calibration to suit analogue and digital recording media, alongside two six-LED peak meters; inputs can be metered either pre- or post-insert. The meter calibrations utilise all the same reference points as Avid's Pro Tools HD system, allowing effortless line-up.\u003c\/p\u003e\n\u003cp\u003eISA One’s headphone output features a dedicated volume control, which delivers an external stereo cue mix (a simple click track or a stereo mix feed from an interface or a live console) fed to the headphones via two TRS jack inputs on the rear of the unit.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAn optional state-of-the-art stereo A-D converter is also available (the same card as used with the ISA430 MkII).\u003c\/em\u003e\u003c\/p\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":47841775288562,"sku":"930270000038","price":1099.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0768\/6363\/5698\/files\/isaone-xlarge.jpg?v=1764014394"},{"product_id":"focusrite-isa428-mkii-4ch-microphone-preamp","title":"Focusrite ISA428 MKII 4ch Microphone Preamp","description":"\u003ch3\u003eWhat's better than a Focusrite ISA preamp? Four Focusrite ISA preamps. Utilising the Rupert Neve designed ISA 110 circuit, this is one of the finest preamps you're likely to hear. Not only that, but the instrument DIs are incredible too. A bass guitar plugged straight into the ISA DI input is that punchy, round, crystal clear bass sound you've always dreamed of.\u003c\/h3\u003e\n\u003cp\u003eThe ISA428 MkII provides four of Focusrite’s prestigious transformer-based microphone preamps. It features the same classic circuitry and renowned audio quality found in the original at a new level of affordability. With selectable input impedance, direct instrument inputs and an optional eight channels of high-quality analogue to digital conversion, the ISA428 MkII creates the perfect front end for the discerning recording professional.\u003c\/p\u003e\n\u003cp\u003eFirst introduced in 1985, the ISA microphone preamp holds a reputation for outstanding transparency along with subtle warmth contributed by transformer core saturation. The addition of a variable impedance circuit allows ISA users to perfectly match the preamp with any microphone, or to use different settings creatively to shape the sound of the microphone. Unchanged for decades, the ISA microphone preamp topology offers incredible clarity and the signature Focusrite sound that makes it the top choice among many audio professionals today.\u003c\/p\u003e\n\u003cp\u003eThe optional class-leading eight-channel A-D converter option used with the ISA828 is also compatible with the ISA428 MkII. Along with the four mic preamp inputs, four additional inputs allow you to route other line signals through the converter.\u003c\/p\u003e\n\u003cp\u003eFour instrument inputs, instantly accessible on the front panel, allow quick and easy connection without the need for a separate DI box. Extra processing can be placed between preamp and conversion via the units dedicated insert points, featured on every channel. Finally, accurate six-segment LED metering is designed to catch even the fastest transients on every channel.\u003c\/p\u003e\n\u003cp\u003eOver 25 years, Focusrite has earned a reputation for bringing superb audio quality and engineering excellence to an array of audio professionals. Whether you’re looking to preserve the sound of your classic microphones, or searching for the perfect front end for your digital studio, the ISA428 MkII brings legendary tools to your studio at an exceptional new price.\u003c\/p\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":47841818968306,"sku":"930270000035","price":3379.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0768\/6363\/5698\/files\/isa428_mkii274.jpg?v=1764014421"},{"product_id":"focusrite-isa-two-2ch-microphone-preamp","title":"Focusrite ISA TWO 2ch Microphone Preamp","description":"\u003cp\u003eWhat's better than a Focusrite ISA preamp? Two Focusrite ISA preamps. Utilising the Rupert Neve designed ISA 110 circuit, this is one of the finest preamps you're likely to hear. Not only that, but the instrument DIs are incredible too. A bass guitar plugged straight into the ISA DI input is that punchy, round, crystal clear bass sound you've always dreamed of.\u003c\/p\u003e\n\u003cp\u003eYou may only need a couple of mic preamps, but they need to be the very best. The ISA Two dual-mono mic pre is the ideal solution: two independent channels of the highest quality classic Focusrite mic pres, with line in and front-panel instrument inputs – no DI box required. Based on the legendary designs found in the Focusrite Forte and Studio Consoles, ISA Two is the ideal front-end for your rack.\u003c\/p\u003e\n\u003cp\u003eTwo Channels Of Classic Focusrite Mic Pres\u003c\/p\u003e\n\u003cp\u003eFocusrite's ISA Two brings together a totally independent pair of classic ISA microphone preamps from the original ISA 110 module, combining the best of traditional solid-state electronics with the original input transformer specified by Rupert Neve – the Lundahl LL1538.\u003c\/p\u003e\n\u003cp\u003eEach mic pre has the option of mic, line or the front-panel instrument input, with variable input impedance to ensure you are getting the best performance from the source. Up to 60dB of gain is available on the first four-position rotary and gain range switches, with a further +20dB of continuously variable trim, meaning a huge 80dB of gain is available should it be required. The high-pass filter features variable cut-off frequency between 16 and 420Hz. A pair of 8-segment LED meters show peak signal level in dBFS, while a rear-panel pot allows calibration to suit your A-D converters. Rear-panel insert points allow the use of inline processors such as compression.\u003c\/p\u003e\n\u003cp\u003eClassic ISA mic preamp design featuring Lundahl LL1538 input transformer\u003cbr\u003eFront-panel instrument inputs\u003cbr\u003eDedicated TRS line input socket with front-panel switch\u003cbr\u003eSwitchable input impedance including classic ISA 110 setting\u003cbr\u003eDedicated insert points\u003cbr\u003eUser-calibrated peak-level meters\u003cbr\u003eBrainworx bx_console Focusrite – exclusive plug-in that faithfully captures the sound, feel and styling of the original Focusrite ISA 110 Equaliser and ISA 130 Dynamics Modules.\u003c\/p\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":47841819099378,"sku":"930270000039","price":1599.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0768\/6363\/5698\/files\/isatwo-xlarge.jpg.auto.png?v=1764014422"},{"product_id":"focusrite-scarlett-octopre-8ch-microphone-preamp-w-adat","title":"Focusrite Scarlett Octopre 8ch Microphone Preamp w\/ADAT","description":"\u003cp\u003eScarlett OctoPre features eight 2nd Generation Scarlett mic inputs - balanced line inputs too - all running through Focusrite precision 24-bit conversion at up to 192 kHz resolution with 109dB dynamic range.\u003c\/p\u003e\n\u003cp\u003eDual front-panel instrument inputs\u003c\/p\u003e\n\u003cp\u003eTwo high-headroom instrument inputs will handle high output guitar pickups and are right there on the front panel for easy access.\u003c\/p\u003e\n\u003cp\u003ePlenty of headroom.\u003c\/p\u003e\n\u003cp\u003ePads for the most extreme inputs! With high-headroom inputs and a pad on every channel, Scarlett OctoPre is ideal for tracking drums as well guitars, keyboards, vocals - and more.\u003c\/p\u003e\n\u003cp\u003eOutputs for live or stand-alone use\u003c\/p\u003e\n\u003cp\u003eEight balanced line outputs, sourced directly from the inputs allow Scarlett OctoPre to be used in a live situation whilst capturing the recording via the digital ADAT output.\u003c\/p\u003e\n\u003cp\u003eAbout ADAT\u003c\/p\u003e\n\u003cp\u003eADAT is a simple and easy way of expanding your analogue inputs. ADAT uses inexpensive \"light-pipe\" optical cables to carry up to eight channels of audio. Just connect the ADAT output on the OctoPre to the ADAT input on your interface, set your sample rate and clock source and you're ready to go. ADAT input is available on many Focusrite and third-party interfaces.\u003c\/p\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":47841819132146,"sku":"930270000055","price":835.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0768\/6363\/5698\/files\/a326fb-crop-6d172a-scaroctopre_detail3.jpg?v=1764014423"},{"product_id":"focusrite-scarlett-octopre-dynamic-8ch-microphone-preamp-w-adat","title":"Focusrite Scarlett Octopre Dynamic 8ch Microphone Preamp w\/ADAT","description":"\u003cp\u003eBuilding on the features of the Scarlett OctoPre, Scarlett OctoPre Dynamic brings you the ultimate Scarlett expansion with eight Scarlett 2nd Generation mic preamps with analogue compression on every input channel providing a musical, soft-knee style of compression for more subtle control of dynamics. The \"More\" button then allows you to double the ratio for more aggressive compression effects.\u003c\/p\u003e\n\u003cp\u003eFocusrite precision A-D and D-A conversion\u003c\/p\u003e\n\u003cp\u003eEight channels of Focusrite precision A-D will capture your performance with clarity, honesty and transparency and providing you have an ADAT output on your interface, eight channels of D-A get it back out again via the balanced line outputs. With dual ADAT optical inputs and outputs, it's ideal for expanding your studio's I\/O.\u003c\/p\u003e\n\u003cp\u003eDual high-headroom Hi-Z instrument inputs\u003c\/p\u003e\n\u003cp\u003eTwo high-headroom instrument inputs will handle high output guitar pickups. Don't forget to engage a bit of compression, great for controlling the dynamics of electric basses and guitars\u003c\/p\u003e\n\u003cp\u003eIdeal for recording the whole band\u003c\/p\u003e\n\u003cp\u003eScarlett OctoPre Dynamic is ideal for expanding any high quality, multi-channel recording system. With its high-headroom mic, line and dual instrument inputs, and analogue compression on every channel, it's ideal for tracking drums as well guitars, keyboards, vocals - and more.\u003c\/p\u003e\n\u003cp\u003eExpand the number of outputs in your studio\u003c\/p\u003e\n\u003cp\u003eScarlett OctoPre Dynamic's eight analogue outputs can be sourced either directly from the mic preamps for live use, or via the ADAT inputs to give you eight more analogue outputs channels from your DAW.\u003c\/p\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":47841819164914,"sku":"930270000056","price":1179.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0768\/6363\/5698\/files\/scarlett-octopre-dynamic_elevated.jpg?v=1764014423"},{"product_id":"presonus-central-station-plus-monitoring-system","title":"PreSonus Central Station Plus Monitoring System","description":"\u003ch2\u003ePreSonus Central Station Plus Monitoring System\u003c\/h2\u003e\n\u003cp\u003eYou mostly monitor on near-fields, but occasionally switch to big main speakers or a second set of near-fields. You need to be able to switch between multiple sources and want to hear what your mix sounds like with and without subwoofer. You want to monitor straight from digital sources as well as analog. And you don’t want cables cluttering your workspace in order to achieve all that.\u003c\/p\u003e\n\u003ch3\u003eMeet the Central Station PLUS.\u003c\/h3\u003e\n\u003cp\u003eCentral Station PLUS is one of our most popular products for professional studios because it provides the perfect combination of stereo inputs, outputs, and recording-communication functions, allowing you to easily manage multiple sources and monitor speakers.\u003c\/p\u003e\n\u003ch3\u003eA Wide Variety of Input and Output Options\u003c\/h3\u003e\n\u003cp\u003eWith Central Station, you can easily switch between three sets of stereo, analog input sources. Two stereo S\/PDIF digital sources connect via one coax and one Toslink optical port. You can audition these sources with up to three pairs of speakers, with individual trim pots for each speaker—recessed to avoid accidents.\u003c\/p\u003e\n\u003cp\u003eYou also get a pair of line-level main outputs, a pair of line-level cue outputs, and two screaming-loud headphone amplifiers with individual level controls. And because Central Station is a 1U rack-mount device, with only one multi-conductor cable running to the remote control on your desktop, all of the cabling is in the back of your rack, where it belongs.\u003c\/p\u003e\n\u003ch3\u003eHigh-End Audio Quality\u003c\/h3\u003e\n\u003cp\u003eThe pros know that for critical listening, a monitor-control system must be as sonically transparent as possible. That’s why we gave the Central Station an audiophile-quality, passive signal path, with no op-amps or ICs, and equipped the S\/PDIF inputs with high-definition, 24-bit, 192 kHz D\/A converters.\u003c\/p\u003e\n\n\u003ch3\u003eThe Meters\u003c\/h3\u003e\n\u003cp\u003eBeing from southeast Louisiana, we’re big fans of The Meters (Art Neville, Leo Nocentelli, George Porter, Jr., and Joseph Modeliste). Being audio professionals, we’re into extremely accurate metering.\u003c\/p\u003e\n\u003cp\u003eTo enable you to watch your input levels, the Central Station sports dual 30-segment, tri-coloured, fast-acting, peak-hold LED meters, which can display dBu and dBfs. A handy Clear switch lets you clear the peak-hold.\u003c\/p\u003e\n\u003cp\u003eUnlike The Meters, these meters are anything but funky!\u003c\/p\u003e\n\n\u003ch3\u003eA Complete Tool Set\u003c\/h3\u003e\n\u003cp\u003e\u003cbr\u003eBecause Central Station PLUS is a professional tool, we’ve included all of the key features you’ll need to manage monitors in a commercial or project studio. Speak to the musicians over the headphone and cue buses using the onboard talkback microphone or connect a dynamic mic to the XLR talkback input.\u003c\/p\u003e\n\u003cp\u003eThe cue signal is automatically dimmed when you use the talkback mic, and a jack admits a foot switch for hands-free talkback operation. A Mono switch sums the stereo source so you can check for phase problems, and a Dim switch lets you reduce the speaker output by 16 dB.\u003c\/p\u003e\n\u003cp\u003eOf course, you can mute the speakers as well.\u003c\/p\u003e\n\u003cp\u003eFinally, with the included CSR-1, you can remote-control the Central Station’s main volume, input select, output select, talkback, mute, dim, and mono functions.\u003c\/p\u003e\n\u003ch3\u003eThe Professional’s Choice\u003c\/h3\u003e\n\u003cp\u003eWith pristine audio quality; the ability to switch between multiple analog and digital sources and three sets of speakers; fast, accurate metering; and all of the extras that make your studio work easier and more efficient, it’s obvious why the Central Station PLUS is the professional engineer’s choice for monitor control.\u003c\/p\u003e","brand":"Presonus","offers":[{"title":"Default Title","offer_id":47841856585970,"sku":"930249000152","price":1299.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0768\/6363\/5698\/files\/central_station_2_1.jpg?v=1764014458"},{"product_id":"audient-asp800-8-channel-mic-preamp","title":"Audient ASP800 8-Channel Mic Preamp","description":"\u003cp\u003eASP800 is an audio powerhouse designed to transform your sessions into world class recordings, making it the perfect addition to your audio interface. ASP800 provides 8 channels of Audient’s renowned console mic preamps, class-leading Burr-Brown converter technology, two JFET D.I’s and two Retro channels with revolutionary tone control. Just plug in your mics, guitars, keyboards and drum machines and you’re ready to go, so get creative and start thinking big!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eWhether you’re recording drums or simply need more channels, ASP800 is the perfect tool for expanding your existing interface via ADAT. Its flexible and intuitive feature set will transform your current setup into the complete recording rig, perfectly at home recording both acoustic and electronic instruments.\u003c\/p\u003e\n\u003cp\u003eDeveloped by design legend David Dearden and optimised over 18 years, our mic pre is used by thousands of professional studios around the world. With its versatile nature and smooth tone, the ASP800 will quickly become your ‘go to’ mic pre.\u003cbr\u003e\u003cbr\u003e \u003c\/p\u003e","brand":"Audient","offers":[{"title":"Default Title","offer_id":47841859862770,"sku":"939043000039","price":1399.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0768\/6363\/5698\/files\/asp800_profile.jpg?v=1764014465"},{"product_id":"audient-asp880-premium-8-channel-mic-preamp","title":"Audient ASP880 Premium 8-Channel Mic Preamp","description":"\u003cp\u003eASP880 is an 8-channel microphone preamplifier \u0026amp; ADC that will transform your sessions into world class recordings, the perfect addition to your set-up. ASP880 provides eight of Audient's renowned console mic pres, pristine converter technology and a versatile feature set that includes Variable Impedance and Variable High Pass Filters. 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But it’s great for live performance, too. Featuring tube preamplification, a VCA-based compressor, and three-band EQ, it delivers a huge variety of timbres. Produce luscious, in-your-face vocals, dynamic acoustic piano, and fat, solid bass guitar, not to mention crystal-clear acoustic guitars and cracking snare. Yes, we got the name wrong; we should have called it the Anywhere Channel. But we got the design right.\u003c\/p\u003e\n\u003cp\u003eImpressive headroom and a huge variety of fat sounds.\u003cbr\u003eThe Studio Channel’s Class A preamplifier starts with a high-output 12AX7 tube that operates on voltages double that of other preamplifiers in its class. The result is lots of headroom and big tone. Gain and Tube Drive controls enable a wide range of sounds, from transparent and clear to edgy and overdriven. A -20 dB pad, 80 Hz highpass filter, and polarity reverse let you tweak your signals to sit properly in the mix.\u003c\/p\u003e\n\u003cp\u003eFast, smooth, musical VCA compression.\u003cbr\u003eOur VCA-based compressor is known for musicality and fast attack, with the ability to tame the fastest transients. From slap bass, to snare drum, to vocals, the Studio Channel’s compressor allows you to record blazing-hot signals with accurate dynamics control. In addition to ratio, threshold, attack, release and gain controls, it offers a convenient Auto Attack\/Release feature with preset attack and release curves. The backlit VU meter can display gain reduction or output gain.\u003c\/p\u003e\n\u003cp\u003eSweet three-band EQ—before or after the compressor.\u003cbr\u003eThe three-band equalizer in the Studio Channel is a precision tool, with the ability to carve out unwanted frequencies as well as tailor your tone to enhance your sound. The EQ can be pre- or post-compressor, and you can bypass each stage independently. Custom-designed amplifiers deliver sweet-sounding gain and cut for smooth highs; deep, solid lows; and clear midrange. The midrange band is fully parametric, with variable Q, while the high- and low-frequency bands are semi-parametric, with Frequency and Gain controls but fixed Q, and can be either shelving or peak bands.\u003c\/p\u003e\n\u003cp\u003eTasty spices that work with virtually everything.\u003cbr\u003eIn the lunch room at PreSonus’® Baton Rouge headquarters, it’s an article of faith that Cajun spices taste great with almost everything. The Studio Channel is equally versatile, delivering great sound for virtually any type of recording or live music. And with separate XLR mic, balanced ¼-inch line, and unbalanced ¼-inch instrument inputs and balanced XLR and ¼-inch outputs, you can connect it to almost any recording interface, amp, or P.A. 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Eight mono input channels or four stereo pairs are available, with a heat switch on each pair to adjust the voltage on the 12AX7 tube - lower voltage settings starve the tube for a more pronounced distortion effect. Separate Drive and Level controls on each channel give you complete control over each tube circuit, providing a range of tones that allow you to fatten up digital stems or provide a distorted effect on vocals, guitars or drums.\u003c\/p\u003e\n\u003ch3\u003eSpace Heater Example Applications\u003c\/h3\u003e\n\u003ch4\u003eSoftware insert\u003c\/h4\u003e\n\u003cp\u003eUse the Space Heater™ on eight individual tracks in your mix to add grit or character. Adjustable LEVEL and DRIVE tailors the level of distortion from subtle to extreme.\u003c\/p\u003e\n\u003ch4\u003eSumming 8 or more channels to stereo\u003c\/h4\u003e\n\u003cp\u003eComplete your final summing out-of-the-box by sending stereo stem mixes to the Space Heater. 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This style of preamp is often referred to as \"the sound of Rock n' Roll\" for its BIG punchy low end and smooth open top end. The price\/performance ratio of the WA-412 is almost unfathomable to the experienced studio engineer who has possibly paid much more for preamps of this style during their career. Featuring fully discrete socketed 6-pin opamps and custom wound Altran USA input and output transformers, the WA-412 leaves nothing to be desired. If you are looking for multiple channels of world class tone in an affordable package, the WA-412 is the right choice for you.\u003c\/p\u003e\n\u003cp\u003eInspiration Behind The WA-412.\u003c\/p\u003e\n\u003cp\u003eWhen I first started holding regular studio sessions years ago I always desired to have more channels of high-end mic pre's. I could only afford to have one or two in my studio at a time, which was never enough to record a full band or drummer. I knew very well that if signals were not recorded well \"on the way in\" they wouldn't be salvageable later, but my budget constrained me. Because of this so many of the sources were recorded through poor-quality mic preamps. If the WA-412 was available back then I likely wouldn't have had to settle for poor, low-quality tone. The WA-412 was designed \"for the people\" (if you will) and we believe it will become a serious work-horse in many professional and home studios. - Bryce Young (founder)\u003c\/p\u003e\n\u003cp\u003ePacked With Features\u003c\/p\u003e\n\u003cp\u003eThe WA-412 has all of the features one would expect from this style of preamp... and more. Output Trim is available on every channel for precise control and creative gain staging. A Tone switch (transformer input impedance) is also available on each channel, which allows you to choose between a warm and punchy classic console tone, or go for a more open \u0026amp; neutral sound.\u003c\/p\u003e\n\u003cp\u003eQuality Components\u003c\/p\u003e\n\u003cp\u003eEach channel utilizes a fully discrete socketed 6-pin opamp that can be swapped with other opamps. Discrete opamp circuitry is known for its high headroom and low distortion characteristics and has much to do with the coveted sound of these classic console preamps.\u003c\/p\u003e\n\u003cp\u003eWe are proud to be using input and output transformers that are made in the USA by high-end transformer manufacturer, Altran. We worked closely with Altran to create unique transformers that extend the low frequency response of these classic preamps. The transformers also use a vintage winding technique that produces a very distinct smooth BIG character.\u003c\/p\u003e\n\u003cp\u003eCarefully choosing the WA-412 components has resulted in an amazing four channel ‘workhorse’ preamp\/DI that performs at the highest levels, while still adding vintage console magic to your signal.\u003c\/p\u003e\n\u003ch3\u003eTechnical Specification\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e4 CHANNEL MICROPHONE PREAMPLIFIER + INSTRUMENT DI\u003c\/li\u003e\n\u003cli\u003eFULLY DISCRETE, TRANSFORMER COUPLED, THROUGH-HOLE COMPONENT TOPOLOGY\u003c\/li\u003e\n\u003cli\u003eALTRAN USA CUSTOM WOUND, PREMIUM INPUT AND OUTPUT TRANSFORMERS\u003c\/li\u003e\n\u003cli\u003eX520 DISCRETE OP-AMP IN EVERY CHANNEL, SOCKETED FOR CONVENIENCE. 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It is a swiss army knife full of options and tones. With top notch CineMag transformers and multiple discrete signal paths, it's hard to beat the Tone Beast's big, bold, fully-professional sound at this price.\u003c\/p\u003e\n\u003cp\u003eThe Tone Beast is a mic pre that likes to be pushed and when pushed will colorize your signal ever so sweetly. The 2 opamps and 2 output transformers at the flip of their switches won't appear to be much different, but as one drives the pre into harmonic distortion, the unique character of each of these components becomes apparent. The Tone Beast is customizable and allows users to source and swap in their own opamps. I've pulled my best tones from this pre right at the saturation point (as loud as I can push the gain before clipping). The output control on the TB12 allows you to limit the signal exiting the preamp even when pushing the gain to really hot levels, giving you maximum control.\u003c\/p\u003e\n\u003cp\u003eWhen designing the TB12 Tone Beast our goal was to make a microphone preamplifier affordable and jam packed full of options, without compromising the quality and design parameters that make this type of microphone preamplifier so desirable.\u003c\/p\u003e\n\u003cp\u003ePremium Components\u003c\/p\u003e\n\u003cp\u003eThe TB12 \"Tone Beast\" is a fully discrete, high-voltage microphone preamplifier, utilzing CineMag USA Transformers. Have no fear of hurting the Beast, you can push it very hard into full-on distortion if you wish, and these can sound quite nice on electric guitar, bass or anything else that likes some grit. When hand building mic pres I learned a bit about the \"subtle\" differences component choices can make. A little change here, and another there often times became a huge deal in a finished mix, but isn't always very noticeable at first take.\u003c\/p\u003e\n\u003cp\u003eThe different component options in the TB12 are subtle, but when driven into saturation are noticeable and can make a big difference to the way your final mix will sound. Home-based musicians and professional studios alike will find the Tone Beast to be an extremely powerful and fully professional piece of gear that is capable of warming and shaping signals\/mixes in a way that is very pleasing to the ear.\u003c\/p\u003e\n\u003ch3\u003eTechnical Specification\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e71DB OF GAIN\u003c\/li\u003e\n\u003cli\u003eTRANSFORMER SELECTION PROVIDES BOTH STEEL AND 50% NICKEL CINEMAG OUTPUT TRANSFORMERS FOR VARYING CHARACTER\u003c\/li\u003e\n\u003cli\u003eTRANSFORMER BYPASS SWITCH ALLOWS FOR REMOVAL OF THE OUTPUT TRANSFORMER FROM THE CIRCUIT\u003c\/li\u003e\n\u003cli\u003eDISCRETE OPAMP SELECTION ALLOWS FOR CHOOSING BETWEEN A 1731(VINTAGE) AND 918(CLEANER) STYLE OPAMP. THESE ARE SOCKETED\/SWAPPABLE WITH YOUR CHOICE OF 2520 6 PIN FOOTPRINT OPAMPS\u003c\/li\u003e\n\u003cli\u003eIMPEDANCE SWITCH LABELED TONE TO SWITCH BETWEEN 150 AND 600 OHMS INPUT IMPEDANCE\u003c\/li\u003e\n\u003cli\u003e2 MEG OHM TRUE HI-Z INPUT ON FRONT PANEL SENDS INSTRUMENT SIGNAL THROUGH ENTIRE CIRCUIT INCLUDING BOTH CINEMAG TRANSFORMERS AND THE DISCRETE OPAMPS. GREAT FOR GUITARS, BASS, KEYBOARDS AND OTHER INSTRUMENTS THAT HAVE A 1\/4″ OUTPUT JACK\u003c\/li\u003e\n\u003cli\u003e80HZ HIPASS FILTER\u003c\/li\u003e\n\u003cli\u003ePOLARITY REVERSE\u003c\/li\u003e\n\u003cli\u003eUTILIZES PREMIUM GRADE CINEMAG USA TRANSFORMERS\u003c\/li\u003e\n\u003cli\u003e+48V PHANTOM POWER\u003c\/li\u003e\n\u003cli\u003eOUTPUT ATTENUATION ALLOWS FOR SATURATION FLEXIBILITY OF BOTH OPAMPS AND TRANSFORMERS\u003c\/li\u003e\n\u003cli\u003e¼\" INSERT FOR THE USE OF INLINE COMPRESSORS, EQ'S ETC\u003c\/li\u003e\n\u003cli\u003eBALANCED XLR MIC (FRONT AND BACK), BALANCED TRS LINE, AND ¼\" UNBALANCED INSTRUMENT INPUTS\u003c\/li\u003e\n\u003cli\u003eBALANCED XLR AND TRS OUTPUTS\u003c\/li\u003e\n\u003cli\u003e-20DB PAD\u003c\/li\u003e\n\u003cli\u003eLED VU METER\u003c\/li\u003e\n\u003cli\u003e19\" RACKMOUNTABLE\u003c\/li\u003e\n\u003cli\u003eSWITCHABLE 115\/230 VOLT IEC POWER INLET.\u003c\/li\u003e\n\u003cli\u003eCAPACITOR SELECTION BETWEEN TANTALUM AND ELECTROLYTIC FOR DIFFERENT CHARACTERS\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":47842117910770,"sku":"939043000058","price":1099.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0768\/6363\/5698\/files\/05f497b878db7bfd889322431969c728ee8bb7d9c956644f5f901f711f1c7fd2.jpg?v=1764014716"},{"product_id":"warm-audio-wa12mkii","title":"Warm Audio WA12 MKII Discrete Mic Preamp","description":"\u003ch3\u003eRaising The Volume\u003c\/h3\u003e\n\u003cp\u003eA lot of preamps on the market do a good job of raising the volume of mics and instruments. Unfortunately, many pres are doing only that, raising volume. The “Super clean” designs of today often leave the signal exiting the preamp sounding much the same as it did entering it.\u003c\/p\u003e\n\u003cp\u003eIf you are looking for a preamp to improve and shape your signal you will most definitely love the WA12 MKII. The WA12 MKII is designed to transform plain instruments and vocals into exciting tone. If your mixes lack depth, struggle to sound alive, or are just missing that professional touch you’ve always wanted, there is a good chance you will love the WA12 MKII.\u003c\/p\u003e\n\u003cp\u003ePacked With Performance\u003c\/p\u003e\n\u003cp\u003eThe WA12 MKII is a completely discrete, high voltage, dual-transformer microphone preamplifier design with high gain (+71dB), high headroom, low noise, and an exciting sonic performance – great for all types of recording applications. A high quality mic preamp is one of the most critical pieces needed to achieve the elusive ‘larger than life’ sound, and the WA12 MKII is more than capable of delivering.\u003c\/p\u003e\n\u003cp\u003ePremium Components\u003c\/p\u003e\n\u003cp\u003eThe WA12 MKII is based around a discrete op-amp, the X731, which is our own reproduction of the vintage classic Melcor 1731, considered by some to be the warmer predecessor to the modern 2520-style op-amp. The X731 can achieve vibrant, clean and lifelike tones; but can also be driven into mild saturation at much higher gain levels. The effects can be subtle, but very pleasing to the ear. The WA12 MKII can also accept any discrete op-amp on the market which conforms to the +\/-16v, 2520 pinout standard.\u003c\/p\u003e\n\u003cp\u003eWhen developing the WA12 MKII our ears played a big part in the design process. Using CineMag USA transformers and an all discrete signal path ensured that the WA12 MKII would have the building blocks to compete with the best sounding preamps on the market. We are very proud to offer such a robust\/professional design in a small and affordable package.\u003c\/p\u003e\n\u003ch3\u003e\n\u003cbr\u003eTechnical Specification\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eUTILIZES PREMIUM GRADE INPUT AND OUTPUT USA CINEMAG TRANSFORMERS.\u003c\/li\u003e\n\u003cli\u003eFULLY DISCRETE DESIGN WITH A ROBUST 71DB OF GAIN.\u003c\/li\u003e\n\u003cli\u003eUTILIZES A DISCRETE 6-PIN SOCKETED 1731 STYLE OPAMP. CAN BE REPLACED WITH OTHER 6-PIN \"2520 FOOT-PRINT\" OPAMPS FOR VARYING TONE\/FLAVOR.\u003c\/li\u003e\n\u003cli\u003e20DB PAD.\u003c\/li\u003e\n\u003cli\u003eTONE BUTTON – SWITCHES THE INPUT IMPEDANCE FROM 600 OHMS TO 150 OHMS. CHANGES THE TONE OF BOTH THE MIC AND HI-Z INPUTS.\u003c\/li\u003e\n\u003cli\u003eMIC LEVEL BALANCED INPUT: XLR.\u003c\/li\u003e\n\u003cli\u003e2 MEG OHM TRUE HI-Z INPUT ON FRONT PANEL. SENDS INSTRUMENT SIGNAL THROUGH ENTIRE CIRCUIT INCLUDING BOTH CINEMAG TRANSFORMERS AND DISCRETE OPAMP. GREAT FOR GUITARS, BASS, KEYBOARDS AND OTHER INSTRUMENTS THAT HAVE A 1\/4″ OUTPUT JACK.\u003c\/li\u003e\n\u003cli\u003eBALANCED OUTPUTS: XLR AND 1\/4″\/TRS.\u003c\/li\u003e\n\u003cli\u003e48 VOLT PHANTOM POWER.\u003c\/li\u003e\n\u003cli\u003eLED METER GAIN INDICATION.\u003c\/li\u003e\n\u003cli\u003eOUTPUT ATTENUATION CONTROL (AFTER THE CINEMAG OUTPUT TRANSFORMER) ALLOWS FOR DRIVING THE PREAMP AND TRANSFORMERS INTO SATURATION.\u003c\/li\u003e\n\u003cli\u003eSWITCHABLE 115\/230 VOLT IEC POWER INLET.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":47842117943538,"sku":"939043000059","price":849.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0768\/6363\/5698\/files\/wa12mkii-trim.jpg?v=1764014718"},{"product_id":"warm-audio-wa73","title":"Warm Audio WA73 Single Channel British Style Mic Preamp","description":"\u003ch3\u003eA Single Channel '73 For The Rest Of Us\u003c\/h3\u003e\n\u003cp\u003eIf there’s one style of preamp that professional engineers would unanimously agree has defined the tone of pop\/rock records for decades, it would most definitely be the venerable '73-style of mic pre. '73-style preamps have been massively used in recording and live applications for many years and are still considered to be the “Holy Grail” of preamp choices today. The Warm Audio “WA73 Family” consists of single and dual channel '73-style preamps (with \u0026amp; w\/out EQ), that each pay careful homage to British audio history.\u003c\/p\u003e\n\u003cp\u003eWhen we at Warm Audio decided to release the WA73 it was imperative that it met vintage expectation in both design and performance. The tone and sweet character that vintage '73-style mic preamps impart is so unique and familiar, that we had only the pure desire to release sonically accurate reproductions. After years of R\u0026amp;D, careful reverse-engineering, and countless hours of auditioning, the WA73 was born!\u003c\/p\u003e\n\u003cp\u003eThe WA73 is a “Desert Island” boutique preamp, but it can also be classified as a studio and live work-horse. Classic '73-style preamps are known for being versatile tools that work with all kinds of microphones from Condenser, to Dynamic, to Ribbon. The WA73 equally shines on all types of microphones and sources including; vocals, acoustic\/electric guitars, bass, drums, percussion, orchestras, keyboards, and even as a tone shaping tool to run partial or complete mixes through. With 80dB of gain and a fully discrete Carnhill Transformer balanced signal path, there’s no recording, mixing or engineering task that the WA73 can’t handle.\u003c\/p\u003e\n\u003ch3\u003eUK Custom Carnhill Transformers\u003c\/h3\u003e\n\u003cp\u003eEnthusiasts unequivocally get excited about the components used in classic '73-style British preamps. The signal transformers are a common topic of conversation. Vintage units used various versions of transformers throughout the years, but the most coveted were the earliest versions. These are regarded as the most desirable choice due to their fluid and forgiving nature. They saturate sweetly when pushed, and have been known to make engineers cry when they hear how beautiful their mixes sound through them!\u003c\/p\u003e\n\u003cp\u003eWarm Audio worked closely with Carnhill Transformers of Cambridgeshire, UK, to design faithful reproductions of these most coveted, early version transformers. We at Warm Audio have not yet heard a modern day '73-style preamp sound as sweet and musical as does our WA73 with these beautiful custom Transformers.\u003c\/p\u003e\n\u003ch3\u003eCapacitors \u0026amp; Signal Path\u003c\/h3\u003e\n\u003cp\u003eAn important part of classic British tone not often discussed are the different styles of capacitors and output transistor used in '73-style circuits. We found it important to maintain integrity to early British designs by using tantalum and polystyrene capacitors in the signal path and an output transistor choice that is much smoother in the high gain settings than what is typically found in modern '73-style preamps.\u003c\/p\u003e\n\u003ch3\u003eHand Wired \u0026amp; Hand Assembled\u003c\/h3\u003e\n\u003cp\u003eClassic '73-style preamps were often hand-wired and so is the WA73! Guru’s claim that a portion of the sought after classic British tone can be attributed to the hand-wired nature of the build. The WA73 is hand-wired and hand assembled, including the pcb components that are all populated by hand.\u003c\/p\u003e\n\u003ch3\u003eTechnical Specification\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eSINGLE CHANNEL, CLASS A, '73-STYLE BRITISH MICROPHONE PREAMP\u003c\/li\u003e\n\u003cli\u003eUK MADE CARNHILL TRANSFORMERS\u003c\/li\u003e\n\u003cli\u003eHAND WIRED, HAND ASSEMBLED\u003c\/li\u003e\n\u003cli\u003e80DB OF GAIN - RESISTOR STEPPED GAIN SWITCH\u003c\/li\u003e\n\u003cli\u003eFULLY DISCRETE\u003c\/li\u003e\n\u003cli\u003eTONE BUTTON - CHANGES INPUT TRANSFORMER IMPEDANCE FOR VARYING TONE\u003c\/li\u003e\n\u003cli\u003ePOLARITY SWITCH\u003c\/li\u003e\n\u003cli\u003e48V PHANTOM POWER\u003c\/li\u003e\n\u003cli\u003e4 POSITION INDUCTOR BASED HIPASS FILTER - 50, 80, 160, 300 HZ\u003c\/li\u003e\n\u003cli\u003eXLR MIC INPUT\u003c\/li\u003e\n\u003cli\u003eLINE LEVEL TRS INPUT\u003c\/li\u003e\n\u003cli\u003eTS SEND\/RECEIVE INSERT JACKS\u003c\/li\u003e\n\u003cli\u003eXLR \u0026amp; TRS LINE LEVEL OUTPUTS\u003c\/li\u003e\n\u003cli\u003eDIRECT IN, INSTRUMENT INPUT\u003c\/li\u003e\n\u003cli\u003eOUTPUT CONTROL\u003c\/li\u003e\n\u003cli\u003eLED LEVEL INDICATION\u003c\/li\u003e\n\u003cli\u003e19\" RACKMOUNTABLE\u003c\/li\u003e\n\u003cli\u003eGROUND LIFT SWITCH\u003c\/li\u003e\n\u003cli\u003eINTERNAL IEC 115V\/230V POWER INLET\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":47842118074610,"sku":"939043000052","price":949.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0768\/6363\/5698\/files\/banner-wa73.jpg?v=1764014719"},{"product_id":"warm-audio-wa73-eq","title":"Warm Audio WA73-EQ Single Channel British Style Mic Preamp","description":"\u003ch3\u003eA Single Channel '73 For The Rest Of Us\u003c\/h3\u003e\n\u003cp\u003eIf there’s one style of preamp that professional engineers would unanimously agree has defined the tone of pop\/rock records for decades, it would most definitely be the venerable '73-style of mic pre. '73-style preamps have been massively used in recording and live applications for many years and are still considered to be the “Holy Grail” of preamp choices today. The Warm Audio “WA73 Family” consists of single and dual channel '73-style preamps (with \u0026amp; w\/out EQ), that each pay careful homage to British audio history.\u003c\/p\u003e\n\u003cp\u003eWhen we at Warm Audio decided to release the WA73-EQ it was imperative that it met vintage expectation in both design and performance. The tone and sweet character that vintage '73-style mic preamps impart is so unique and familiar, that we had only the pure desire to release sonically accurate reproductions. After years of R\u0026amp;D, careful reverse-engineering, and countless hours of auditioning, the WA73-EQ was born!\u003c\/p\u003e\n\u003cp\u003eThe WA73-EQ is a “Desert Island” boutique preamp, but it can also be classified as a studio and live work-horse. Classic '73-style preamps are known for being versatile tools that work with all kinds of microphones from Condenser, to Dynamic, to Ribbon. The WA73-EQ equally shines on all types of microphones and sources including; vocals, acoustic\/electric guitars, bass, drums, percussion, orchestras, keyboards, and even as a tone shaping tool to run partial or complete mixes through. With 80dB of gain and a fully discrete Carnhill Transformer balanced signal path, there’s no recording, mixing or engineering task that the WA73-EQ can’t handle.\u003c\/p\u003e\n\u003ch3\u003eUK Custom Carnhill Transformers\u003c\/h3\u003e\n\u003cp\u003eEnthusiasts unequivocally get excited about the components used in classic '73-style British preamps. The signal transformers are a common topic of conversation. Vintage units used various versions of transformers throughout the years, but the most coveted were the earliest versions. These are regarded as the most desirable choice due to their fluid and forgiving nature. They saturate sweetly when pushed, and have been known to make engineers cry when they hear how beautiful their mixes sound through them!\u003c\/p\u003e\n\u003cp\u003eWarm Audio worked closely with Carnhill Transformers of Cambridgeshire, UK, to design faithful reproductions of these most coveted, early version transformers. We at Warm Audio have not yet heard a modern day '73-style preamp sound as sweet and musical as does our WA73-EQ with these beautiful custom Transformers.\u003c\/p\u003e\n\u003ch3\u003eCapacitors \u0026amp; Signal Path\u003c\/h3\u003e\n\u003cp\u003eAn important part of the classic British circuits not often discussed are the different styles of capacitors and output transistor used. We found it important to maintain integrity to the original design by using tantalum and polystyrene capacitors in the signal path and an output transistor choice that is much smoother in the high gain settings than what is typically found in modern '73-style reproductions.\u003c\/p\u003e\n\u003ch3\u003eUK Blore Edwards Switch-Pots\u003c\/h3\u003e\n\u003cp\u003eA great sounding '73-style circuit should be just as reliable as it is great sounding. The complex dual concentric switch potentiometers in the EQ sections of the WA73-EQ are made in the UK by Blore Edwards who manufacture military spec switches and potentiometers. The use of Blore-Edwards components is no small inclusion for a '73-style preamp-eq in this price range.\u003c\/p\u003e\n\u003ch3\u003eHand Wired \u0026amp; Hand Assembled\u003c\/h3\u003e\n\u003cp\u003eClassic '73-style preamps were often hand-wired and so is the WA73-EQ! Guru’s claim that a portion of the sought after classic British tone can be attributed to the hand-wired nature of the build. The WA73-EQ is hand-wired and hand assembled, including the pcb components that are all populated by hand.\u003c\/p\u003e\n\u003ch3\u003eTechnical Specification\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eSINGLE CHANNEL, CLASS A, '73-STYLE BRITISH MICROPHONE PREAMP WITH EQ\u003c\/li\u003e\n\u003cli\u003eUK MADE CARNHILL TRANSFORMERS\u003c\/li\u003e\n\u003cli\u003eUK MADE - BLORE EDWARDS EQ DUAL-CONCENTRIC SWITCH POTENTIOMETERS\u003c\/li\u003e\n\u003cli\u003eHAND WIRED, HAND ASSEMBLED\u003c\/li\u003e\n\u003cli\u003e80DB OF GAIN - RESISTOR STEPPED GAIN SWITCH\u003c\/li\u003e\n\u003cli\u003eFULLY DISCRETE\u003c\/li\u003e\n\u003cli\u003eTONE BUTTON - CHANGES INPUT TRANSFORMER IMPEDANCE FOR VARYING TONE\u003c\/li\u003e\n\u003cli\u003ePOLARITY SWITCH\u003c\/li\u003e\n\u003cli\u003e48V PHANTOM POWER\u003c\/li\u003e\n\u003cli\u003eINDUCTOR BASED 3 BAND EQ\u003c\/li\u003e\n\u003cli\u003eLOW BAND BOOST\/CUT - 35, 60, 110, 220 HZ\u003c\/li\u003e\n\u003cli\u003eMID BAND BOOST\/CUT - 360, 700, 1600, 3200, 4800, 7200 HZ\u003c\/li\u003e\n\u003cli\u003eHIGH BAND BOOST\/CUT - 10, 12, 16 KHZ\u003c\/li\u003e\n\u003cli\u003eADDITIONAL HIGH BAND FREQUENCY EQ POINTS ADDED (COMPARED TO VINTAGE 1073)\u003c\/li\u003e\n\u003cli\u003e4 POSITION INDUCTOR BASED HIPASS FILTER - 50, 80, 160, 300 HZ\u003c\/li\u003e\n\u003cli\u003eXLR MIC INPUTS (FRONT \u0026amp; BACK)\u003c\/li\u003e\n\u003cli\u003eLINE LEVEL TRS INPUT\u003c\/li\u003e\n\u003cli\u003eTS SEND\/RECEIVE INSERT JACKS\u003c\/li\u003e\n\u003cli\u003eXLR \u0026amp; TRS LINE LEVEL OUTPUTS\u003c\/li\u003e\n\u003cli\u003eDIRECT IN, INSTRUMENT INPUT\u003c\/li\u003e\n\u003cli\u003eOUTPUT CONTROL\u003c\/li\u003e\n\u003cli\u003eLED LEVEL INDICATION\u003c\/li\u003e\n\u003cli\u003eFREQ RESPONSE 20HZ - 20KHZ +\/-.5 DB\u003c\/li\u003e\n\u003cli\u003e19\" RACK MOUNTABLE\u003c\/li\u003e\n\u003cli\u003eINTERNAL IEC 115V\/230V POWER INLET\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":47842118140146,"sku":"939043000075","price":1379.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0768\/6363\/5698\/files\/banner-wa73-eq.png?v=1764014719"},{"product_id":"warm-audio-wa273","title":"Warm Audio WA273 Dual Channel British Style Mic Preamp","description":"\u003ch3\u003eA Dual Channel '73 For The Rest Of Us\u003c\/h3\u003e\n\u003cp\u003eIf there’s one style of preamp that professional engineers would unanimously agree has defined the tone of pop\/rock records for decades, it would most definitely be the venerable '73-style of mic pre. '73-style preamps have been massively used in recording and live applications for many years and are still considered to be the “Holy Grail” of preamp choices today. The Warm Audio “WA73 Family” consists of single and dual channel '73-style preamps (with \u0026amp; w\/out EQ), that each pay careful homage to British audio history.\u003c\/p\u003e\n\u003cp\u003eWhen we at Warm Audio decided to release the WA273 it was imperative that it met vintage expectation in both design and performance. The tone and sweet character that vintage '73-style mic preamps impart is so unique and familiar, that we had only the pure desire to release sonically accurate reproductions. After years of R\u0026amp;D, careful reverse-engineering, and countless hours of auditioning, the WA273 was born!\u003c\/p\u003e\n\u003cp\u003eThe WA273 is a “Desert Island” boutique preamp, but it can also be classified as a studio and live work-horse. Classic '73-style preamps are known for being versatile tools that work with all kinds of microphones from Condenser, to Dynamic, to Ribbon. The WA273 equally shines on all types of microphones and sources including; vocals, acoustic\/electric guitars, bass, drums, percussion, orchestras, keyboards, and even as a tone shaping tool to run partial or complete mixes through. With 80dB of gain and a fully discrete Carnhill Transformer balanced signal path, there’s no recording, mixing or engineering task that the WA273 can’t handle.\u003c\/p\u003e\n\u003cp\u003eUK Custom Carnhill Transformers\u003c\/p\u003e\n\u003cp\u003eEnthusiasts unequivocally get excited about the components used in classic '73-style British preamps. The signal transformers are a common topic of conversation. Vintage units used various versions of transformers throughout the years, but the most coveted were the earliest versions. These are regarded as the most desirable choice due to their fluid and forgiving nature. They saturate sweetly when pushed, and have been known to make engineers cry when they hear how beautiful their mixes sound through them!\u003c\/p\u003e\n\u003cp\u003eWarm Audio worked closely with Carnhill Transformers of Cambridgeshire, UK, to design faithful reproductions of these most coveted, early version transformers. We at Warm Audio have not yet heard a modern day '73-style preamp sound as sweet and musical as does our WA273 with these beautiful custom Transformers.\u003c\/p\u003e\n\u003cp\u003eCapacitors \u0026amp; Signal Path\u003c\/p\u003e\n\u003cp\u003eAn important part of classic British tone not often discussed are the different styles of capacitors and output transistor used in '73-style circuits. We found it important to maintain integrity to early British designs by using tantalum and polystyrene capacitors in the signal path and an output transistor choice that is much smoother in the high gain settings than what is typically found in modern '73-style preamps.\u003c\/p\u003e\n\u003cp\u003eHand Wired \u0026amp; Hand Assembled\u003c\/p\u003e\n\u003cp\u003eClassic '73-style preamps were often hand-wired and so is the WA273! Guru’s claim that a portion of the sought after classic British tone can be attributed to the hand-wired nature of the build. The WA273 is hand-wired and hand assembled, including the pcb components that are all populated by hand.\u003c\/p\u003e\n\u003ch3\u003eTechnical Specification\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eDUAL CHANNEL, CLASS A, '73-STYLE BRITISH MICROPHONE PREAMP\u003c\/li\u003e\n\u003cli\u003eUK MADE CARNHILL TRANSFORMERS\u003c\/li\u003e\n\u003cli\u003eHAND WIRED, HAND ASSEMBLED\u003c\/li\u003e\n\u003cli\u003e80DB OF GAIN - RESISTOR STEPPED GAIN SWITCH\u003c\/li\u003e\n\u003cli\u003eFULLY DISCRETE\u003c\/li\u003e\n\u003cli\u003eTONE BUTTON - CHANGES INPUT TRANSFORMER IMPEDANCE FOR VARYING TONE\u003c\/li\u003e\n\u003cli\u003ePOLARITY SWITCH\u003c\/li\u003e\n\u003cli\u003e48V PHANTOM POWER\u003c\/li\u003e\n\u003cli\u003e4 POSITION INDUCTOR BASED HIPASS FILTER - 50, 80, 160, 300 HZ\u003c\/li\u003e\n\u003cli\u003eXLR MIC INPUT\u003c\/li\u003e\n\u003cli\u003eLINE LEVEL TRS INPUT\u003c\/li\u003e\n\u003cli\u003eTS SEND\/RECEIVE INSERT JACKS\u003c\/li\u003e\n\u003cli\u003eXLR \u0026amp; TRS LINE LEVEL OUTPUTS\u003c\/li\u003e\n\u003cli\u003eDIRECT IN, INSTRUMENT INPUT\u003c\/li\u003e\n\u003cli\u003eFREQ RESPONSE 20HZ - 20KHZ +\/-.5 DB\u003c\/li\u003e\n\u003cli\u003e19\" RACKMOUNTABLE\u003c\/li\u003e\n\u003cli\u003eINTERNAL IEC 115V\/230V POWER INLET\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":47842118172914,"sku":"939043000072","price":1599.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0768\/6363\/5698\/files\/banner-wa273_1__1.jpg?v=1764014720"},{"product_id":"warm-audio-wa273-eq","title":"Warm Audio WA273-EQ Dual Channel British Style Mic Preamp + EQ","description":"\u003ch3\u003eA Dual Channel '73 For The Rest Of Us\u003c\/h3\u003e\n\u003cp\u003eIf there’s one style of preamp that professional engineers would unanimously agree has defined the tone of pop\/rock records for decades, it would most definitely be the venerable '73-style of mic pre. '73-style preamps have been massively used in recording and live applications for many years and are still considered to be the “Holy Grail” of preamp choices today. The Warm Audio “WA73 Family” consists of single and dual channel '73-style preamps (with \u0026amp; w\/out EQ), that each pay careful homage to British audio history.\u003c\/p\u003e\n\u003cp\u003eWhen we at Warm Audio decided to release the WA273-EQ it was imperative that it met vintage expectation in both design and performance. The tone and sweet character that vintage '73-style mic preamps impart is so unique and familiar, that we had only the pure desire to release sonically accurate reproductions. After years of R\u0026amp;D, careful reverse-engineering, and countless hours of auditioning, the WA273-EQ was born!\u003c\/p\u003e\n\u003cp\u003eThe WA273-EQ is a “Desert Island” boutique preamp, but it can also be classified as a studio and live work-horse. Classic '73-style preamps are known for being versatile tools that work with all kinds of microphones from Condenser, to Dynamic, to Ribbon. The WA273-EQ equally shines on all types of microphones and sources including; vocals, acoustic\/electric guitars, bass, drums, percussion, orchestras, keyboards, and even as a tone shaping tool to run partial or complete mixes through. With 80dB of gain and a fully discrete Carnhill Transformer balanced signal path, there’s no recording, mixing or engineering task that the WA273-EQ can’t handle.\u003c\/p\u003e\n\u003cp\u003eUK Custom Carnhill Transformers\u003c\/p\u003e\n\u003cp\u003eEnthusiasts unequivocally get excited about the components used in classic '73-style British preamps. The signal transformers are a common topic of conversation. Vintage units used various versions of transformers throughout the years, but the most coveted were the earliest versions. These are regarded as the most desirable choice due to their fluid and forgiving nature. They saturate sweetly when pushed, and have been known to make engineers cry when they hear how beautiful their mixes sound through them!\u003c\/p\u003e\n\u003cp\u003eWarm Audio worked closely with Carnhill Transformers of Cambridgeshire, UK, to design faithful reproductions of these most coveted, early version transformers. We at Warm Audio have not yet heard a modern day '73-style preamp sound as sweet and musical as does our WA273-EQ with these beautiful custom Transformers.\u003c\/p\u003e\n\u003cp\u003eCapacitors \u0026amp; Signal Path\u003c\/p\u003e\n\u003cp\u003eAn important part of classic British tone not often discussed are the different styles of capacitors and output transistor used in '73-style circuits. We found it important to maintain integrity to early British designs by using tantalum and polystyrene capacitors in the signal path and an output transistor choice that is much smoother in the high gain settings than what is typically found in modern '73-style preamps.\u003c\/p\u003e\n\u003cp\u003eUK Blore Edwards Switch-Pots\u003c\/p\u003e\n\u003cp\u003eA great sounding '73-style circuit should be just as reliable as it is great sounding. The complex dual concentric switch potentiometers in the EQ sections of the WA273-EQ are made in the UK by Blore Edwards who manufacture military spec switches and potentiometers. The use of Blore-Edwards components is no small inclusion for a '73-style preamp-eq in this price range.\u003c\/p\u003e\n\u003cp\u003eHand Wired \u0026amp; Hand Assembled\u003c\/p\u003e\n\u003cp\u003eClassic '73-style preamps were often hand-wired and so is the WA273-EQ! Guru’s claim that a portion of the sought after classic British tone can be attributed to the hand-wired nature of the build. The WA273-EQ is hand-wired and hand assembled, including the pcb components that are all populated by hand.\u003c\/p\u003e\n\u003ch3\u003eTechnical Specification\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eDUAL CHANNEL, CLASS A, '73-STYLE BRITISH MICROPHONE PREAMP WITH EQ\u003c\/li\u003e\n\u003cli\u003eUK MADE CARNHILL TRANSFORMERS\u003c\/li\u003e\n\u003cli\u003eUK MADE - BLORE EDWARDS EQ DUAL-CONCENTRIC SWITCH POTENTIOMETERS\u003c\/li\u003e\n\u003cli\u003eHAND WIRED, HAND ASSEMBLED\u003c\/li\u003e\n\u003cli\u003e80DB OF GAIN - RESISTOR STEPPED GAIN SWITCH\u003c\/li\u003e\n\u003cli\u003eFULLY DISCRETE\u003c\/li\u003e\n\u003cli\u003eTONE BUTTON - CHANGES INPUT TRANSFORMER IMPEDANCE FOR VARYING TONE\u003c\/li\u003e\n\u003cli\u003ePOLARITY SWITCH\u003c\/li\u003e\n\u003cli\u003e48V PHANTOM POWER\u003c\/li\u003e\n\u003cli\u003eLOW BAND BOOST\/CUT - 35, 60, 110, 220 HZ\u003c\/li\u003e\n\u003cli\u003eMID BAND BOOST\/CUT - 360, 700, 1600, 3200, 4800, 7200 HZ\u003c\/li\u003e\n\u003cli\u003eHIGH BAND BOOST\/CUT - 10, 12, 16 KHZ\u003c\/li\u003e\n\u003cli\u003eADDITIONAL HIGH BAND FREQUENCY EQ POINTS ADDED (COMPARED TO VINTAGE 1073)\u003c\/li\u003e\n\u003cli\u003e4 POSITION INDUCTOR BASED HIPASS FILTER - 50, 80, 160, 300 HZ\u003c\/li\u003e\n\u003cli\u003eXLR MIC INPUTS (FRONT \u0026amp; BACK)\u003c\/li\u003e\n\u003cli\u003eLINE LEVEL TRS INPUT\u003c\/li\u003e\n\u003cli\u003eTS SEND\/RECEIVE INSERT JACKS\u003c\/li\u003e\n\u003cli\u003eXLR \u0026amp; TRS LINE LEVEL OUTPUTS\u003c\/li\u003e\n\u003cli\u003eDIRECT IN, INSTRUMENT INPUT\u003c\/li\u003e\n\u003cli\u003eOUTPUT CONTROL\u003c\/li\u003e\n\u003cli\u003eLED LEVEL INDICATION\u003c\/li\u003e\n\u003cli\u003eFREQ RESPONSE 20HZ - 20KHZ +\/-.5 DB\u003c\/li\u003e\n\u003cli\u003e19\" RACKMOUNTABLE\u003c\/li\u003e\n\u003cli\u003eINTERNAL IEC 115V\/230V POWER INLET\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":47842118205682,"sku":"939043000076","price":2699.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0768\/6363\/5698\/files\/banner-wa273-eq.jpg?v=1764014721"},{"product_id":"warm-audio-wa-2a","title":"Warm Audio WA-2A Opto Compressor","description":"\u003ch3\u003eAnalog Tone\u003c\/h3\u003e\n\u003cp\u003eThough digital technology and software have made great strides in recent years; we still believe that nothing compares to the level of articulation, depth, realism, and responsiveness of a well-built piece of analog gear. When you hear the bottom-end presence and top-end detail of quality analog gear, the difference is astounding. The cost of most boutique analog equipment is financially out of reach for many recording artists. Our mission is to change this, and introduce as many people as we can to recording and mixing with real, dedicated hardware.\u003c\/p\u003e\n\u003cp\u003e'2A Style Optical Compressor\u003c\/p\u003e\n\u003cp\u003eNo plug-in or other compressor type quite compares to the warm, forgiving, fluid qualities of the classic '2A optical compressor. For decades, the renowned ‘2A style circuit has become the go-to device for seamlessly handling vocals, bass, and a wide variety of other instruments and program material in an effortlessly smooth way.\u003c\/p\u003e\n\u003cp\u003eReleasing the WA-2A would be for nothing if we couldn’t make it affordable. Since the start of Warm Audio we have striven to give an unprecedented value to our customers, by putting high end audio within the reach of more people than ever before. This philosophy drives everything we do, and every product we offer.\u003c\/p\u003e\n\u003cp\u003ePremium Components\u003c\/p\u003e\n\u003cp\u003eThe WA-2A is a high-voltage, Class-A opto-compressor, utilizing large-core CineMag USA Transformers, four premium vacuum tubes, and the legendary Kenetek opto-cell - considered by many to be the world’s finest.\u003c\/p\u003e\n\u003cp\u003eA Four Tube Operation\u003c\/p\u003e\n\u003cp\u003eThe WA-2A operates on four tubes: two 12AX7’s, one 12BH7, and one 6aq5 (or 6P1J). We proudly use Tung-Sol and Electro-Harmonix brand tubes in the signal path, which sound very 'open' and LARGE. All 4 tubes are socketed for easy swapping and replacement.\u003c\/p\u003e\n\u003ch3\u003eTechnical Specification\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e'2A STYLE, TRANSFORMER BALANCED, HIGH VOLTAGE, OPTO TUBE COMPRESSOR\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":47842118238450,"sku":"939043000060","price":1649.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0768\/6363\/5698\/files\/wa-2a-reflected.jpg?v=1764014722"},{"product_id":"warm-audio-wa76","title":"Warm Audio WA76 Discrete Compressor","description":"\u003ch3\u003eClassic Style\u003c\/h3\u003e\n\u003cp\u003eThe WA76 Discrete Compressor is a modern reproduction of the Classic '76 Revision D. The WA76 has a fully discrete signal path and uses the original Reichenbach Engineering's (now CineMag) transformer design. The classic '76 was a major breakthrough in limiter technology, and used on hundreds of hit records since its inception. Engineers have craved the ultra-fast attack time and trademark sound of the '76 for decades, and now it is finally affordable!\u003c\/p\u003e\n\u003cp\u003eOur goal was to make a compressor of this pedigree affordable for the first time, without compromising the quality and design parameters that make this type of compressor so desirable.\u003c\/p\u003e\n\u003cp\u003eAll Buttons In\u003c\/p\u003e\n\u003cp\u003eThe WA76 can reproduce the classic effect known as ‘All Buttons In’ mode, sometimes also referred to as ‘British Mode’ or the ‘Four Button Trick’. Originally an accident due to the mechanical nature of the interconnected latching switches, this mode is reproduced by pushing in all four ratio buttons simultaneously and getting them to latch. This can take a bit of practice. The resulting compression curve is aggressive and unmistakably unique, and can be heard on the drum tracks of many classic recordings.\u003c\/p\u003e\n\u003cp\u003eAll-buttons-in compression is typically characterized by having a very aggressive compression ratio, attack and release curves that are more drastic plateaus opposed to gentler slopes, and more audible distortion or ‘overdrive’ on the signal. Initial transients are more likely to come through loudly, followed by heavy compression curve sometimes described as having a ‘sucking’ effect as the compressor releases. Because this mode is considered a design accident, faithfully maintained; it is normal for the meter function to ‘peg out’ and cease providing accurate metering.\u003c\/p\u003e\n\u003cp\u003ePremium Components\u003c\/p\u003e\n\u003cp\u003eWe have faithfully reproduced the circuitry of the revision D, generally considered one of the best and most popular among the different versions made over the years. We’ve used all discrete, through-hole components, high quality CineMag input and output transformers, and a class A circuit that stays true to the legacy design.\u003c\/p\u003e\n\u003ch3\u003eTechnical Specification\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eUTILIZES PREMIUM GRADE INPUT AND OUTPUT CINEMAG USA TRANSFORMERS.\u003c\/li\u003e\n\u003cli\u003eTRUE TO THE CLASSIC '76 COMPRESSOR IN DESIGN AND PERFORMANCE.\u003c\/li\u003e\n\u003cli\u003eCOMPLETELY DISCRETE SIGNAL PATH.\u003c\/li\u003e\n\u003cli\u003eMODELED AFTER THE D REVISION.\u003c\/li\u003e\n\u003cli\u003eSUPPORTS THE FAMOUS \"ALL BUTTONS IN\" RATIO SETTING.\u003c\/li\u003e\n\u003cli\u003eULTRA FAST ATTACK TIME.\u003c\/li\u003e\n\u003cli\u003eCLASS A LINE LEVEL OUTPUT AMPLIFIER.\u003c\/li\u003e\n\u003cli\u003eINPUT IMPEDANCE - 600 OHMS, BRIDGES-T CONTROL (FLOATING).\u003c\/li\u003e\n\u003cli\u003eFREQUENCY RESPONSE ± 1 DB 20 HZ TO 20KHZ.\u003c\/li\u003e\n\u003cli\u003eXLR AND TRS INPUTS. XLR AND TRS OUTPUTS.\u003c\/li\u003e\n\u003cli\u003e50DB OF GAIN.\u003c\/li\u003e\n\u003cli\u003eLESS THAN 0.4% TOTAL HARMONIC DISTORTION FROM 50 HZ TO 20 KHZ WITH LIMITING.\u003c\/li\u003e\n\u003cli\u003eSIGNAL TO NOISE RATIO IS GREATER THAN 74 DB AT +25 DBM.\u003c\/li\u003e\n\u003cli\u003eEIN -104.1 DBM.\u003c\/li\u003e\n\u003cli\u003eATTACK TIME, 20 MICROSECONDS TO 800 MICROSECONDS.\u003c\/li\u003e\n\u003cli\u003eRELEASE TIME, 50 MILLISECONDS TO 1 SECOND.\u003c\/li\u003e\n\u003cli\u003eMETER PROVIDES DB GAIN REDUCTION AND DB OUTPUT.\u003c\/li\u003e\n\u003cli\u003eSWITCHABLE 115\/230 VOLT IEC POWER INLET.\u003c\/li\u003e\n\u003cli\u003e19″ RACKMOUNT CHASSIS, 2U.\u003c\/li\u003e\n\u003cli\u003e1-YEAR WARRANTY.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":47842118271218,"sku":"939043000053","price":1099.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0768\/6363\/5698\/files\/76boy.jpg?v=1764014723"},{"product_id":"warm-audio-eqp-wa","title":"Warm Audio EQP-WA Pultec Style Tube Equaliser","description":"\u003ch3\u003ePultec Style Tube Equalizer\u003c\/h3\u003e\n\u003cp\u003eThe EQP-WA is a re-creation of the most renowned tube Equalizer in studio history, the \"Pultec EQP-1A\". Not only does the look and feel of the EQP-WA match the classic Pultec units, but the sonic quality has been carefully considered by using top-end components such as CineMag transformers and premium tubes. This fully discrete Tube EQ can pull euphoric sonics from any track and bring a brilliance and luster to mixes that’s nearly impossible to achieve inside-the-box. We are proud to have once again redefined the industry standard by bringing a fully professional-grade equalizer to the market at a price that's just as remarkable as the unit.\u003c\/p\u003e\n\u003cp\u003eOur goal was to make a equalizer affordable for the first time, without compromising the quality and design parameters that make this type of equalizer so desirable.\u003c\/p\u003e\n\u003cp\u003ePremium Components\u003c\/p\u003e\n\u003cp\u003eThe EQP-WA is a high-voltage tube equalizer, utilzing CineMag USA Transformers and two premium vacuum tubes by Tung-Sol.\u003c\/p\u003e\n\u003cp\u003eA Two Tube Operation\u003c\/p\u003e\n\u003cp\u003eThe EQP-WA operates on two tubes: one 12AX7 and one 12AU7. We proudly use Tung-Sol brand tubes in this product for their sonic richness and 'open' sound. These 2 tubes are socketed for easy swapping and replacement.\u003c\/p\u003e\n\u003ch3\u003eTechnical Specification\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eUTILIZES PREMIUM GRADE INPUT AND OUTPUT CINEMAG USA TRANSFORMERS.\u003c\/li\u003e\n\u003cli\u003eTUBE EQUALIZER BASED ON THE CLASSIC “PULTEC” EQP-1A.\u003c\/li\u003e\n\u003cli\u003ePREMIUM HIGH VOLTAGE 12AX7 AND 12AU7 TUBES.\u003c\/li\u003e\n\u003cli\u003eCINEMAG INDUCTOR EQ SECTION.\u003c\/li\u003e\n\u003cli\u003eEQ SECTION IS BYPASSABLE - SIGNAL STILL PASSES THROUGH TUBES AND TRANSFORMERS FOR WARMING EFFECT.\u003c\/li\u003e\n\u003cli\u003eXLR AND TRS TRANSFORMER BALANCED OUTPUTS.\u003c\/li\u003e\n\u003cli\u003eFLAT FREQUENCY RESPONSE FROM 20 HZ - 50 KHZ.\u003c\/li\u003e\n\u003cli\u003eXLR AND TRS TRANSFORMER BALANCED INPUTS.\u003c\/li\u003e\n\u003cli\u003eNO INSERTION LOSS - LOSS RESTORED BY TUBE AMPLIFIER.\u003c\/li\u003e\n\u003cli\u003e5 ADDED FREQUENCY POINTS FOR GREATER FLEXIBILITY.\u003c\/li\u003e\n\u003cli\u003eSWITCHABLE 115\/230 VOLT IEC POWER INLET.\u003c\/li\u003e\n\u003cli\u003eDIMENSIONS: 19 X 3.5 X 6 INCHES - 2RU RACK MOUNTABLE.\u003c\/li\u003e\n\u003cli\u003eLOW FREQUENCY BOOST - 20, 30, 60, 100, 200, 400, 800 HZ - 12 DB.\u003c\/li\u003e\n\u003cli\u003eLOW FREQUENCY CUT - 20, 30, 60, 100, 200, 400, 800 HZ - 18 DB.\u003c\/li\u003e\n\u003cli\u003eHIGH FREQUENCY BOOST - 3, 4, 5, 8, 10, 12, 16 KHZ - 18 DB.\u003c\/li\u003e\n\u003cli\u003eHIGH FREQUENCY CUT - 3, 4, 5, 10, 20 KHZ - 14 DB.\u003c\/li\u003e\n\u003cli\u003eBOOST AND CUT CONTROLS CAN BE USED SIMULTANEOUSLY FOR PHASE EFFECT.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":47842118303986,"sku":"939043000054","price":1099.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0768\/6363\/5698\/files\/banner-eqp-wa.jpg?v=1764014723"},{"product_id":"radial-reamp-jcr","title":"Radial Reamp JCR Studio Reamper","description":"\u003cul\u003e\n\u003cli\u003eLets you re-record tracks through a guitar or bass amp\u003c\/li\u003e\n\u003cli\u003eOriginal Reamp® circuit designed by John Cuniberti\u003c\/li\u003e\n\u003cli\u003ePlug and play easy to use passive design\u003c\/li\u003e\n\u003cli\u003eImproves productivity while expanding creative options\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe Reamp® JCR™ is a passive Reamper™ that allows you to take a prerecorded track and send it back to a guitar or bass amplifier and re-record it. The benefits are tremendous: instead of worrying about the sound of the track, you can focus your attention on getting the best musical performance. Once the magic has been captured, you can send the guitarist home and Reamp the track at will as you move the mics around the room, try various amplifiers or introduce effects. Best of all, you can Reamp the track later as the production develops.\u003c\/p\u003e\n\u003cp\u003eThe Radial Reamp JCR is the latest version of the original Reamp that was designed and patented by John Cuniberti. It features a 100% passive design with John's original custom wound 'Made in the USA' transformer and circuit. The latest Radial version features separate XLR and ¼\" TRS input connectors, variable output level plus a three-position filter that lets you tame excessive highs, warm up the lows or simply bypass if you want to revert to the original circuit. 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We pay homage to this audio-processing pioneer that has graced so many recordings, with our 2A-KT Classic Leveling Amplifier. And while vintage Teletronix LA-2As are extremely rare and expensive, the 2A-KT is amazingly affordable – and designed for the 21st Century. Mastering quality compression and limiting, at a price point that makes the 2A-KT equally at home in your studio – and your live rack!\u003c\/p\u003e\n\u003cp\u003eBuilding on a Classic\u003cbr\u003eThe 2A-KT draws inspiration from the original Teletronix LA-2A leveling amplifier, which was first produced in the early 1960s. Since then, Teletronix leveling amplifiers have been prized for their smooth musical sound, and audio engineers have utilised them at all stages of the recording process – from tracking to mastering.\u003c\/p\u003e\n\u003cp\u003eA Class Act\u003cbr\u003eAt the heart of the 2A-KT is a vintage lag-free optical attenuator based on the very same electroluminescent technology used in its predecessor. 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This time-tested combination provides ultra low-noise analog output with the ideal balance of tight, warm bass, silky-smooth midrange and brilliant, airy treble.\u003c\/p\u003e\n\u003cp\u003eMIDAS - The Legend in Sound Quality\u003cbr\u003eEver since its formation in the 1970s, XL4 and Heritage H3000 quickly became industry standards.\u003c\/p\u003e\n\u003cp\u003eMIDAS has earned an impeccable reputation due to their no-compromise approach for audio and build-quality, and in particular for their Award-winning Mic Preamps, considered by experts as the industry's best-sounding designs. Building on this legacy, the XL8 and PRO Series of Live Mixing Systems continue this great heritage of Award-winning audio quality.\u003c\/p\u003e\n\u003cp\u003eKLARK TEKNIK is proud to incorporate custom-designed MIDAS Input and Output transformers in the 2A-KT for the ultimate in high-quality audio reproduction in both live and studio environments. 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Stereo VCA bus compressors are masterful at controlling dynamics on many sources, but they have become widely known for their magic touch on stereo mixes.\u003c\/p\u003e\n\u003cp\u003eThe BUS-COMP will perform well on stereo mixes, drum mixes, drum overheads, acoustic guitars, keyboards, piano, orchestral instruments, voice-overs and an array of other sources. The BUS-COMP is primarily designed for stereo use, but it can be used just as successfully on individual mono sources. VCA bus compressors of this type have become widely loved for their ability to control dynamics effortlessly but also for the added tone and depth they provide to the audio signal that passes through them, even when no compression is applied.\u003c\/p\u003e\n\u003cp\u003eA Look Inside\u003c\/p\u003e\n\u003cp\u003eRe-creating legendary VCA bus compressor technology was the focus of the BUS-COMP’s design, however, adding options and improvements was just as important to us during its development. 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The added advantage of High Voltage rails and discrete Class A circuitry make the Thorax deal with audio signals with a huge amount of headroom and minimal sound degredation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThorax preamp:\u003c\/strong\u003e\u003cbr\u003eThe Thorax preamp features six way selectors for pad\/gain and shelf EQ. This allows for quick recallable settings and improved performance. Both High and Low shelf EQ have been intergrated into the preamp circuit to preserve signal purity. The frequency bands chosen are the ones which resonate best with this configuration. The High shelf EQ is smooth and never brittle and can be used to open up signals for increased clarity and definition. The Low shelf EQ adds or subtracts low frequency response to the signal and can be subtle or obese depending on the setting. The Equalizer sounds natural and classic leaving surgical manipulations to be done in the box. 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Compact, convenient, and stylish, MicroStation BT also makes it easy to add a subwoofer to create a 2.1 listening environment while putting the overall system level control right under your fingertips.\u003c\/p\u003e\n\u003cp\u003eA wireless input for your wired speakers.\u003cbr\u003eA convenient Bluetooth input lets you wirelessly stream audio to any pair of studio or media reference monitors right from your phone. Balanced ¼” TRS inputs are provided to connect pro audio hardware, like your audio interface. A stereo ⅛” input is available to hardwire your phone or tablet when you don’t want to use Bluetooth.\u003c\/p\u003e\n\u003cp\u003e2.1 puts the boom in your room.\u003cbr\u003eReady to add a subwoofer? MicroStation BT is ideal for creating a simple 2.1 system. A convenient, large knob lets you control the overall level of your speakers and sub at the same time. The Sub Bypass button lets you switch back to simple stereo listening whenever you like. 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